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Chris Colangelo

Anyone familiar with the Los Angeles jazz scene probably is already acquainted with bassist Chris Colangelo: he has worked at length in the City of Angels jazz circuit, as a leader or a guest, has recorded with other artists, and done stints for television and soundtrack projects.

Colangelo, however, is not as well known for his composition skills, which hopefully will change with his latest outing, "Elaine’s Song," the nine-track, hour-long album Colangelo has spent two years putting together.

The mostly postbop material is a showcase for Los Angeles talent and positions a basic trio setup (celebrated pianist John Beasley, drummer Steve Hass and Colangelo) alongside other notable L.A.-based players: Benn Clatworthy (who adds tenor sax and flute), Bob Sheppard (who contributes tenor and soprano sax) and alto saxophonist Zane Musa.

Chris Colangelo has been living, working and recording in Los Angeles for about the last 20 years or so. He hails from the Philadelphia area and got his start working in the casino music scene of Atlantic City before moving west. Over these many years Colangelo has been honing his skills as bassist and composer all the while playing with many of the finest jazz musicians L.A. has to offer.

His dedication to his sound and musicality are apparent. The title song, “ Elaine’s Song” , is dedicated to Colangelo’s wife he met at Trump Plaza,( they have three children and are married after all these years), features some of this fine player’s solo bass lines. He has a round, generous tone that is warm, precise and inventive. Chris’ connection to his family is the same dedication to his music is apparent from his “thank you” in the liner notes on Elaine’s Song.

Born in Camden, New Jersey, Chris attended Rowan University, majoring in jazz performance. Then a resident of the Philadelphia area, Chris was part of the local jazz scene, with session work throughout the Delaware Valley, including gigs in Atlantic City. After moving to Los Angeles in late '91, Chris began performing and traveling with heavyweights such as the Thad Jones/Mel Lewis Orchestra, Yusef Lateef, Jimmy Cleveland, Alex Acuna, Roy McCurdy, Doc Severinsen, Ernie Watts, Kei Akagi, Les McCann, Richie Cole, Sal Marquez, Joe La Barbera and Peter Erskine among many others.

Chris's album, 2 trios + 1 -- “Live” (BluePort Jazz), earned plaudits at the Consumer Electronics Show in Las Vegas soon after its appearance in nationwide distribution. Legendary pianist Jane Getz joined Chris for this “in concert” recording, along with percussionist Dave Hocker and saxophonist Chuck Manning.

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Album Review

Mark Masters Ensemble: Sam Rivers 100

Read "Sam Rivers 100" reviewed by Dan McClenaghan


The Mark Masters Ensemble released Porgy and Bess Redefined! (Capri Records) in 2005. The music was taken from the George Gershwin/DuBose Heyward English-language opera, which was first performed in 1935. Masters' take on the classic was brilliantly expressed by the ensemble, who dug into his adventurous charts with freedom mixed with respect for the familiar and often-covered (most notably by the Miles Davis/Gil Evans teaming) original. It was a breakout effort for Masters. Billy Harper was there on tenor sax, ...

30
Album Review

Mark Masters Ensemble: Dance, Eternal Spirits, Dance!

Read "Dance, Eternal Spirits, Dance!" reviewed by Jack Bowers


In 2023-24, the celebrated arranger Mark Masters led his superb southern California-based ensemble into studios to record a pair of tribute albums. The first, Sam Rivers 100, was dedicated to the music of the late saxophonist on the one hundredth anniversary of his birth; the second, Dance, Eternal Spirits, Dance!, to that of another renowned saxophonist, Billy Harper, who is not only very much alive at age eighty-two but serves as guest soloist on both recordings. Unlike ...

37
Album Review

Mark Masters: Sam Rivers 100

Read "Sam Rivers 100" reviewed by Jack Bowers


Sam Rivers 100 is the first of two homages recorded in 2023-24 by arranger Mark Masters and his blue chip southern California-based ensemble. This one pays tribute to the music of the late saxophonist Sam Rivers on the hundredth anniversary of his birth; the second, Dance, Eternal Spirits, Dance! salutes the music of tenor saxophonist Billy Harper who is the ensemble's guest soloist on both albums. Rivers, who died in December 2011, was an early bebopper who ...

2
Album Review

Matt Gordy: Be With Me

Read "Be With Me" reviewed by Richard J Salvucci


There is an expression of high regard for playing, “in the tradition," which basically means, yeah, that is jazz, music of the highest order. Matt Gordy's “Be With Me" is particularly arresting because it is in the tradition, but neither a recreation nor an exercise in nostalgia. Everyone from Charlie Christian to Modern Jazz Quartet has played “Topsy" (1937) in one form or another. It lends itself to multiple blues changes and swing to boppish solos, all of ...

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Album Review

The Matt Gordy Jazz Tonite Sextet: Be With Me

Read "Be With Me" reviewed by Jack Bowers


In 2006, drummer Matt Gordy heeded the mandate to “go west, young man," moving from Boston to Los Angeles, while he was still “young at heart," and quickly becoming a mainstay of the local scene, after years of success as a jazz and classical drummer in New England, and even with the Maracaibo, Venezuela, Symphony Orchestra, where he spent nine years as chief percussionist. After fifteen years gigging in Los Angeles, Gordy decided it was time to record his first ...

8
Album Review

The Jazz All Stars: The Jazz All Stars Volume 1

Read "The Jazz All Stars Volume 1" reviewed by Jim Worsley


The gigless times of 2020--the year of the Covid-19 pandemic--could have brought musicians and the industry to their collective knees, gasping for air. Instead, it resulted in more new music than ever before. It filled our lungs with fresh air. It filled our hearts and souls, not to mention our ears. New businesses opening, defying the odds and pursuing their dreams, is a relevant factor. Le Coq Records, emerging in 2020, boldly presents an all-star ensemble—featuring many of ...

243
Album Review

Chris Colangelo: Elaine's Song

Read "Elaine's Song" reviewed by Edward Blanco


Representing the second album in a decade for Los Angeles-based bassist Chris Colangelo, Elaine's Song documents seven original compositions that he has been working on for two years; time well spent, considering the caliber of the charts. Though the originals are the meat of this musical endeavor, the most ambitious piece of the album, “Falling Grace" is borrowed from bassist Steve Swallow, and provides the bassist a platform to showcase his acoustic bass chops. The other non-original tune in the ...

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Jazz reviewer John Gilbert wrote about that session, “live at Monteleone's in Los Angeles, [where] Colangelo assembled an all star cast, ” that the listener will understand why [Chris] is much in demand upon hearing him in action. His assertive approach and rapid fire solos take bass playing to another level...power tempered with feeling is a most sought after attribute and Colangelo achieves this with a natural ability grounded in musical education.”

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Music

Recordings: As Leader | As Sideperson

Sam Rivers 100

Capri Records
2025

buy

Dance, Eternal...

Capri Records
2025

buy

Be With Me

Self Produced
2022

buy

The Jazz All Stars...

Le Coq Records
2021

buy

To Be With You

DistroKid
2020

buy

Elaine's Song

Point of Departure, WMPG-FM
2011

buy

Downstairs Blues Upstairs

From: Sam Rivers 100
By Chris Colangelo

Was It Here...Is It There?

From: Dance, Eternal Spirits, Dance!
By Chris Colangelo

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