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Article: Multiple Reviews

A Beautiful Friendship: Benjamin Koppel and Kenny Werner

Read "A Beautiful Friendship: Benjamin Koppel and Kenny Werner" reviewed by Jakob Baekgaard

by Jakob Baekgaard

A good friendship is all about communication--two people being able to understand and correspond with each other, creating a sense of togetherness which leaves room for the kind of conversation that goes beyond the mere chitchat of everyday life. Pianist Kenny Werner and saxophonist Benjamin Koppel have developed a unique musical friendship. Strong ...

397

Article: Multiple Reviews

Tatsuya Nakatani: Essences and Abiogenesis

Read "Tatsuya Nakatani: Essences and Abiogenesis" reviewed by Clifford Allen

by Clifford Allen

What is improvised music without visuality? While the music of improvising composers can be felt and picked apart aurally, the physical act of making music in an un- preconceived setting is something rather extraordinary and easily lost through the audible distance of a recording. It's not just the dynamic, theatrical high jinks of a player like ...

384

Article: Multiple Reviews

Michael Dease, Mike Fahie: Attack of the Killer Trombones!

Read "Michael Dease, Mike Fahie: Attack of the Killer Trombones!" reviewed by J Hunter

by J Hunter

The trombone: long locked into a stereotypical role formed by Dixieland, and only occasionally broken since. Fortunately, the last few years have seen more and more trombonists following J.J. Johnson's lead and bringing the instrument out front. Four discs with trombones at their center have stood out so far in 2010; two are reviewed here, two ...

399

Article: Multiple Reviews

Une, Deux, Trois: Solo, Duo and Trio Improvisation from Europe

Read "Une, Deux, Trois: Solo, Duo and Trio Improvisation from Europe" reviewed by Clifford Allen

by Clifford Allen

At one point in time, the term “European Improvisation" meant something quite specific, carrying with it an air of otherness to American jazz audiences, solidarity to European jazz audiences, and presented rarified and sometimes unruly music based on folk, classical and open forms. In the ensuing decades, the world has grown a bit smaller, and intercontinental ...

378

Article: Multiple Reviews

New Voices: Sarah Manning, John Escreet, Kneebody

Read "New Voices: Sarah Manning, John Escreet, Kneebody" reviewed by J Hunter

by J Hunter

Jazz is like the human body. It needs fresh air, constant activity and a steady stream of nutrients to stay hale and hearty. Conversely, if all the genre does is sit in a comfy chair and try to live on what came before, it becomes sedentary, incurious and--ultimately--self destructive. Fortunately, the young keep jazz active and ...

361

Article: Multiple Reviews

Dave Liebman: Live / As Always and Quest for Freedom

Read "Dave Liebman: Live / As Always and Quest for Freedom" reviewed by John Kelman

by John Kelman

Quite possibly the hardest-working saxophonist--if not the hardest working musician, period--these days, not a month goes by when there doesn't seem to be a new release from veteran jazzer Dave Liebman.In the twelve months since autumn 2009 alone, Liebman has been spotted in freer terrain, collaborating with another active saxophonist, Evan Parker, ...

427

Article: Multiple Reviews

Eclectic electric jazz comes of age

Read "Eclectic electric jazz comes of age" reviewed by Mark Corroto

by Mark Corroto

Back in the 1980s, the marriage of jazz and electronics produced the unfortunate, creativity destroying “jazz fusion" genre. That was because drum machines, synthesizer produced horn lines and computer generated hand claps were often too perfect. A sort of “sanitized for your protection" version of motel drinking glasses. Think about the then innovative trumpeter Miles Davis' ...

496

Article: Multiple Reviews

In Praise of John Russell

Read "In Praise of John Russell" reviewed by John Eyles

by John Eyles

English guitarist John Russell is from the wave of free improvisers who came after the so-called first generation typified by such “founding fathers" as guitarist Derek Bailey, saxophonist Evan Parker, trombonist Paul Rutherford and drummer John Stevens. In his teens, Russell played at the Little Theatre Club, the cradle of free improv in London, and took ...

Article: Multiple Reviews

Altri/Ritmi d’estate 2010 - Danzare è d’obbligo sotto il soul-leone!

Read "Altri/Ritmi d’estate 2010 - Danzare è d’obbligo sotto il soul-leone!" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Come da tradizione, AllAboutJazz Italia stila per voi una lista di dischi tutti da ballare e vivere in questa estate davvero torrida. Tra nu-soul e elettronica, granite funk e nostalgie da spalmare sulle spalle per non scottarsi, esotismi da ombrellone e notti di lustrini che sembrano stelle, tuffiamoci quindi dentro questi Altri/Ritmi d'estate! AA.VV. Music for ...

Article: Multiple Reviews

Soul e fusion oltre cortina nella ristampe della Vampi Soul!

Read "Soul e fusion oltre cortina nella ristampe della Vampi Soul!" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Marta Kubišová Ne! The Soul of Marta Kubišová Vampi Soul - distr. Goodfellas Valutazione: 3,5 stelle Se sulla carta l'idea di una cantante soul cecoslovacca rischia di apparire bizzarra quanto quella di un gondoliere tibetano, bastano le prime note di “Tak Dej Se K Nam A Projdem Svet" per proiettare l'ascoltatore in un mondo nel quale, ...


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