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Joe Henderson: Mode for Joe
by Greg Simmons
Recorded and released in 1966, Mode for Joe was Joe Henderson's last session as a leader for Blue Note Records until 1985's State of the Tenor.True to form for the period, the recording features a cast of legendary players in peak form. In this case Henderson shares front line duties with a fiery Lee ...
Ike Quebec: Easy Living
by Greg Simmons
Ike Quebec is one of those funny figures in Blue Note Records' history. By the late fifties, after he'd been out of recording for a number of years, he was too old to really be at the hard-bop vanguard (he was born in 1918) but not old enough to be a senior statesman like Coleman Hawkins ...
Derrick Hodge: Live Today
by Mark F. Turner
It's no surprise that bassist Derrick Hodge's debut, Live Today, breathes fresh creativity. Whether swinging fervently on upright or laying down nasty funk riffs on electric bass, his versatility has been recruited by trumpet giant Terence Blanchard and served as a vital component of the Robert Glasper Experiment's Grammy-winning Black Radio (Blue Note, 2012). Hodge's talents ...
Terence Blanchard: Magnetic
by Mark F. Turner
One of today's foremost jazz musicians and composers Terence Blanchard's achievements have soared since his formative days in Art Blakey's Jazz Messengers to a trajectory of successful bands, recordings and award winning film scores such as 2007's A Tale of God's Will (A Requiem for Katrina) (Blue Note). He's still pursuing new challenges with the upcoming ...
The Feelin's Good
by Greg Simmons
The mists of time have a way of obscuring the motives behind people's decisions. “What were they thinking?" and “It must have seemed like a good idea at the time" must be among the most universal human sentiments. In the music business, a session gets recorded, and often it gets released, but occasionally it doesn't. Sometimes ...
Lionel Loueke: Creating His Own Lines
by R.J. DeLuke
Lionel Loueke, the guitarist from Benin in West Africa who brings to jazz music rich melodic and rhythmic sensibilities influenced from his homeland, always had an eye for inventing his own lines; injecting his own persona into the music even when it was against the rules. Even when he didn't yet realize the magical sounds he ...
Jose James: No Beginning No End
by Enrique Turpin
Tal vez no sea intención de José James (Mineápolis, 1978) reemplazar a D'Angelo en el reinado del neo-soul que se empezó a fraguar a mediados de los años 90, pero puede que lo logre sin proponérselo. En su cuarto trabajo --y primero para Blue Note-- ha recuperado el testigo que seguía en el suelo a la ...
Art Blakey and the Jazz Messengers: Moanin'
by Mike Oppenheim
Throughout its history, jazz has constantly evolved, developing from and reacting against its earlier incarnations. The mid-1940s saw bebop reinvent jazz as an artist's genre, distinct from the swing style that was the popular music throughout the 1930s and '40s. Bebop was music for listening, not dancing, and the emphasis became virtuosic improvised solos instead of ...
Erik Truffaz Quartet: El Tiempo De La Revolución
by Bruce Lindsay
Across a twenty-year recording career, Swiss-born trumpeter Erik Truffaz has explored jazz, rock, electronica, dance and ambient musics. El Tiempo De La Revolución, his tenth album for Blue Note France, mixes jazz, '80s soul and a touch of Nordic cool to create some intriguing soundscapes and moods.El Tiempo De La Revolución is credited to ...
Wayne Shorter: Without a Net
by AAJ Italy Staff
Più di un ritorno: un cerchio che si chiude, un destino che si compie. 43 anni dopo Odyssey of Iska e Moto Grosso Feio, registrati in un solo pomeriggio il 26 agosto del 1970, Wayne Shorter e la Blue Note sono di nuovo compagni di strada. Merito di Don Was, neo-timoniere dell'etichetta jazz per antonomasia. Sua ...
