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70

Article: Album Review

Erik Charlston JazzBrasil: Essentially Hermeto

Read "Essentially Hermeto" reviewed by Matt Cibula


Erik Charlston is not shy about revealing his main influence. Not only did he title this album Essentially Hermeto after the Brazilian multi-instrumentalist/composer/mystic Hermeto Pascoal, he even starts the first track with the kind of rustling ambient sound that Pascoal loves so much. Unlike Pascoal himself, who might use that sound for a few minutes or ...

72

Article: Album Review

Sabrina Lastman: The Candombe Jazz Sessions

Read "The Candombe Jazz Sessions" reviewed by Eyal Hareuveni


The Candombe Jazz Sessions reflects Sabrina Lastman gift of storytelling. It does not matter if it is an improvised wordless tale, a poetic interpretation sung in Spanish or Portuguese, or her thoughts put to music. It is always a vivid story, full of passionate dramatic nuances, elegance and charm and with a touch of irony.

80

Article: Album Review

Erik Charlston JazzBrasil: Essentially Hermeto

Read "Essentially Hermeto" reviewed by Raul d'Gama Rose


No musical expedition to Brazil can be complete without a reverent doffing of the proverbial hat as the traveling musicians make an essential stop at Barrio Jabour, the place where the great Hermeto Pascoal lives. This is what vibraphonist and marimba artist Erik Charlston did. Fortuitously, he captured the resident and hovering spirits in the splendid ...

Album

Saudacoes, Egberto

Label: Rob Digital (Brazil) and Tuff Beats (Japan)
Released: 2011
Track listing: O Sonho; Cor De Sol (Loro); Palhaço; Auto-Retrato; Pr'Um Samba; Baião Malandro; Saudações; Frevo; Água E Vinho; Passarinho; Dança Das Cabeças; Um Outro Olhar (Pêndulo); Maracatu

102

Article: Take Five With...

Take Five With Frank Herzberg

Read "Take Five With Frank Herzberg" reviewed by AAJ Staff


Meet Frank Herzberg: Frank Herzberg has appeared on nearly 60 CDs as a bassist, plays regularly with his own trio, and with the Marta Karassawa Quintet, John Stein Group, and the André Juarez Quartet, among others. He works also as a studio musician and producer for instrumental music in Brazil. He appears regularly at ...

233

Article: Album Review

Keith Jarrett: Rio

Read "Rio" reviewed by John Kelman


If music is a reflection of where we live, it must also be a reflection of where we are at any given moment. As much as the undercurrent redolent of an artist's home can often be heard, a live performance can equally draw inspiration from where it is, especially if it's a place with its own ...

270

Article: Album Review

Mozik: Mozik

Read "Mozik" reviewed by Dave Wayne


Co-led by Berklee graduates keyboardist Gilson Schachnik and drummer Mauricio Zottarelli (best-known for his work with pianist Hiromi Uehara), Mozik's self-titled debut CD features the sort of fusion-tinged Brazilian jazz made popular a couple of decades ago by artists such as Airto Moreira, Azymuth, and Egberto Gismonti. Playing a program comprised largely of classic Antonio Carlos ...

157

Article: Album Review

Jonas Knutsson: Blaslatar

Read "Blaslatar" reviewed by Raul d'Gama Rose


To the English-speaking world, the titles of Blaslatar's songs may be daunting to pronounce, but it's strongly advised to get over it because that is when the true majesty and breathtaking beauty of Jonas Knutsson's playing can be truly appreciated. The saxophonist was raised in Umea, Sweden by parents who hosted the annual jazz festival there. ...

239

Article: Record Label Profile

MoonJune Records: A Decade of Progressive Rock Documentation

Read "MoonJune Records: A  Decade of Progressive Rock Documentation" reviewed by Mark Redlefsen


On a moon of this past June, appropriately enough, Leonardo Pavkovic, owner of the progressive jazz label MoonJune Records, gave All About Jazz an interview at the label's office in Union Square, New York City. The name MoonJune Records, which Pavkovic started back in 2001, is taken from the title of a song, “Moon In June," ...

103

Article: Album Review

Claudio Roditi: Bons Amigos

Read "Bons Amigos" reviewed by Dan Bilawsky


Trumpeter Claudio Roditi may have left Brazil long ago, but his homeland still resides deep inside his soul. On Bons Amigos, Roditi's trumpet speaks, sings and soars in service of songs put to paper by some of the finest writers in Brazilian music history. When it came time to map out a program for this, his ...


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