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Citadelic 2019
by Martin Longley
Citadelic Citadelpark Gent, Belgium May 29-June 2, 2019 Free jazz with free admission. That's the appealing concept of the five-day Citadelic festival, which presents jazz, improvisation and other adventurous sounds, from around noon until around 10pm, in a continuous schedule that roams several dips and mounts, or caves ...
Experimentalists: Talking with Adam Berenson, Dana Jessen, and Abdul Moimême
by Karl Ackermann
The newly opened Théatre des Champs-Elysées was sold out on the night of May 29, 1913. The well-heeled Parisian audience had come to enjoy the much-anticipated premiere of Igor Stravinsky's “Rite of Spring" which featured the choreography of the acclaimed Russian ballet dancer Vaslav Nijinsky. Some accounts of what transpired that night appear to be exaggerated. ...
Satoko Fujii: Stone
by Karl Ackermann
There is something reassuring in Satoko Fujii's solo work, even in its most distant forms. While the pianist and composer doesn't repeat the past, the unexpected character of her music is itself the Fujii brand. In a 2018 All About Jazz interview, she spoke of her desire to create music never heard before. With Stone, she ...
Satoko Fujii: Stone
by Dan McClenaghan
The turning of the calendar page to the year 2019 presented a dilemma for pianist/composer/bandleader Satoko Fujii: how to follow up her 2018 CD release-per-month marathon in celebration of her sixtieth birthday—called kanreki in Japan. Would she be tapped out or wearied after the frenetic release pace of the previous year? Or would the relentless creativity ...
Mark Dresser: Ain't Nothing But a Cyber Coup & You
by Dan McClenaghan
Bassist Mark Dresser played on saxophonist Joe Lovano's Flights Of Fancy: Trio Fascination, Edition 2 (Blue Note, 2001), and he sat in with soprano saxophonist Jane Ira Bloom on her Like Silver, Like Song (Artist Share, 2005) and Chasing Paint (Arabesque, 2002); and he and drummer Jim Black filled in as trio mates on pianist Satoko ...
20 Years of One Man’s Jazz
by Maurice Hogue
This show marks the 20th anniversary of One Man's Jazz which began its radio journey on May 1, 1999 at CKUW 95.9 FM in Winnipeg, eventually shifting to extraterrestrial Taint Radio in 2012. Rather than just play something from my favourite recording list for each of those twenty years (that was too easy), I decided to ...
Alister Spence & Satoko Fujii Orchestra Kobe: Imagine Meeting You Here
by Alberto Bazzurro
Un bell'organico composto da musicisti in orbita-Satoko Fujii (a partire dal marito e compagno di mille battaglie musicali Natsuki Tamura) rilegge pagine orchestrali frutto della vis compositiva dell'australiano Alister Spence, con cui la pianista nipponica ha ripetutamente collaborato in tempi più o meno recenti (il loro primo incontro risale al 2007). L'impianto è—per ...
Vinny Golia, Gianni Mimmo: Explicit
by Neri Pollastri
Ormai una dozzina d'anni orsono intervistammo l'allora quasi sconosciuto sopranista pavese Gianni Mimmo, che aveva appena inaugurato l'etichetta discografica Amirani Records (clicca qui per leggere l'intervista); Mimmo dichiarava di essere sempre stato attratto in primo luogo dal suono e di essersi dedicato esclusivamente al sax soprano proprio perché, a causa della sua “imperfezione," è uno strumento ...
Charles Rumback, Kuzu and More
by Maurice Hogue
There's a slight Chicago flavour to this episode. Drummer Charles Rumback hooked up with noted New Orleans bassist James Singleton for Rumback's latest recording, Cadillac Turns. In an odd twist of strange, Singleton approached a jet-lagged Rumback in a bar in Sydney Australia and said he had seen Rumback playing in a Chicago bar a few ...
David Liebman & Jeff Coffin, Acamar Trio & More
by Maurice Hogue
Danish percussionist and drummer Marilyn Mazur has worked with some of the greats--Miles Davis, Wayne Shorter, Gil Evans, Jan Garbarek--but her latest project is unlike anything previously. She's assembled an ensemble of top women musicians from Scandinavia for her new Shamania release. It's a highlight of this episode of One Man's Jazz, and so is the ...
