Matt Gordy: Be With MeBy
Everyone from Charlie Christian to Modern Jazz Quartet has played "Topsy" (1937) in one form or another. It lends itself to multiple blues changes and swing to boppish solos, all of which you will find. Play close attention to Gordy and his band soloing on this classic, but with up-to-date ideas. "You and the Night and the Music" is quite novel, with a unison horn quote from Mulgrew Miller's solo on the tune on Tony Williams Young at Heart (Columbia, 1997) followed by Jeff Elwood, Ron Stout and Ido Meshulam, up tempo, but not at a breakneck pace. "Camouflage" is a Gordy original that somehow conjures up both Herbie Hancock's Maiden Voyage (Blue Note, 1965) and a Havana club scene from Francis Ford Coppola's "The Godfather," (1972) with Alan Pasqua playing a pretty solo over Chris Colangelo's repeated bass figure. "Spring Ahead" is a boppish, twisting melody that explodesand that is the only wordwith Gordy pushing everyone, himself included.
Just when you may need a break, you get one with "Chloe," an original ballad dedicated to Gordy's granddaughter. There are two vocals as well, featuring Sherry Williams, "Sunny" and "Be With Me." They bring yet another flavor, a different texture to an already engagingly diverse set of performances. "Soul Eyes" is another contrafact that owes its origins to John Coltrane. Ido Mesulam's trombone solo here is about harmonies and ideas. Most emphatically, not another display of superchops on the instrument. The tenor-bone blend on the out chorus is most tuneful and tasteful. "My Shining Hour" is one of those standards that gives a player space to blow, which both Ellwood and Stout do to excellent effect. Some superb comping (and a great solo) by Alan Pasqua can be heard as well. If you like the sound of Ron Stout's trumpet leading the way, there is plenty of it on "Wheatland," It eases into another ironic Ido Meshulam 'bone solo cum unison passage.
A very fine recording: swinging, sophisticated, varied and most musical. Matt Gordy reminds his listeners that you can have respect for the past, but not be a prisoner of it. The liner notes by Ken Franckling are literate and a pleasure to read as well.
Topsy; You and the Night and the Music; Camouflage; Spring Ahead; Chloe; Be with Me; Soul Eyes; My Shining Hour; Wheatland; Sunny.
Matt Gordy: drums; Ron Stout: trumpet; Jeff Ellwood: saxophone, tenor; Ido Meshulam: trombone; Alan Pasqua: piano; Chris Colangelo: bass; Sherry Williams: voice / vocals.
Title: Be With Me | Year Released: 2022 | Record Label: Self Produced
Post a comment about this album
FOR THE LOVE OF JAZZAll About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
WE NEED YOUR HELPTo expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
About Matt Gordy
Instrument: DrumsArticle Coverage | Calendar | Albums | Photos | Similar Artists