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Miles Davis' 3rd Quintet: Reference: Bitches Brew Live 1969 In Europe
by Mark Corroto
For Miles Davis, timing was everything. His music rarely stood still long enough for audiences to catch up. The Columbia releases of Filles de Kilimanjaro (January 29, 1969) and In a Silent Way (July 30, 1969) marked the decisive bridge between his acoustic past and electric future. Yet Davis was already moving beyond that bridge before ...
Alden Hellmuth: Saxophone Tethered To A Galaxy Of Bass
by Lawrence Peryer
This week, we're putting The Tonearm's needle on saxophonist and composer Alden Hellmuth.Alden grew up in Hartford, studying in the Jackie McLean tradition, and now works out of New York City. Her new album is called Tether (Leiter, 2026), and it features a band centered on two bass players, rounded out by drums, piano, ...
Sullivan Fortner: Nothing's Ever Finished
by Andrew Schinder
Modern jazz musicians are often faced with the impossible, and frankly unfair, task of honoring the music's history and traditions while adding modern elements and contemporary facets to make a 125-year-old musical genre sound fresh. This burden falls even more acutely on musicians hailing from, or who are particularly associated with, the City of New Orleans. ...
Miles Davis: Miles '56: The Prestige Recordings
by Mark Corroto
The ancient Greek philosopher Heraclitus never met Miles Davis, but his famous observation, “No man ever steps in the same river twice, for it's not the same river and he's not the same man," seems tailor-made for the trumpeter. Few artists transformed themselves as completely or as often as Davis. Listeners encountering his music today can ...
Alden Hellmuth: Tether
by Jack Kenny
Where will new musicians gain their experience? Alden Hellmuth, a saxophonist, composer, and improviser based in New York City, offers one compelling answer: by forging her own path. A graduate of the Herbie Hancock Institute of Jazz, she was awarded the 2025 German Jazz Prize for Debut Album of the Year and has appeared ...
Zen Zadravec: New Paradigm
by Jack Bowers
While there are few new wrinkles on Canadian-born pianist Zen Zadravec's album, New Paradigm, neither is there anything to mar this well-wrapped post-bop session comprised of eight of his generally bright and pleasing compositions and arrangements. Zadravec leads what is essentially a sextet (three-horn front line and rhythm), mixing things up by adding a ...
The Rite Festival 2026 — Third and Final Day
by Artur Moral
The Rite FestivalLaboratori D'Arts ContemplativesLlinars del VallèsBarcelonaMay 31, 2026 There are small miracles that happen daily and discreetly. They are of a prosaic and absolutely earthly nature, with no divine or supernatural intervention of any kind, and the vast majority of them tend to go completely unnoticed by the eyes ...
Chucho Valdés and His Royal Quartet at Miner Auditorium
by Steven Roby
Chucho Valdés Royal Quartet Miner Auditorium San Francisco, CA June 14, 2026 Sunday night at Miner Auditorium marked the fourth and final night of a residency four months in the making. Chucho Valdes and his Royal Quartet were originally booked for late February 2026, then rescheduled to June--and by the time ...
Helen Sung Big Band: Oracles
by Katchie Cartwright
"The jazz bandstand is where true democracy lives," the great saxophonist and composer Jimmy Heath told a young Helen Sung. “Everyone must understand their role and come prepared by doing the hard work of study and practice," he said. “Each person will get to say their piece, but it is in the act of integrating as ...
Ron Carter: Sweet Notes: The Gospel According To An Upright Man
by Ian Patterson
There is just no slowing down for bassist Ron Carter. At least, not that you would know. Writing, arranging, recording, gigging, teaching, media commitments--it is all in a day's work for the indefatigable 89-year-old NEA Jazz Master. Since 1959, when he arrived in New York from his native Detroit, Ron Carter has enjoyed an unparalleled career. ...
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