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Don Cherry: Where Is Brooklyn? & Eternal Rhythm - Revisited
by Stefano Merighi
Nel percorso artistico di molti, è decisivo il rapporto tra emancipazione ed auto-affermazione. Il jazz moderno è spesso testimone di una dialettica feconda tra individualismo e trama collettiva, ma è dirimente il tema dell'originalità. “Se sei come tutti gli altri, a che serve il jazz?," diceva spesso Monk. E un vero “percorso," costellato da innumerevoli stazioni, ...
Bill Evans: Duos With Jim Hall & Trios '64 & '65 Revisited
by Chris May
Although the evidence is circumstantial, it is more than possible that Bill Evans' collaborations with Jim Hall came about through proximity to George Russell. Even Alan Douglas, the producer of the duo's first album, did not claim credit for the liaison; and Douglas, who the same year brought together Duke Ellington, Charles Mingus and Max Roach, ...
Ornette Coleman Trio: At The Golden Circle Stockholm Revisited
by John Eyles
As the ezz-thetics label has already released two of Ornette Coleman's Blue Note albums together on New York Is Now & Love Call Revisited, both recorded in April and May 1968, it was always in the cards that both volumes of At the Golden Circle Stockholm, recorded in December 1965, would not be far behind. Sure ...
Samir Bohringer Quartet: Meta Zero
by Chris May
The Ezz-thetics label's sleeve-design grid and its orange and black colourway is as recognisable a piece of branding as were Reid Miles' sleeves for Blue Note in the 1950s and 1960s (or indeed Impulse!'s orange and black LP spines a little later). It is also a similarly copper-bottomed guarantee of quality. Ezz-thetics does not, of course, ...
Charles Mingus: At Antibes 1960 Revisited
by Mark Corroto
At Antibes could easily be an all-time favorite Charles Mingus recording if he had not produced such extraordinary sessions as Mingus Ah Um (Columbia, 1959), Charles Mingus Presents Charles Mingus (Candid, 1961), The Black Saint And The Sinner Lady (Impulse!, 1963) and Mingus Mingus Mingus Mingus Mingus (Impulse!, 1964). Listeners can make their own picks, but ...
Charles Mingus: At Antibes 1960 Revisited
by Chris May
Charles Mingus' exhilarating blend of roots and the avant-garde only rarely seems as binary* (see below) as it does on this recording from the 1960 Antibes Jazz Festival. Most often on a Mingus album, you do not hear the joins. This time, on one level, you do. Mingus leads a pianoless quintet completed by ...
Two new releases on ezz-thetics
by John Eyles
In recent years the “revisited" series of albums on the ezz-thetics label has been so praised and successful that some jazz afficionados probably associate the label more with albums of classic Charlie Parker or Albert Ayler recordings than with releases of new music on the label. Nonetheless, as it has done for decades (in various guises--Hat ...
Bill Dixon: With Archie Shepp, 7-Tette & Orchestra Revisited
by Chris May
If Bill Dixon is today, in 2023, less widely remembered than other New Thing warriors such as Archie Shepp, Cecil Taylor and Albert Ayler, it is partly because he had little desire for celebrity, devoting much of his energy to organizing on behalf of his fellow musicians and composers, and teaching. In 1964, midway ...
Markus Eichenberger & Christoph Gallio: Unison Polyphony
by Neri Pollastri
Unison Polyphony, espressione che dà titolo a questo album, non è solo un poetico ossimoro, bensì sintetizza il programma stesso della musica che vi sviluppano i suoi autori --gli svizzeri Markus Eichenberger e Christoph Gallio. Siamo infatti di fronte a quaranta minuti di improvvisazione per ance, dal gusto tipicamente europeo e che si avvale del contrasto ...
Bill Evans Trio: At The Village Vanguard 1961 Revisited
by Mark Corroto
Imagine yourself in Greenwich Village June 25, 1961. You are in attendance at a small pie shaped club called the Village Vanguard run by Max Gordon. This is before it was to be crowned as a jazz holy ground. Sonny Rollins had recorded his famous A Night At The “Village Vanguard" (Blue Note, 1957). John Coltrane ...
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