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Veronica Swift: This Bitter Earth
by Angelo Leonardi
Ad appena 26 anni Veronica Swift firma il suo album più avvincente e maturo, imponendosi come la vocalist stilisticamente più completa emersa nel nuovo millennio. Dotata di un talento prodigioso, s'è imposta nell'affollato panorama odierno delle cantanti per inventiva e virtuosismo, rinnovando l'eredità di grandi interpreti degli anni cinquanta come Anita O'Day e Dinah Washington.
Cecil Taylor: Mixed to Unit Structures Revisited
by Giuseppe Segala
La pubblicazione di Mixed To Unit Structures, nella meritevole collana Revisited Series della Ezz-thetics, sotto-etichetta della svizzera Hat Hut, riunisce due date di registrazione importanti nella vicenda di Cecil Taylor, distribuite tra l'ottobre 1961 e il maggio 1966. La prima, composta dai tre brani “Pots," “Bulbs" e “Mixed," era stata pubblicata dall'etichetta Impulse! nel disco Into ...
Nick Lombardelli: Secret Suite
by Kyle Simpler
It's easy to see the influence of blues and popular music in jazz. After all, many jazz standards were originally popular songs, and blues is where jazz music originated. Classical music, though, has also featured prominently in jazz, but it doesn't always get the same level of recognition. However, some of the greatest jazz musicians and ...
Tom Tallitsch: Message
by David A. Orthmann
There is hard bop DNA in tenor and soprano saxophonist Tom Tallitsch's twelfth record as a leader, the third consecutive release for his TT Productions imprint. While it is always tempting to start making comparisons to classic sides from the genre, or to simply dismiss recognizable sounds as old hat in a world bursting with new ...
Mirna Bogdanovic: Confrontation
by C. Michael Bailey
Arrestingly postmodern and warmly familiar in the same space, Mirna Bogdanović's fourth release, Confrontation, stops just short of dismantling contemporary jazz and pop in favor of retaining those elements that tickle the memory's nostalgia receptors in such a way that the listener recognises the music as compelling, while at the same time not being able to ...
Satoko Fujii / Taiko Saito: Beyond
by John Sharpe
Right from the off, the confluence of grainy flicker and humming drone signals that Beyond won't be like other vibraphone/piano hook ups. Under the moniker Futari, Japanese pianist Satoko Fujii and her Berlin-based countrywoman vibraphonist Taiko Saito don't so much take the road less traveled as revel in the thickets, brambles and unexpected clearings discovered when ...
Elliot Bild & the Zone: ISMS
by Nicholas F. Mondello
A textural and improvisational tour de force from Elliot Bild and the Zone, ISMS, recorded live, consists of ten selections—nine of which are Bild originals—and offers up an evening of intelligent and enlightening jazz. “Army of Aliens (Your Thoughts)" opens the set and is a classic hard-bop burner with Bild and saxophonist Hudson-Casanova lifting ...
The Workers: Altbüron
by John Eyles
Altbüron is the first album release from The Workers, a newly-formed quartet of experienced Swiss improvisers, each of whom had previously collaborated with at least one other member; the quartet comprises soprano saxophonist Urs Leimgruber (born 1952), alto saxophonist, flautist and voice Omri Ziegele (born 1959), bassist Christian Weber (born 1972) and drummer Alex Huber (born ...
The City Champs: Luna '68
by Doug Collette
The instrumental trio of guitarist Joe Restivo, organist Al Gamble and drummer George Sluppick first came together as the City Champs in 2007. After the release of The Safecracker (Electraphonic Recordings, 2009) and The Set-Up (Electraphonic Recordings, 2010), the three musicians were then drawn in different directions; Restivo, a member of the Bo-Keys, supported artists such ...
Kristiana Roemer: House of Mirrors
by Jerome Wilson
Kristiana Roemer is a young German singer whose voice has a lilt and plush texture reminiscent of Annette Peacock. On this, her first album, she uses her intriguing sound in the service of both conventional jazz tunes and floating, airy pieces which border on art songs. Most of the material here is her own writing, though ...
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