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Rez Abbasi: A Throw of Dice by The Silent Ensemble
by Alberto Bazzurro
Rez Abbasi, classe 1965, pakistano di nascita ma californiano d'adozione fin dalla più tenera età, è il principale protagonista di questo album (che del resto reca la sua firma in calce), giocato nel segno di una musica di sicuro referente jazzistico, però con forti infiltrazioni etniche, com'è del resto usuale nel chitarrista (del quale, en passant, ...
Gonzalo Rubalcaba, Aymée Nuviola: Viento Y Tiempo: Live at the Blue Note Tokyo
by Angelo Leonardi
È un tributo alla musica popolare cubana quest'album di Gonzalo Rubalcaba e Aymée Nuviola, registrato dal vivo con un travolgente ensemble di musicisti latini. Se il magistrale pianista non ha bisogno di presentazioni pochi in Italia conoscono Aymée Nuviola, cantante tra le più amate dal pubblico centroamericano nel suo stile che fonde il classico latin jazz ...
Cory Weeds: O Sole Mio! Music From The Motherland
by Jack Bowers
O Sole Mio!, the latest in a series of splendid albums by Canadian-bred saxophonist/entrepreneur Cory Weeds, is subtitled “Music from the Motherland"-- in other words, Italy, which, presumably, is Woods' ancestral home. Whatever the case, Woods' blue-chip quintet focuses for the most part on music born in Italy or written by Italian-Americans including Henry Mancini, Nino ...
Nik Bärtsch: Entendre
by Karl Ackermann
Swiss keyboardist & composer Nik Bärtsch has been recording for two decades, mostly with his Ronin and Mobile groups and their overlapping musicians. A ceaseless experimenter, his early release Hishiryo: Piano Solo (Ronin Rhythm Records, 2002) was a genre-neutral project where he played piano, prepared piano, and percussion. It has been almost twenty years between solo ...
Matty Stecks & Persiflage: Night Cravings
by Mike Jurkovic
Like sneaking into the boy's room for a smoke, bassist Dave Ambrosio intros both Night Cravings, the concept and title track, with a sinister ease, sparking a slow burning fuse that once lit, ain't going out until all in attendance damn well reach accord. Or don't. Either/or, it's a spilling energy not unlike the frisson encounters ...
Benoit Delbecq: The Weight of Light
by Jerome Wilson
The concept of light having weight may seem unusual but in listening to this solo set by pianist Benoit Delbecq, the idea starts to make sense. His style of playing mixes feathery improvisations with clanking rhythms that bring a feeling of mass and density to his work. Delbecq uses a lot of prepared piano ...
Roscoe Mitchell with Ostravska Banda: Distant Radio Transmission
by Alberto Bazzurro
Decisamente prolifico, in anni recenti, Roscoe Mitchell, e non ce ne rallegreremo mai abbastanza. Certo, con lui c'è sempre il rischio del prodotto non perfettamente a fuoco, centrato, in poche parole all'altezza del suo grande talento (e ormai, varcata la soglia degli ottanta, acclarato magistero, e da un po'), ma per fortuna non è questo il ...
Miguel Zenon: Law Years: The Music of Ornette Coleman
by Neri Pollastri
Da oltre un decennio autore di lavori di notevole qualità, spesso incentrati sulla rilettura della musica latinoamericana entro la quale è cresciuto—come nel recente El Arte Del Bolero, in duo con Luis Perdomo —, il contraltista di origini portoricane Miguel Zenon pubblica stavolta un omaggio a un Maestro assoluto del jazz al quale dichiara nelle note ...
Roberto Magris & Eric Hochberg: Shuffling Ivories
by Dan McClenaghan
You cannot get a sound that is more dead-center-of-the-U.S.A than pianist Roberto Magris and Eric Hochberg's Shuffling Ivories. This makes sense geographically as the disc comes from Kansas City's JMood Records, the label that seems intent on recording everything that Magris has to offer, including the pianist's 2020 magnum opus, Suite. Born in Trieste, ...
Oliver Schwerdt with Barry Guy and Günter ‘Baby’ Sommer: One for My Baby and One More for the Bass
by Troy Dostert
There aren't many musicians who've loomed larger in European free improvisation since the 1970s than bassist Barry Guy and percussionist Günter 'Baby' Sommer. In addition to their own work as leaders (the former having much more of a presence in this regard than the latter, admittedly), each has collaborated with the heavyweights of the free music ...
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Steve Coleman on Dave Holland
Reanimating Conversations Past
John Scofield: Meant To Be
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Bill Bruford And Pete Roth: A One-Of-A-Kind Juxtaposition
Live Review
Isaiah Collier Plays Coltrane: Live at Jazz Alley in Seattle
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