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Albert Ayler Quintet: At Slugs’ Saloon 1966 Revisited
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There continues to be as much discussion about Albert Ayler's personality and motivations as there is about the music he left us. Was he a religious fundamentalist? Was he bi-polar? Was he an attention seeker? Was he some sort of leather fetishist? The evidence suggests Ayler may have been borderline bi-polar, but as for the other questions, the answer is a resounding "No."
A clue to where Ayler was coming from, and where he was going to, comes towards the end of a lengthy interview the bassist Steve Tintweiss gave to Zev Feldman for the liner booklet of the box set Revelations: The Complete ORTF 1970 Fondation Maeght Recordings, which the archival producer released on Elemental Records in early 2022. Tintweiss, who had never played with Ayler before, was a member of Ayler's band at the Fondation Maeght in the south of France, where Ayler headlined on July 25 and 27, 1970 (the privately funded, mountain-top arts centre, patronised by jet-set culturati, had enough class to give Ayler and his musicians an expenses-paid rest day between performances).
"At the compound where we were staying, you could hear Albert practicing for most of the day," said Tintweiss. "People would come around and Albert was very open. He'd come right out onto the grounds with a joint in his hands and he wouldn't think anything of it while he was talking with people. It was very casual. When it came to any pressure, Albert was just one of the most spiritual people I've ever met."
Now, broadly speaking, back in 1970, people who came right out and smoked weed casually in public fell into two groups. On the one hand, idiots. On the other, those who were guileless, pure of heart and unafraid of being locked up because they knew no-one could ever chain their mind. Ayler was among the latter, beautiful, a free spirit.
At Slugs' Saloon 1966 Revisited brings together just under eighty minutes of music Ayler performed at Slugs in New York's East Village on May 1, 1966. As jazz venues went, Slugs was at the far end of the spectrum from the high-end Fondation Maeght. Slugs was as funky as it got, a hang out for a bohemian demi-monde of druggies, dealers, poets, painters and hardcore jazz fans. Sun Ra had a weekly residency there in 1966, at a time when few other New York venues would give the Arkestra the time of day.
Ayler was another Slugs favourite and on At Slugs' Saloon 1966 Revisited he gives the audience his all, accompanied by his brother Donald Ayler on trumpet, Michel Samson on violin, Lewis Worrell on double bass and Ronald Shannon Jackson on drums. The five extended tracks catch Ayler at his barnstorming zenith and are among his greatest live recordings. The material, which has previously been available on a variety of often sonically flawed releases, here benefits from the ministrations of the ezz-thetics label's chief mastering Jedi, Michael Brändli. The truth keeps marching in, indeed, and on.
A clue to where Ayler was coming from, and where he was going to, comes towards the end of a lengthy interview the bassist Steve Tintweiss gave to Zev Feldman for the liner booklet of the box set Revelations: The Complete ORTF 1970 Fondation Maeght Recordings, which the archival producer released on Elemental Records in early 2022. Tintweiss, who had never played with Ayler before, was a member of Ayler's band at the Fondation Maeght in the south of France, where Ayler headlined on July 25 and 27, 1970 (the privately funded, mountain-top arts centre, patronised by jet-set culturati, had enough class to give Ayler and his musicians an expenses-paid rest day between performances).
"At the compound where we were staying, you could hear Albert practicing for most of the day," said Tintweiss. "People would come around and Albert was very open. He'd come right out onto the grounds with a joint in his hands and he wouldn't think anything of it while he was talking with people. It was very casual. When it came to any pressure, Albert was just one of the most spiritual people I've ever met."
Now, broadly speaking, back in 1970, people who came right out and smoked weed casually in public fell into two groups. On the one hand, idiots. On the other, those who were guileless, pure of heart and unafraid of being locked up because they knew no-one could ever chain their mind. Ayler was among the latter, beautiful, a free spirit.
At Slugs' Saloon 1966 Revisited brings together just under eighty minutes of music Ayler performed at Slugs in New York's East Village on May 1, 1966. As jazz venues went, Slugs was at the far end of the spectrum from the high-end Fondation Maeght. Slugs was as funky as it got, a hang out for a bohemian demi-monde of druggies, dealers, poets, painters and hardcore jazz fans. Sun Ra had a weekly residency there in 1966, at a time when few other New York venues would give the Arkestra the time of day.
Ayler was another Slugs favourite and on At Slugs' Saloon 1966 Revisited he gives the audience his all, accompanied by his brother Donald Ayler on trumpet, Michel Samson on violin, Lewis Worrell on double bass and Ronald Shannon Jackson on drums. The five extended tracks catch Ayler at his barnstorming zenith and are among his greatest live recordings. The material, which has previously been available on a variety of often sonically flawed releases, here benefits from the ministrations of the ezz-thetics label's chief mastering Jedi, Michael Brändli. The truth keeps marching in, indeed, and on.
Track Listing
Truth Is Marching In; Our Prayer; Bells; Ghost; Initiation.
Personnel
Albert Ayler
saxophone, tenorDonald Ayler
trumpetMichel Samson
violinLewis Worrell
bass, acousticRonald Shannon Jackson
drumsAlbum information
Title: At Slugs’ Saloon 1966 Revisited | Year Released: 2022 | Record Label: Ezz-thetics
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Albert Ayler Quintet
Album Review
Chris May
At Slugs’ Saloon 1966 Revisited
Ezz-Thetics
Albert Ayler
Steve Tintweiss
Sun Ra
Donald Ayler
Michel Samson
Lewis Worrell
Ronald Shannon Jackson