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Article: Album Review

WAS? What About Sam: Happy Meal

Read "Happy Meal" reviewed by Neri Pollastri

by Neri Pollastri

Un quintetto italo-portoghese di giovani musicisti, dalla composizione tradizionale -ritmica più sax tenore e tromba -ma dalla musica invece tutt'altro che ordinaria: questo è WAS -What About Sam, formazione al primo album con questo Happy Meal, metà delle tracce del quale sono infatti scherzosamente intitolate a fantasiose e improbabili ricette culinarie. La cifra del ...

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Article: Album Review

The NOLA Players: Christmastime in New Orleans

Read "Christmastime in New Orleans" reviewed by C. Michael Bailey

by C. Michael Bailey

As valuable as the Marsalis family is to the New Orleans jazz community, their creative presence is so dense that most music made in NOLA will be drawn into their sonic orbit. This is not a bad thing, but neither is a little heterogeneity. This is what makes The NOLA Players' Christmastime in New Orleans such ...

4

Article: Album Review

John Butcher / Ståle Liavik Solberg: So Beautiful, It Starts To Rain

Read "So Beautiful, It Starts To Rain" reviewed by John Sharpe

by John Sharpe

British saxophonist John Butcher and Norwegian percussionist Ståle Liavik Solberg come together in a striking first meeting recorded live at north London's Cafe Oto in August 2015. Butcher brings to bear all the experience one would expect from one of the so-called second generation of English improvisers. Solberg, who co-curates Oslo's Blow Out! Festival each January, ...

2

Article: Album Review

Jack Kerouac & Steve Allen: Poetry For The Beat Generation

Read "Poetry For The Beat Generation" reviewed by Sacha O'Grady

by Sacha O'Grady

Jack Kerouac is most famous for his iconic novel On the Road, a book which helped define an entire generation of drifters, hitchhikers, poets and musicians (although not exclusively in that order), all of whom Kerouac collectively coined as “The Beat Generation." Upon publication in 1957, On the Road was celebrated by The New York Times ...

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Article: Album Review

The Rolling Stones: Blue And Lonesome

Read "Blue And Lonesome" reviewed by C. Michael Bailey

by C. Michael Bailey

We should be clear of one thing: were it not for the British Invasion, the United States would likely not have been introduced to its own folk music as early as she was. Gospel, blues, jazz, rhythm and blues, soul, country, and rock and roll all, at least partly, depended on breaking into the lucrative lily-white ...

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Article: Album Review

Modus Factor: The Picasso Zone

Read "The Picasso Zone" reviewed by Dan McClenaghan

by Dan McClenaghan

Modus Factor, a trio based in Toronto, says it creates “Electro ambient improvisational bedlam." An accurate description of their sound except, perhaps, for the bedlam part (for the most part). Featuring a drums/bass/electric trumpet line-up, with effects, the comparisons that come to mind are Nils Petter Molvaer's spacey approach on sets like Switch (OKeh Record, 2014) ...

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Article: Album Review

Allen Carter Big Band: Time on My Hands

Read "Time on My Hands" reviewed by Jack Bowers

by Jack Bowers

In 2010, composer / arranger / drummer Allen Carter seemingly appeared from out of nowhere (North Dakota, actually) to record Gifts, his first album as a big-band leader and one of the more impressive anthologies in that or any other year. As 2016 passed its midpoint and moved inexorably toward a final bow, Carter decided the ...

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Article: Album Review

Illegal Crowns: Illegal Crowns

Read "Illegal Crowns" reviewed by John Sharpe

by John Sharpe

Three quarters of the cast on Illegal Crowns comprises familiar faces and frequent collaborators. Cornetist Taylor Ho Bynum and guitarist Mary Halvorson have enjoyed long associations with iconoclastic composer and reedman Anthony Braxton. With the addition of drummer Tomas Fujiwara, they constitute Bynum's Trio and the larger part of The Thirteenth Assembly, whose Station Direct (Important, ...

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Article: Album Review

Holly Bowling: Better Left Unsung

Read "Better Left Unsung" reviewed by Doug Collette

by Doug Collette

As wry as is the implication of its title, Holly Bowling's double album of Grateful Dead material, Better Left Unsung, is utterly absorbing. These thirteen wholly instrumental, solo piano renditions of material spanning the spectrum of the iconic San Francisco band's songbook illuminate why the songs are so memorable on their own terms as well as ...

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Article: Album Review

Jeff Parker: Slight Freedom

Read "Slight Freedom" reviewed by Dave Wayne

by Dave Wayne

One is tempted to think of Jeff Parker as the first guitar anti-hero. He's a subtle player, first and foremost, not given to showy pyrotechnics and rapid-fire flights of plectral fancy. His chameleonic, almost self-effacing, presence on recordings by Tortoise, Joey DeFrancesco, Isotope 217, Fred Anderson, the Brian Blade Fellowship, Peter Erskine, Nicole Mitchell, Yo La ...


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