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Umbria Jazz 2021
by Libero Farnè
Perugia Varie sedi 09--18/07/2021 Fra i molti festival jazz che si sono affollati e sovrapposti nei mesi di giugno e luglio, probabilmente Umbria Jazz è quello che più ha sofferto della situazione pandemica. L'impossibilità di organizzare i concerti gratuiti nel centro storico, la mancanza di turismo, la defezione, anche all'ultimo minuto, di ...
Take Five with Camila Ronza
by AAJ Staff
Meet Camila Ronza Born on February 10, 1995, in São Paulo, Brazil. From an early age, she had contact with music because of her very musical family, who always inspired and encouraged her. As a child, she joined OSESP Children's Choir and performed as a solo singer, so she soon decided to be a ...
Take Five With Roman Miroshnichenko
by AAJ Staff
Meet Roman Miroshnichenko Roman Miroshnichenko is a virtuoso guitarist, one of the premier guitarists of the new generation of the jazz-fusion music. He has received a total of 30 nominations with 10 wins in multiple international songwriting contests and music awards throughout 2010-2020, including four The Independent Music Awards, 1st Prize of the USA Songwriting Competition, ...
Live From Brussels: Naima Joris, Sonico & Schroothoop
by Martin Longley
Naima Joris & Vitja Pauwels Het Huys October 4, 2020 Naima Joris is probably best described as a singer, her voice being the absolutely dominant aspect of each song, but she's also a complete multi- instrumentalist, selecting from soprano saxophone, keyboards, acoustic guitar and a variety of percussion ...
Gerald Beckett: Mood
by Chris M. Slawecki
Flautist, bandleader and composer Gerald Beckett picks up on Mood where he left off from 2017's Oblivion (Summit), a stellar collection of songs by Miles Davis, Ellis Marsalis, Astor Piazzolla, Gerry Mulligan and other great jazz composers. Beckett wrote several new originals for his new Mood, including personal remembrances of hometown haunts such as “Club Raven" ...
Places in Space, in Time
by Chris M. Slawecki
Abraham Inc. Together We Stand Table Pounding Music 2019 “Ever since I formed Klezmer Madness! in the mid 1990's I've been exploring the possibilities of adding funk, jazz, and lately hip-hop influences to klezmer," explains David Krakauer, an expert clarinet voice in jazz, klezmer and classical ...
Results for pages tagged "Astor Piazzolla"...
Astor Piazzolla
Born:
Astor Pantaleón Piazzolla was born on March 11, 1921 in Mar del Plata, Argentina, only child of Vicente “Nonino” Piazzolla and Asunta Mainetti. In 1925, the family relocates to New York City until 1936 with a brief return to Mar del Plata in 1930. In 1929, when Astor is 8 years old, his father gives him his first bandoneon which he had bought at a pawn shop for 19 dollars. Astor studies the bandoneon for one year with Andrés DÁquila and he makes his first record, Marionette Spagnol; a phonograph disk (non commercial) at the Radio Recording Studio in New York on 11/30/1931. In 1933 he studies with the Hungarian pianist Bela Wilda, disciple of Rachmaninov, and of whom Astor would later say “With him I learned to love Bach”
Buenos Aires International Jazz Fest survives fiscal crisis
by Mark Holston
Buenos Aires International Jazz Festival Buenos Aires November 14-18, 2019 As the days flew by this past October, it was still impossible to pin down specifics for the upcoming annual Buenos Aires International Jazz Festival. The dates of the event, which has historically taken place in mid-November, remained elusive. The ...
2019: The Year in Jazz
by Ken Franckling
The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...
Tangostinato: Via Della Gioia
by Jim Olin
Tangostinato is a music project with a one-of-a-kind approach to their sound and feel. Their most recent release, Via Della Gioia, stands out as a really stunning example of their workflow and creative vision. The opening track, “Oblivion," has a moody, atmospheric sound, creating a consistent build-up of beautiful textures as the different instruments' sounds keep ...
