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Jim Kuemmerle and the Triangle Jazz Project: Our Work Is Never Done
by Bridget A. Arnwine
The glory of the world is magnified when the beauty of the human spirit is on full display. When our fellow man decides to look beyond the self to see us all as one collective we, then the real work of improving the human condition can begin. As an elementary school student, Jim Kuemmerle's ...
Wayne Wallace Latin Jazz Quintet: To Hear From There
by Bridget A. Arnwine
Trombonist/composer Wayne Wallace and his music could probably be characterized by any number of clichéd phrases, but why use a cliché when the truth will do. The truth is that Wayne Wallace's To Hear From There is a far better record than its Grammy-nominated predecessor, ¡Bien Bien! (Patois, 2009), and that's saying a lot. Wallace's greatest ...
Sophia Shorai: Long As You're Living
by Bridget A. Arnwine
What is most exciting about the new crop of singers coming onto the scene is the abundant joy present in much of their work. They're happy to be singing; they're happy to do what their idols and mentors do; they're happy to be sharing their gift. One listen to singer Sophia Shorai's Long as You're Living ...
Tom Graf: Grafitti
by Bridget A. Arnwine
There's a familiarity to the songs on composer Tom Graf's Grafitti, that makes the disc feel like an old favorite even though it goes from funk and cha-cha to bop and straight-ahead jazz. There's such an air of familiarity, in fact, that if Duke Ellington, Miles Davis, and John Coltrane could hear Grafitti in heaven, they ...
Nancy Harms: In the Indigo
by Bridget A. Arnwine
Jazz vocalist Nancy Harms presents In the Indigo, a sultry yet intelligent offering of old standards, original material, and the occasional pop cover. She sings like a woman who's sure of herself. Whether singing John Mayer's “Great Indoors" or Irving Berlin's “Blue Skies" she has a way of making even the simplest lyric sound like a ...
Dan Aran: Breathing
by Bridget A. Arnwine
When a CD is released, one of its most revealing aspects--and that of the artist's mindset during the recording process--is the title that has been assigned. With a title like Breathing, there are several things that can be presupposed: first, maybe the artist recorded the album in a stiflingly hot space and the title was chosen ...
Chris Greene Quartet: Merge
by Bridget A. Arnwine
The Chris Greene Quartet is willing to try anything once. No matter the genre of music, put it in this group's capable hands and bear witness to music taking on a whole new style and feel. On the group's third recording, Merge, saxophonist Chris Greene leads his quartet of four years all over the musical spectrum. ...
Wayne Wallace: ¡Bien Bien!
by Bridget A. Arnwine
Trombonist Wayne Wallace and his Latin Jazz Quintet have come together on ¡Bien Bien!, representing the gamut of Latin music, from Latin jazz to cha cha cha, cu-bop, bolero, and bamba. Surrounded by the talents percussionist Michael Spiro, bassist David Belove, pianist Murray Low, and drummer Paul van Wageningen, Wallace manages to make the trombone sound ...
Alexis Cole: The Greatest Gift
by Bridget A. Arnwine
Award-winning vocalist Alexis Cole is getting ready for Christmas with The Greatest Gift. The disc features 14 tracks, including original songs and some Christmas favorites such as “Joy to the World," “Hark! The Herald Angels Sing," “Have Yourself a Merry Little Christmas," “Away in a Manger," and “Silent Night." The titles may be familiar, but Cole's ...
Chicago Jazz Philharmonic: Collective Creativity
by Bridget A. Arnwine
"Is it classical or is it jazz?" That is the question found on the Chicago Jazz Philharmonic's (CJP) website; a question that is asked and followed with the statement “you decide," as if the answer were something that only a listener should determine. Listening to the CJP's debut, Collective Creativity, the decision is not an easy ...
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