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Article: Radio & Podcasts

Don Cherry, Big Monitors, John Coltrane, Emanuele Passerini

Read "Don Cherry, Big Monitors, John Coltrane, Emanuele Passerini" reviewed by Ludovico Granvassu


With today's show we focus directly or indirectly on current and past masters of the creative scene, from Don Cherry to John Coltrane and from William Parker to Tony Allen. Happy listening! Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Big Monitors “Hunk Pappa Blues / Junk ...

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Article: Album Review

Albert Ayler Quintet: 1966: Berlin, Lörrach, Paris & Stockholm. Revisited

Read "1966: Berlin, Lörrach, Paris & Stockholm. Revisited" reviewed by Mark Corroto


It may sound odd to describe the music that Albert Ayler's quintet performs here as the musical equivalent of comfort food, but these sounds can be associated with security and nostalgia. They are a reminder of the spark ignited by this tenor saxophonist from Cleveland. Ayler, maybe more than any artist of his day, paved the ...

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Article: In Pictures

Seeing Jazz: The Photography of Luciano Rossetti

Read "Seeing Jazz: The Photography of Luciano Rossetti" reviewed by Karl Ackermann


As a jazz venue, the mid-town Manhattan club Royal Roost had a short life span. The Royal Roost opened in 1948, but the jazz scene had moved past it less than two years later. In Greenwich Village, twenty-five-year-old photographer Herman Leonard had just opened his first photography studio to the south. A bebop fan, he was ...

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Article: Album Review

Timo Lassy and Teppo Mäkynen: Live Recordings 2019-2020

Read "Live Recordings 2019-2020" reviewed by Friedrich Kunzmann


The Finnish pairing of Timo Lassy and Teppo Mäkynen belongs to the kind of collaborations where one really doesn't know what to expect next, but that whatever it is, it's bound to be quite extraordinary. Both respected leaders in their own right and busy musicians in contexts that reach far beyond the boundaries of jazz, the ...

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Article: Album Review

Dan Rosenboom: Points of an Infinite Line

Read "Points of an Infinite Line" reviewed by Friedrich Kunzmann


Released in the environment of his own label's absolute creative control, trumpeter Dan Rosenboom's newest outing sees a chordless quartet venturing beyond the borders of swing, exploring heavy grooves and free-wheeling improvisation to the point where jazz, hip hop and the rough edges of many other genres meld together to a single style that simultaneously defies ...

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Article: Take Five With...

Take Five with Marcio Resende

Read "Take Five with Marcio Resende" reviewed by AAJ Staff


Meet Marcio Resende Recognized as one of Brazil's leading woodwind players, Marcio Resende studied at two prestigious U.S. music institutions early in his career, Berklee College of Music and The New England Conservatory, before pursuing doctoral studies at New York University. He has studied with Jimmy Giuffre, George Russell, Joe Allard, Dr. William Thomas McKinley, John ...

News: Video / DVD

Don Cherry in Copenhagen, 1965

Don Cherry in Copenhagen, 1965

Throughout his career, Don Cherry favored the stubby but warm pocket cornet and was most closely identified with the free jazz and avant-garde jazz movements. In the late 1950s, he recorded with Ornette Coleman (Something Else!!!, Tomorrow Is the Question!, The Shape of Jazz to Come, Change of the Century, This Is Our Music), Paul Bley ...

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Article: Interview

Daniele Sepe, tra jazz, Zappa e la pirateria

Read "Daniele Sepe, tra jazz, Zappa e la pirateria" reviewed by Neri Pollastri


Non è la prima volta che su queste pagine intervistiamo Daniele Sepe; del resto il musicista partenopeo è saldamente sulla scena dai primi anni Novanta, sempre mescolando ogni genere musicale—dal folk alla classica, dal jazz a ogni “nuovo ritmo" affacciatosi sulla scena giovanile—e inventandosi spesso formazioni e spettacoli che vanno oltre la sola musica, attingendo al ...

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Article: Profile

Albert Ayler. Un ardito sogno futuristico

Read "Albert Ayler. Un ardito sogno futuristico" reviewed by Giuseppe Segala


Come una meteora, Albert Ayler ha attraversato il firmamento della musica neroamericana, dal 1962 al 1970. E ha lasciato il segno. Una traccia presente e attiva tutt'oggi, nell'operato di numerosi musicisti che dedicano il proprio lavoro all'improvvisazione e alla ricerca di un'autenticità dell'espressione artistica. L'apparizione del sassofonista nel mondo del jazz, una vera epifania, ...

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Article: Album Review

Luís Vicente / John Dikeman / William Parker / Hamid Drake: Goes Without Saying, But It's Got To Be Said

Read "Goes Without Saying, But It's Got To Be Said" reviewed by Mark Corroto


It has been more than half a century since the oracles Albert Ayler and John Coltrane proclaimed their message of freedom to the people of earth. Please excuse the grandiosity of the above statement, but after those two giants passed, a shift in consciousness began to take hold. In the biography of William Parker Universal Tonality: ...


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