Home » Search Center » Results: Ezz-Thetics
Results for "Ezz-Thetics"
Cecil Taylor: With (Exit) To Student Studies Revisited
by Mark Corroto
Documenting the evolution of Cecil Taylor is an undertaking that is way beyond the pay grade of most listeners. Just as in the study of homo sapiens (yes, us) where there is no critical moment (the missing link) that we can definitely pinpoint where our ancestors established language, art and importantly, abstract thought, Taylor's music can ...
Horace Silver Quintet: Live New York Revisited
by Chris May
This fabulous album, recorded during three New York club engagements in 1964, 1965 and 1966, ranks among the finest in the pianist/composer's illustrious catalogue. There are several things going for it: the quality and shared intentionality of the two, slightly different, lineups; the choice of material and its careful sequencing; the vibrancy of the performances, which ...
Miles Davis Quintet: Live Europe 1960 Revisited
by Chris May
A high proportion of the studio albums recorded by Miles Davis from the mid 1950s until Bitches Brew (Columbia) in 1970 are landmark ones, so frequent and so momentous were the occasions on which Davis adjusted his direction. With a few exceptions, notably My Funny Valentine (Columbia, 1964), this is less true of the live albums ...
Sun Ra Arkestra: Nothing Is... Completed & Revisited
by Maurizio Comandini
L'etichetta svizzera Ezz-thetics sta facendo un lavoro eccellente con capolavori degli anni sessanta riproposti in edizione da loro stessi definita 'revisited' che cerca di fare ordine e chiarezza anche su momenti un po' dimenticati che meritano di essere riscoperti e pienamente apprezzati. Tutto questo è ancora più necessario quando ci troviamo alle prese ...
Silvan Schmid: Augmented Space
by Glenn Astarita
Progressive Switzerland and Netherlands-based trumpeter Silvan Schmid (Gamut Kollektiv, KvG's Bottom Orchestra) delves into risky territory via these avant-garde solo performances. The good news is, that these are not cacophonous screeching, squealing and directionless free-form improvisations, although minor parts include oddball phrasings and upper-register plaintive cries. Yet the artist remarkably induces a polyphonic sound by often ...
Albert Ayler Quintet: At Slugs’ Saloon 1966 Revisited
by Chris May
There continues to be as much discussion about Albert Ayler's personality and motivations as there is about the music he left us. Was he a religious fundamentalist? Was he bi-polar? Was he an attention seeker? Was he some sort of leather fetishist? The evidence suggests Ayler may have been borderline bi-polar, but as for the other ...
George Russell: Ezz-thetics & The Stratus Seekers revisited
by Maurizio Comandini
George Russell è uno dei pilastri sui quali si è costruito il jazz moderno degli ultimi 70 anni. Forse non è uno dei primi nomi che ci vengono in mente, ma di sicuro il suo contributo come compositore, come band leader, come musicologo, è fondamentale. Nei primi anni sessanta i suoi album fornirono una interessante variante ...
Miles Davis: Stockholm Live 1967 & 1969 Revisited
by Maurizio Comandini
Stesso leader, Miles Davis; stessa strumentazione, tromba, sax, pianoforte, contrabbasso e batteria; stessa città, Stoccolma, ma in due sale diverse; due anni di distanza. Eppure questi due concerti sono abbastanza diversi fra di loro, anche se forse lo potrebbero essere stati ancora di più. Quello del 1967 vede il quintetto classico di Miles Davis registrato al ...
John Coltrane: Favorites Revisited
by Mark Corroto
Besides “Giant Steps," the songs that every Coltrane fan, er fanatic, has probably committed to memory note-for-note are the three presented here, “Naima," “My Favorite Things" and the four-part suite “A Love Supreme." It is as if those sounds had existed even before John Coltrane penned them. Forgive the hyperbole, but listeners of the great man's ...
Silvan Schmid: Augmented Space
by Alberto Bazzurro
Silvan Schmid è un giovanotto di Zurigo, in parte olandese d'adozione, che c'impiega tre quarti d'ora per farci capire come non si deve suonare la tromba (o più in generale come forse si dovrebbe evitare di fare musica). Un disco al negativo (anche come livello qualitativo), quindi, questo Augmented Space, dove l'aumento di spazio del titolo ...
