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5

Article: From the Inside Out

One Day in Brazil, 50 Years in Germany

Read "One Day in Brazil, 50 Years in Germany" reviewed by Chris M. Slawecki


Tony Adamo Was Out Jazz Zone Mad Ropeadope 2018 Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, ...

1

Article: Live Review

Joey Alexander Trio With Chris Potter at SFJAZZ

Read "Joey Alexander Trio With Chris Potter at SFJAZZ" reviewed by Harry S. Pariser


Joey Alexander Trio with Chris PotterSFJAZZ San Francisco, CA December 13, 2018 Child prodigies have long maintained an important presence in jazz. These have included Bix Beiderbecke, Herbie Hancock, Tony Williams and Keith Jarrett. Jarrett gave his first formal recital at the age of seven. Hancock performed on piano with the ...

10

Article: Live Review

Falcarragh Winter Jazz Festival 2018

Read "Falcarragh Winter Jazz Festival 2018" reviewed by Ian Patterson


Falcarragh Winter Jazz Festival Various Venues Falcarragh, Ireland December 7-8, 2018 It only rained twice during the inaugural Falcarragh Winter Jazz Festival--all day Friday, and then all day Saturday. Still, no amount of rain or wind could dampen the spirits of those who turned out to support this bold initiative ...

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Video

The greatest album covers of jazz

Featuring the music of Joe Henderson
Duration: 6:50

Blue Note captured the refined sophistication of jazz during the early 60s, giving it its signature look in the process. Subscribe to our channel! http://goo.gl/0bsAjO When asked to visualize what jazz looks like, you might picture bold typography, two tone photography, and minimal graphic design. If you did, you’re recalling the work of a jazz label that single-handedly defined the “look” of jazz music in the 1950s and1960s: Blue Note. Inspired by the ever present Swiss lettering style that defined 20th century graphic design (think Paul Rand), Blue Note captured the refined sophistication of jazz during the early 60s, particularly during the hard bop era, and gave it a definitive visual identity through album covers.
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Article: Album Review

Fred Hersch Trio '97: Fred Hersch Trio '97 @ The Village Vanguard

Read "Fred Hersch Trio '97 @ The Village Vanguard" reviewed by Dan McClenaghan


Pianist Fred Hersch paid some dues at the Village Vanguard, sitting in as a sideman there from 1979 on, playing with the bands of saxophonist Joe Henderson, trumpeter Art Farmer, alto sax man Lee Konitz, and bassist Ron Carter. But he waited until 1997 to make his debut as a leader. That debut was captured on ...

15

Article: Interview

Jay Thomas: We Always Knew

Read "Jay Thomas: We Always Knew" reviewed by Paul Rauch


Legacy is a fleeting notion. It is incomprehensible in real time when a career hits high points, when certain doors open to quantitative opportunity. Jay Thomas can tell you a thing or two about that, based on his own personal experience as a jazz artist over half a century. His story includes playing on the Seattle ...

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Article: Live Review

Live Harps From Birmingham: FitkinWall, Robin Williamson & Alina Bzhezhinska

Read "Live Harps From Birmingham: FitkinWall, Robin Williamson & Alina Bzhezhinska" reviewed by Martin Longley


FitkinWall Royal Birmingham Conservatoire June 25, 2018 In an uncanny bending of happenstance tendencies, we found ourselves with three harp gigs in less than one week, even though manifested as moderne classical, folk troubadour and spiritual jazz styles. Harpist Ruth Wall and keyboardist Graham Fitkin regularly work together ...

2

Article: Album Review

Carlos Averhoff Jr.: iQba - Jazz Meets Cuban Timba

Read "iQba - Jazz Meets Cuban Timba" reviewed by Troy Dostert


On iQba, tenor saxophonist Carlos Averhoff Jr. employs a skilled quintet to provide dance-worthy renditions of a series of jazz classics plus an original ballad, all shaped by timba, one of the homegrown musical forms of his native Cuba. It's an effective take on Latin jazz, and provides enough strong musicianship to ensure that Averhoff's challenging ...

5

Article: Live Review

Connie Han Trio at Smoke Jazz Club

Read "Connie Han Trio at Smoke Jazz Club" reviewed by Mike Jurkovic


Connie Han Trio Smoke Jazz Club New York, NY October 4, 2018 Combustible is the first word that sprung to mind as pianist Connie Han opened her first set by spring loading her wily rhythm-mates, bassist Edwin Livingston and drummer/musical director Bill Wysaske through a twisty, bop energy ...

2

Article: Album Review

Connie Han: Crime Zone

Read "Crime Zone" reviewed by Mike Jurkovic


Twenty-two year old pianist Connie Han comes at you flashy, fast, and furious on her Mack Avenue debut Crime Zone. But it's flashy and fast with more than enough sense of history and creative curiosity to keep your ear pinned to whatever device you're listening on. “Another Kind of Right" jumps from the start ...


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