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10

Article: Album Review

Bobo Stenson Trio: War Orphans

Read "War Orphans" reviewed by Dan McClenaghan


Manfred Eicher started ECM Records in 1969. Fifty years later, in 2019, with over 1500 releases to its name, the label continues to offer up compelling and unclassifiable music. And since the catalog is deep, and early-in-the-effort recordings have become harder to find, ECM periodically re-releases some of these gems, tagging them Touchstones. Early ...

Article: Album Review

Bobo Stenson: Contra la indecision

Read "Contra la indecision" reviewed by Giuseppe Segala


Con Bobo Stenson siamo di fronte a uno dei volti caratteristici scaturiti dalla scena musicale del Nord Europa: quello segnato dalla raffinatezza timbrica, dallo scandaglio armonico, dalla ricerca melodica ricca di sfumature e digressioni che per certi versi fa riferimento a Bill Evans, ma ne anestetizza la forza dinamica, la nettezza tagliente, i bagliori di fulmine. ...

Article: Album Review

Ferenc Snetberger: Titok

Read "Titok" reviewed by Mario Calvitti


Dopo il disco dal vivo con cui ha esordito per la ECM, il chitarrista ungherese Ferenc Snetberger ritorna con un nuovo lavoro, questa volta in trio con il contrabbassista Anders Jormin e il batterista Joey Baron. La presenza di una sezione ritmica rende l'elemento jazzistico più marcato che nel precedente lavoro realizzato in solitudine, e fa ...

9

Article: Live Review

Bray Jazz Festival 2018

Read "Bray Jazz Festival 2018" reviewed by Ian Patterson


Bray Jazz Festival Various Venues Bray, Ireland May 4-6, 2018 From the hilltop vantage point the Irish Sea lies veiled under a blanket of thick mist. Greystones, five miles to the right, birthplace of the great Christy Doran, peeks out, seemingly floating above the misty clouds like a Roger ...

1

Article: Musician 2 Musician

Alberto Pinton: la nostra parte del puzzle

Read "Alberto Pinton: la nostra parte del puzzle" reviewed by Marco Colonna


Scrivere di Alberto Pinton è una delle occasioni ghiotte che speravo di avere collaborando occasionalmente con la divulgazione “giornalistica" del jazz. Sapendo bene di non essere un tecnico della scrittura, ma un semplice veneratore del linguaggio, mi avvicino all'impresa con le cuffie, chiudendo il mondo fuori per la durata di un disco. Questa ...

52

Article: Album Review

Sigurd Hole: Elvesang

Read "Elvesang" reviewed by John Kelman


Sigurd Hole has already built a strong reputation, in his native Norway, for his work with Eple Trio on albums including The Widening Sphere of Influence (NORCD, 2008), in addition to the trio's collaborations with NORCD label head/saxophonist/goat horn master Karl Seglem on albums like NORSKjazz.no (NORCD, 2012). The double bassist has also collaborated with guitarist ...

16

Article: Album Review

Bobo Stenson: Contra la indecision

Read "Contra la indecision" reviewed by Mike Jurkovic


Swedish pianist Bobo Stenson could be considered an anomaly amongst the ECM roster of piano players. His work over the past decades has been more controlled and, not to be taken as an insult or affront to Stenson's earthy lyricism, less challenging than the works of past and current label-mates such as Paul Bley, Marilyn Crispell, ...

37

Article: Album Review

Bobo Stenson: Contra la indecision

Read "Contra la indecision" reviewed by Karl Ackermann


With a few exceptions, Swedish pianist Bobo Stenson has spent his long recording career with the prestigious ECM label, dating back to his oddly named Underwear in 1971. That particular album turned out to be more a showcase for bassist Arild Andersen and drummer Jon Christensen than for Stenson, and the pianist did not lead again ...

1

Article: My Playlist

Marco Bardoscia

Read "Marco Bardoscia" reviewed by Vincenzo Roggero


1. Johann Sebastian Bach, Glenn Gould, Goldberg Variations (Sony Classical, 1981). La musica di Bach è per me di grande ispirazione e in particolare questa opera monumentale interpretata da Gould. A volte mi capita di ascoltarne degli estratti prima dei concerti. 2. Miles Davis, Relaxin' with the Miles Davis Quintet (Prestige,1958).

Article: Multiple Reviews

ECM e le voci: Theo Bleckmann e Sinikka Langeland

Read "ECM e le voci: Theo Bleckmann e Sinikka Langeland" reviewed by Mario Calvitti


Con gli anni, le voci hanno acquistato un carattere sempre più rilevante nel catalogo ECM rispetto ai tempi della sua fondazione, quando l'etichetta bavarese era rivolta alla pubblicazione di musica di carattere prevalentemente jazzistico e quasi esclusivamente strumentale. I primi nomi di cantanti a trovar spazio nel catalogo dell'etichetta sono stati quelli di Norma Winstone, Aina ...


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