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Kristina Koller: Get Out of Town
by Richard J Salvucci
If you do Cole Porter, you are in the big league. Anita O'Day, Ella Fitzgerald, Rosemary Clooney, Susannah McCorkle have all been there and done that. Kristina Koller is a relative newcomer--this is her third album--and is, by choice, in illustrious company. Comparisons are invidious, but what do you do? Imitate? Emulate? Or strike out in ...
Jo Harrop: The Heart Wants
by Richard J Salvucci
Is it the behind-the-beat feel Ms Harrop gets, even when she is not? Or perhaps it is in the phrasing? Somehow, she puts a listener in mind of Keely Smith, which is a good thing. There are some very talented jazz singers in the United Kingdom; Jo Harrop is certainly one of them. Here is a ...
Cook / Coursil / Gale / Robinson / Tintweiss: Ave B Free Jam
by Richard J Salvucci
A small story to motivate this review. Once upon a time, there was a scholar in a field of the humanities who wrote quite obscurely, even for the humanities, although his prose did not approach the glories of the postmodern. Most agreed that his writing was incomprehensible. It was sesquipedalian, if not totally obscure. In his ...
James Gaiters' Soul Revival: Understanding Reimagined
by Richard J Salvucci
Anyone struck with a sense of deja vu by this recording, is not alone. Even without reference to John Patton's 1968 album Understanding , the feel of the late '60s and early '70s is overwhelming. Whether it is called Soul Jazz or funk, it has strong echoes of an era when the Hammond B-3 was king. ...
Ewan Bleach Quartet: Ewan, The Night 'n The Music
by Richard J Salvucci
There are probably very people around in 2022 who could claim to remember a jazz controversy that pitted “moldy figs" against “progressives." In the 1940s and the 1950s, provoked in part by the advent of bebop, but, going back to the swing era, partisans of what was termed “New Orleans" style jazz or, pejoratively, “Dixieland," were ...
Brev Sullivan: Ira: The Tribute Album
by Richard J Salvucci
Ira Sullivan was customarily described as a “musician's musician." First in Chicago, later in Miami, it was always certain that whatever he was playing--trumpet or sax-- would be a delight. Someone once said, more or less, he can blow most people away on their own horns. That may account for a certain tentativeness in acknowledging just ...
Juan Carlos Quintero: Table for Five!
by Richard J Salvucci
As the news gets worse, why do some kinds of music simply sound better and better? Juan Carlos Quintero's Table for Five is, by content at least, “Latin Jazz." Yet there is something for everyone, including “Alone Together," “Giant Steps" and a slightly different version (as a cha-cha-cha) of Horace Silver's Cape Verdean- inflected “Song for ...
Amos Gillespie: Unstructured Time for Jazz Septet
by Richard J Salvucci
The premise of this interesting recording may well be summarized in the old Roman proverb, “Make haste, but slowly." Amos Gillespie is a Chicago-based composer and instrumentalist who has composed a nine-part jazz suite for a septet. In his own words, Unstructured Time is “about capturing childhood focus, creativity and peace through unstructured time." The title ...
The Best Musical Almost No One Ever Saw: The Real Ambassadors
by Richard J Salvucci
The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation Keith Hatschek 279 Pages ISBN:978-1-4698-3784-4 University Press of Mississippi 2022 In the late 1950s, Dave Brubeck and Iola Brubeck decided that it might be time for jazz to visit Broadway. Iola, in particular, felt strongly ...
Matt Gordy: Be With Me
by Richard J Salvucci
There is an expression of high regard for playing, “in the tradition," which basically means, yeah, that is jazz, music of the highest order. Matt Gordy's “Be With Me" is particularly arresting because it is in the tradition, but neither a recreation nor an exercise in nostalgia. Everyone from Charlie Christian to Modern Jazz ...
