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Article: Take Five With...

Take Five with Marcio Resende

Read "Take Five with Marcio Resende" reviewed by AAJ Staff


Meet Marcio Resende Recognized as one of Brazil's leading woodwind players, Marcio Resende studied at two prestigious U.S. music institutions early in his career, Berklee College of Music and The New England Conservatory, before pursuing doctoral studies at New York University. He has studied with Jimmy Giuffre, George Russell, Joe Allard, Dr. William Thomas McKinley, John ...

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Article: Interview

Tino Tracanna: L'arte della sintesi

Read "Tino Tracanna: L'arte della sintesi" reviewed by Angelo Leonardi


La pubblicazione dell'ultimo album di Tino Tracanna, Distilled, che è anche il debutto discografico del nuovo trio, ci ha dato l'occasione per parlare con uno dei protagonisti del jazz in Italia. Alla presentazione del nuovo lavoro segue un'ampia discussione sugli elementi costitutivi della sua musica, sugli artisti a lui più cari, sulla didattica nei ...

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Article: Album Review

Charlie Parker: Be Bop Live

Read "Be Bop Live" reviewed by Mark Corroto


The name of the record label is ezz-thetics, which was also a composition by George Russell and an album of the same name (which featured Eric Dolphy) released by Riverside Records in 1961. Maybe a better moniker for the label is “Lest We Forget." Not that we could ever abandon Charlie Parker, but today when streaming ...

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Article: Building a Jazz Library

Guitar Gods & Goddesses: An Alternative Top Ten Albums

Read "Guitar Gods & Goddesses: An Alternative Top Ten Albums" reviewed by Chris May


Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...

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Article: Album Review

Matthieu Bordenave: La Traversée

Read "La Traversée" reviewed by Friedrich Kunzmann


The French word La Traversée may equally refer to a crossing, a passage or a journey. Surely related yet with disparate meanings, the three terms have a sense of motion in common. How defined that motion is and whether it's backward, forward, or even sideways, remains unknown. The only thing for certain is its determination to ...

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Article: Album Review

Mirco Mariottini, Stefano Battaglia: Music for Clarinets and Piano

Read "Music for Clarinets and Piano" reviewed by Neri Pollastri


Mirco Mariottini e Stefano Battaglia, due musicisti dalle frequentazioni abbastanza diverse ma accomunati dal gusto per la ricerca e dal forte rigore, si incontrano qui per dar vita a un disco di improvvisazioni dal sapore cameristico, ognuna delle quali dedicata a (e palesemente ispirata da) un musicista di estrazioni ed epoche molto diverse tra loro.

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Article: Album Review

Adam Shulman Septet: West Meets East

Read "West Meets East" reviewed by Jack Bowers


The “west" here is represented by San Francisco-based pianist and group leader Adam Shulman, the “east" by the other half-dozen members of Shulman's impressive septet. Even though the reasons that led to the alliance are ambiguous, what matters is the payoff, and that is more than admirable from any vantage point. As if ...

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Article: Building a Jazz Library

Atlantic Records: More Giant Steps: An Alternative Top 20 Albums

Read "Atlantic Records: More Giant Steps: An Alternative Top 20 Albums" reviewed by Chris May


Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...

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Article: The Jazz Life

My Early Years with Bill Evans, Part 2

Read "My Early Years with Bill Evans, Part 2" reviewed by Chuck Israels


Bassist and composer Chuck Israels was raised in a musical family. He studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his parents, and at the High School of Performing Arts in New York City. A year at Massachusetts ...

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Article: Album Review

Federica Michisanti Horn Trio: Jeux De Couleurs

Read "Jeux De Couleurs" reviewed by Angelo Leonardi


Il fermento creativo dell'Horn Trio di Federica Michisanti (con Francesco Bigoni al clarinetto/sax tenore e Francesco Lento alla tromba/flicorno) compie nuovi passi avanti. L'estetica di fondo è ovviamente in sintonia con il precedente Silent Rides e in parte con Isk (Filibusta Records, 2016), registrato col sassofonista Matt Renzi e il pianista Simone Maggio. Alla libertà armonica ...


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