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Eric Alexander: Chicago Fire
by Jack Bowers
When weighing the merits of tenor saxophonist Eric Alexander, two words spring readily to mind: prolific and consistent. Alexander, an implacable workhorse even in his mid-40s, has since 1992 recorded no less than thirty-seven albums as leader of his own groups and appeared on many others as a sideman. As for consistency, Alexander has been widely ...
Trio WUH: Live at Jazzinec
by Edward Blanco
Founded in January, 2012 in Prague after an almost impromptu first gig together as a group, Trio WUH--which, although had been a part of a previous recording from the Prague Castle along with several other groups--present their solo debut album Live at Jazzinec taken from a 2013 live recording in Trutnov, Czech Republic. Spending his time ...
The Jist: The Jist
by Eyal Hareuveni
The Norwegian duo The Jist--vocal artists and electronics player Natalie Sandtorv, and guitarist Torgeir Hovden Standal--take the experimental concept of improvised meetings between innovative vocal artists and guitarists to its noisy extremes. This concept was pioneered by the master vocal artist Sidsel Endresen and highly inventive guitarist Stian Westrhus (Didyomi Dreams, Rune Grammofon, 2012) and later ...
The Ryan Oliver Quartet: Strive!
by Dan Bilawsky
When Toronto-based tenor saxophonist Ryan Oliver was living in New York and studying at Rutgers University's Mason Gross School of The Arts in New Jersey, he struck up a musical relationship with one of the teachers at that institution--drummer Victor Lewis. At that time, Lewis, a somewhat underappreciated giant of the drumming world who's worked with ...
Orrin Evans' Captain Black Big Band: Mother's Touch
by Jack Bowers
New York-based pianist / composer (and two-time Grammy Award nominee) Orrin Evans served notice with his first big-band album for Posi-Tone Records that there was an impressive new ensemble on the scene, a message that is firmly underscored by the second, the cryptically named Mother's Touch, whose tone and temperament mirror Evans' contemporary point of view. ...
Nils Berg Cinemascope: Vocals
by James Pearse
Swedish reed player Nils Berg scours the online world for unusual and unconventional musical performances to use as a backdrop to his music. He then edits the original down to capture the “essence" of the song and then writes new music on top. Here's where it gets really interesting: the Nils Berg Cinemascope trio ...
Sjøen: Live I
by Eyal Hareuveni
Sjøen (sea in Norwegian) is a new, Norwegian-Swedish quintet with a debut that was recorded during their first-ever concert, at the Energimølla club in Kongsberg, Norway, in April 2013. Obviously, it would not have been possible without the promising, young musicians that band leader and violinist Håkon Aase gathered. Each of them also play in other ...
Bruno Tommaso: Le oche di Lorenz
by Alberto Bazzurro
Torna Bruno Tommaso, e ci regala ancora una volta tutta la fragranza della sua musica, puntuale, assolutamente equilibrata, di aplomb vagamente aristocratico. L'ultima sua fatica discografica s'intitola Le oche di Lorenz e lo coglie nelle vesti di autore, arrangiatore e direttore (il contrabbasso pare ormai un ricordo) per un ottetto in cui s'impone immediatamente all'attenzione la ...
Alex LoRe Trio: Dream House
by Dan Bilawsky
Greg Osby's Inner Circle Music label has played host to quite a few emerging saxophonists: baritone saxophonist Lauren Sevian's debut, alto saxophonist Logan Richardson's second date, and the first two records from Melissa Aldana, the winner of the 2013 Thelonious Monk International Jazz Saxophone Competition, all came out on this imprint. Now, the label is introducing ...
Linley Hamilton: In Transition
by Ian Patterson
The title of trumpeter Linley Hamilton's second release for Northern Irish label Lyte Records tells a tale; in the three years since Taylor Made (Lyte Records, 2011) Hamilton has dug deep into the essence of his playing, refining his compositional approach and instilling a greater economy of notes in his playing. His is a discipline that ...
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