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Guitar Gods & Goddesses: An Alternative Top Ten Albums
by Chris May
Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...
Matthieu Bordenave: La Traversée
by Friedrich Kunzmann
The French word La Traversée may equally refer to a crossing, a passage or a journey. Surely related yet with disparate meanings, the three terms have a sense of motion in common. How defined that motion is and whether it's backward, forward, or even sideways, remains unknown. The only thing for certain is its determination to ...
Mirco Mariottini, Stefano Battaglia: Music for Clarinets and Piano
by Neri Pollastri
Mirco Mariottini e Stefano Battaglia, due musicisti dalle frequentazioni abbastanza diverse ma accomunati dal gusto per la ricerca e dal forte rigore, si incontrano qui per dar vita a un disco di improvvisazioni dal sapore cameristico, ognuna delle quali dedicata a (e palesemente ispirata da) un musicista di estrazioni ed epoche molto diverse tra loro.
Adam Shulman Septet: West Meets East
by Jack Bowers
The “west" here is represented by San Francisco-based pianist and group leader Adam Shulman, the “east" by the other half-dozen members of Shulman's impressive septet. Even though the reasons that led to the alliance are ambiguous, what matters is the payoff, and that is more than admirable from any vantage point. As if ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
My Early Years with Bill Evans, Part 2
by Chuck Israels
Bassist and composer Chuck Israels was raised in a musical family. He studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his parents, and at the High School of Performing Arts in New York City. A year at Massachusetts ...
Federica Michisanti Horn Trio: Jeux De Couleurs
by Angelo Leonardi
Il fermento creativo dell'Horn Trio di Federica Michisanti (con Francesco Bigoni al clarinetto/sax tenore e Francesco Lento alla tromba/flicorno) compie nuovi passi avanti. L'estetica di fondo è ovviamente in sintonia con il precedente Silent Rides e in parte con Isk (Filibusta Records, 2016), registrato col sassofonista Matt Renzi e il pianista Simone Maggio. Alla libertà armonica ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
Frank Tiberi: The Thundering is Still Heard
by Jim Worsley
The term “ninety-two years young" is a bit cliché, but if the shoe fits (oops, another cliché). Saxophonist Frank Tiberi (pictured above playing with saxophonist and long time friend George Garzone to the left) spoke with the verve and energy of a much younger man. He got excited, as if being back in the moment, when ...
Big April Birthdays & More
by Marc Cohn
April birthdays this week on G&M with the Carmen McRae centennial, along with the 90th birthdays of Herbie Mann, pianist Frank Strazzeri (who toured in the 1970's with Elvis!), Claude Bolling and Richard Davis (the latter 2 still with us); as well as the 80th birthdays of George Adams and the very much alive Herbie Hancock! ...
