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Nancy Harms: In the Indigo
by Bridget A. Arnwine
Jazz vocalist Nancy Harms presents In the Indigo, a sultry yet intelligent offering of old standards, original material, and the occasional pop cover. She sings like a woman who's sure of herself. Whether singing John Mayer's “Great Indoors" or Irving Berlin's “Blue Skies" she has a way of making even the simplest lyric sound like a ...
Dan Aran: Breathing
by Bridget A. Arnwine
When a CD is released, one of its most revealing aspects--and that of the artist's mindset during the recording process--is the title that has been assigned. With a title like Breathing, there are several things that can be presupposed: first, maybe the artist recorded the album in a stiflingly hot space and the title was chosen ...
Chris Greene Quartet: Merge
by Bridget A. Arnwine
The Chris Greene Quartet is willing to try anything once. No matter the genre of music, put it in this group's capable hands and bear witness to music taking on a whole new style and feel. On the group's third recording, Merge, saxophonist Chris Greene leads his quartet of four years all over the musical spectrum. ...
Wayne Wallace: ¡Bien Bien!
by Bridget A. Arnwine
Trombonist Wayne Wallace and his Latin Jazz Quintet have come together on ¡Bien Bien!, representing the gamut of Latin music, from Latin jazz to cha cha cha, cu-bop, bolero, and bamba. Surrounded by the talents percussionist Michael Spiro, bassist David Belove, pianist Murray Low, and drummer Paul van Wageningen, Wallace manages to make the trombone sound ...
Alexis Cole: The Greatest Gift
by Bridget A. Arnwine
Award-winning vocalist Alexis Cole is getting ready for Christmas with The Greatest Gift. The disc features 14 tracks, including original songs and some Christmas favorites such as “Joy to the World," “Hark! The Herald Angels Sing," “Have Yourself a Merry Little Christmas," “Away in a Manger," and “Silent Night." The titles may be familiar, but Cole's ...
Chicago Jazz Philharmonic: Collective Creativity
by Bridget A. Arnwine
"Is it classical or is it jazz?" That is the question found on the Chicago Jazz Philharmonic's (CJP) website; a question that is asked and followed with the statement “you decide," as if the answer were something that only a listener should determine. Listening to the CJP's debut, Collective Creativity, the decision is not an easy ...
Mario Grigorov: Paris to Cuba
by Bridget A. Arnwine
Pianist/composer Mario Grigorov's Paris to Cuba conjures up a number of images before a single note has been heard. Both Paris and Cuba are culturally rich and have been major players in the development of jazz, but the two are often portrayed in very different ways: one, often celebrated as a dream destination, filled with beautiful ...
Nick Hempton: Nick Hempton Band
by Bridget A. Arnwine
What happens when you put a drummer from Israel, a bassist from Italy, a Japanese-American pianist from Northern California and a saxophonist from Australia all on one recording? An amalgamation of sound, tempered by richly cultured yet solitary experiences, that amounts to the auditory equivalent of life in New York City. On the self-titled debut release ...
Anders Holst: Romantika
by Bridget A. Arnwine
The Sting of Stockholm is back and this time he's singing about love. On Romantika, Anders Holst's follow-up to his debut, Five (Unheard of Music, 2005), the vocalist/composer sings about what can come with the experience of love: fulfillment, regret and longing. Along with Holst, longtime collaborator Mats Byström (who worked with Holst on Five) returns, ...
Chris Greene Quartet: Soul and Science 2: Electric Boogaloo
by Bridget A. Arnwine
Jazz--a genre that has come to mean something different depending on who is asked and the period that is being discussed. Soul and Science 2: Electric Boogaloo, finds the Chris Greene Quartet conceptualizing jazz in a way that is bigger than the mainstream limits imposed upon it. On this follow-up to Soul & Science - Volume ...
