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7

Album Review

Cecil Taylor Orchestra Humane: At Iridium 2004

Read "At Iridium 2004" reviewed by Jack Kenny

by Jack Kenny

At Iridium 2004 is a vast work. Cecil Taylor also leaves behind similarly vast territories of sound: the 10-disc Feel Trio recordings 2 Ts For A Lovely T (Codanza Records, 1995) or the monumental In Berlin '88 box (FMP, 1989). Within jazz, his music stands like a monolith--challenging and imposing. Cecil Taylor Orchestra Humane's At Iridium 2004 continues the tradition. Taylor's hallmark intensity remained undiminished at the Iridium residency. Contemporary accounts suggest that these performances functioned less as ...

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1

Album Review

Taylor Ho Bynum 9-tette: The Ambiguity Manifesto

Read "The Ambiguity Manifesto" reviewed by Giuseppe Segala

by Giuseppe Segala

All'interno della generazione di musicisti che si sono formati con Anthony Braxton negli anni Novanta, studiando presso di lui alla Wesleyan University e collaborando ai suoi lavori di quel periodo, Taylor Ho Bynum spicca insieme a Mary Halvorson per versatilitĂ  dinamica e dovizia progettuale. Bynum, nel periodo in cui ha diretto la Tri-Centric Foundation, dal 2010-2018, ha pure prodotto molti importanti lavori di Braxton, tra cui due poderose opere della serie Trillium e due spettacoli di Sonic Genome. La sua ...

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11

Album Review

Taylor Ho Bynum: The Ambiguity Manifesto

Read "The Ambiguity Manifesto" reviewed by Mark Corroto

by Mark Corroto

Cornetist, composer, organizer and curator Taylor Ho Bynum marshals his recording The Ambiguity Manifesto into the categories of before and after, as in AM/PM, BC/AD, and maybe more appropriately before AACM (Association for the Advancement of Creative Musicians) and after AACM. With the entire breadth of recorded jazz history available, Bynum chose the concepts of the AACM as the tipping point(s) for this recording. This is a natural progression from his apprenticeship with Anthony Braxton and also his work with ...

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22

Album Review

Taylor Ho Bynum 9-tette: The Ambiguity Manifesto

Read "The Ambiguity Manifesto" reviewed by Karl Ackermann

by Karl Ackermann

Taylor Ho Bynum's The Ambiguity Manifesto, with its oxymoronic title, is the third album in what the cornetist-composer calls an “accidental trilogy." Following his Firehouse 12 Records releases Navigation (Possible Abstracts XII & XIII) (2013) and Enter the Plus Tet (2016), Bynum recognized a form--however unconventional--both in the composition and performing of these large ensemble works. With a 9-tette made up of members of his sextet and Plus Tet, Bynum adds Stomu Takeishi on electric bass. Bynum cites ...

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326

Album Review

The OtherTet: The OtherTet

Read "The OtherTet" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

The seemingly innocuously titled The OtherTet is far from an exercise in making-music in a modern idiom. A generation ago, speculation would be rife about minimalism and atonalism, terms that are laughable in today's context of existential angst. Therefore, when contemporary musical compositions delve into the macabre and the irony of contemporary existence a new idiom is born. One that combines the lament of the blues with the expressive rhythmic riches of Afro- centricity and the reinvention of music on ...

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