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Blue Note Records: Beyond The Notes
by Doug Collette
Blue Note Records: Beyond the Notes Eagle Vision2019 Seventy-one minutes hardly seems long enough to tell the story of a record label so profoundly influential as Blue Note. Yet even a marathon film of multiple parts could not capture the essence of this phenomenon any more completely and certainly no more succinctly ...
Late Summer 2019
by Doug Collette
Blues Deluxe is a regular column comprised of pithy takes on recent blues and roots-music releases of note. It spotlights titles in those genres that might otherwise go unnoticed under the cultural radar. The Mike Duke Project ...took a while Little Village Foundation 2019 ...took a while ...
Bruce Katz: Solo Ride
by Doug Collette
On Solo Ride, Bruce Katz posits himself as a stylist par excellence, curator of a perennial genre that deserves preservation in the musical landscape of America. And while it's something of a surprise to see him release a solo album, given the self-effacing demeanor he's displayed in his otherwise broad and varied collaborative experience (with Gregg ...
Rob Laufer: The Floating World
by Doug Collette
Rob Laufer's first album in nine years, The Floating World, will no doubt compel repeated listenings after the first one, if only so the curious music lover can better distinguish how much he or she might have missed on that initial hearing. While the LP's main touchstones are a bit obvious, the process of distinguishing the ...
Seth Yacovone: Old Canada
by Doug Collette
Anyone who's seen guitarist/composer Seth Yacovone perform his weekly solo acoustic gigs at the fabled Burlington venue Nectar's knows full well of his admiration of the work of Bob Dylan and Neil Young. And the most avid followers of his peripatetic activities have also most likely attended his regular tributes to the Canadian rock icon's work ...
Creedence Clearwater Revival: Live At Woodstock
by Doug Collette
Creedence Clearwater Revival's appearance at the Woodstock Music and Arts Fair, shortly after midnight on August 16th 1969, wasn't so much a breakthrough as a consolidation of their burgeoning success to that point. The San Francisco Bay Area quartet had already released three albums, the most recent issued earlier that very month in the form of ...
Dickey Betts: Ramblin' Man: Live at the St. George Theatre
by Doug Collette
Dickey Betts does not add to his reputation with Ramblin' Man: The Dickey Betts Band Live at the St George Theater. To be fair, he doesn't significantly sully reputation as an icon of Southern rock either, but that's just testament to how firmly established is his position in history as co-founder of the Allman Brothers Band, ...
Anders Osborne: Buddha And The Blues
by Doug Collette
NOLA songwriter/musician Anders Osborne's frequent and diverse studio and stage collaborations, including but not limited to those with Luther and Cody Dickinson of the North Mississippi Allstars and Phil Lesh of the Grateful Dead, all lead back to solo work like Buddha and the Blues, self-composed tunes rendered all the more pungent through musicianship tuned to ...
Delbert McClinton: Tall, Dark & Handsome
by Doug Collette
On his last album Prick of the Litter (Hot Shot Records, 2017 ), Grammy-Award winning [Delbert McClinton wholly fulfilled his image as the contemporary definition of modern Texas style r&b. He certainly didn't do it alone--his band the, Self-Made Men, added savvy and soul--but the man who showed John Lennon how to blow the harmonica imbued ...
Joe Restivo: Where's Joe?
by Doug Collette
The title Where's Joe? carries a deliciously ironic subtext because guitarist Joe Restivo has hardly been an unobtrusive figure on the Memphis music scene. On the contrary, after having schooled himself on the history of the area as a flashpoint for blues and jazz, as a member of the Bo Keys, Restivo began making regular club ...
![Full Moon [Feat. New York Voices, Mark Egan]](https://s3.amazonaws.com/allaboutjazz/coverart/large/a07a6f1d5edcd6c801f0e1c3b527da37.jpg)
