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Mike Osborne: Force Of Nature - Part 2-2
by Barry Witherden
Part 1 | Part 2 The passion and conviction of Osborne's playing was so intense that it almost always came across undiminished on recordings, whether they originated in a pub, club or concert-hall gig, or in a studio as part of a formal session. Some of his most exciting work was captured in front ...
Tim Armacost: Time Being
by Geno Thackara
From the initial trotting bass solo smoothly segueing into a toe-tapping slice of timeless bop, Time Being's opening jaunt makes an introduction fascinatingly tricky and inviting. Those familiar with the wide-ranging saxophonist Tim Armacost, however, know he's got much more still up his sleeve--and that no matter how complicated things get, they'll stay listenable and accessible ...
The Sonny Rollins Bridge Project seeks to rename NYC’s Williamsburg Bridge to commemorate Rollins’ musical sabbatical there from 1959-1961
In the summer of 1959, saxophonist Sonny Rollins disappeared from the jazz scene. He was 28 years old and at the height of his career. He would not record or perform publicly for almost three years, a virtual eternity for a jazz musician. Instead, Rollins took it to the bridge: he would practice, typically alone, up ...
Saturday at the Monterey Jazz Festival
by Dave Kaufman
Friday | Saturday | SundaySaturday at the Monterey Jazz Festival featured excellent performances by some of the lesser known artists, fine concerts by headliners and a great after-hour jam sessions. It was another splendid day with much great music. My day at the fest started out mid-afternoon with a fine performance by accomplished trumpeter ...
Mark Turner: Grounded in a Spiritual World
by Kurt Rosenwinkel
This article first appeared in issue no 8 of Music & Literature Magazine. I remember being at Berklee and listening to Mark in the practice room. A lot of people used to gather outside his practice room at various times and just listen to him. He would be in there ten hours a day, ...
Courtney Pine: Standing on the Shoulders of Giants
by David Burke
Courtney Pine didn't pick up his beloved tenor saxophone for more than a decade, until an album exploring the black British experience demanded it. The multi-instrumentalist eschewed the horn on the likes of Europa, House of Legends and Song (The Ballad Book), his two-hander with pianist Zoe Rahman. “I spoke to Sonny Rollins about ...
Jason Kao Hwang
by Paolo Peviani
Il tratto principale della mia musica Le qualità su cui concentro i miei sforzi sono l'umanità e la verità sonora. La qualità che desidero nei musicisti che suonano con me Mi piacciono i musicisti con una fervida immaginazione, che si esprimono attraverso un linguaggio autenticamente e pienamente personale. Mi piacciono i ...
Wadada Leo Smith: Solo: Reflections and Meditations on Monk
by Karl Ackermann
Wadada Leo Smith comes to the music of Thelonious Monk from a childhood admiration of the artist. As a pre-teen he was already playing trumpet and composing and instinctively knew that Monk's understanding of music and sound would influence his own creativity. Smith believes that the quintessence of Monk can best be found in his solo ...
Impressions of Monterey Jazz Festival 2017: MJF At 60
by Walter Atkins
Monterey Jazz Festival Monterey County Fairgrounds Monterey, CA September 15-17, 2017 The 60th edition of the long running Monterey Jazz Festival 2017 was well received. This year boldly continued the MJF's opulent tradition of presenting a special blend of fantastic jazz and other music genres in a casual ...
Piotr Turkiewicz: Putting Wroclaw On The Jazz Map
by Ian Patterson
At just thirty seven years of age it's hard to believe that Piotr Turkiewicz has been pulling the strings of Jazztopad for almost a decade already. The festival, staged each November in the Polish city of Wroclaw, was already a few years old when Turkiewicz became Artistic Director in 2008, but under the canny stewardship of ...
