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Ivo Perelman: The Purity of Desire
by John Sharpe
Tenor saxophonist Ivo Perelman prolifically documents his work, his discography growing almost by the week. But he finds new things to say and new ways of saying them, even with his most regular collaborators. Witness the stream of superlative recordings he has made with pianist Matthew Shipp. But, at the same time, the New York-based Brazilian ...
Dave Brubeck: Time OutTakes
by Stefano Merighi
Time OutTakes è il frutto della scoperta dell'insieme dei nastri giacenti nei vaults della Columbia, riguardanti il celebre album di Dave Brubeck, edito nel 1959. Come spesso accade per questo genere di operazioni, il supplemento di materiale che esce fuori dallo scavo coincide con versioni alternative dei medesimi brani della collezione definitiva (outtakes), ma ...
Steven Feifke Big Band: Kinetic
by Angelo Leonardi
Assimilare la tradizione per poi creare cose originali. È questo il percorso che hanno seguito e continuano a seguire i musicisti jazz, in forme e approfondimenti diversi. A 30 anni esatti il pianista Steven Feifke è ancora al primo passo ma in questo scintillante debutto orchestrale dimostra di avere tutte le carte in regola per sviluppare ...
Avishai Cohen: Two Roses
by Dan McClenaghan
Avishai Cohen dreamed big, with images of symphony orchestras dancing in his head. The Israeli-born bassist maneuvered that dream into a reality with Two Roses, a recording that finds Cohen in the company of the ninety-two piece Gothenburg Symphony Orchestra, in addition to his jazz cohorts, Azerbaijani pianist Elchin Shirinov and New Jersey born and bred ...
Gus Garside & Hervé Perez: The Unexpected Visitor
by John Eyles
The Unexpected Visitor represents the first meeting of double bassist Gus Garside and saxophonist Hervé Perez as an acoustic duo, the two having previously worked together in the Ron Gaines / Martin Archer Axis group, recording the albums Les Oiseaux De Matisse (Discus, 2018) and Dream Feathers (Discus, 2020) on which the versatile Perez supplied shakuhachi, ...
Lauren White: Ever Since The World Ended
by C. Michael Bailey
There is a cadre of West Coast jazz musicians who tacitly orbit one Mark Winkler. This embarrassing wealth of talent includes: Cheryl Bentyne, Dolores Scozzesi, Judy Wexler, Robyn Spangler, Gary Brumburgh, Jeffery Gimble, Ada Bird Wolfe, and our present subject, Lauren White. White, an original East Coast product, expatriated to Westward to act and sing...and record. ...
Mike Levine: Just Chillin
by Edward Blanco
A proponent of the more relaxing side of the jazz spectrum, pianist and keyboardist Mike Levine presents his fourth album as leader, offering thirteen primarily original pieces falling decidedly within the smooth jazz category. A talented composer, Levine's music seems to eschew the core jazz tenet of improvisation in favor of catchy melodies perfect for those ...
Steve Haines and The Third Floor Orchestra: Steve Haines and The Third Floor Orchestra
by Angelo Leonardi
Dare al lettorenel breve spazio di una recensionel'idea del contenuto e del valore (in un giudizio ovviamente soggettivo) di un album spinge a usare tutte quelle classificazioni nate per orientarci. In poche parole, creare delle mappe è utile ma se il territorio è ricco di elementi diversi si rischia di usare etichette fuorvianti. ...
Nik Bärtsch: Entendre
by Mike Jurkovic
Prepared, primal architecture sparks the core of pianist Nik Bartsch's rapid fire, polymetric obsessions. So he titles his works moduls (German) or modules as the are known in King's English. Each piece adaptable and transactional to the next. Each variant available to lend its unique ruminative or propulsive elements to the music preceding or succeeding it. ...
Kurt Edelhagen & His Orchestra: The Unreleased WDR Jazz Recordings 1957 - 1974
by Chris May
This 3xCD collection of recordings by Kurt Edelhagen & His Orchestra is culled from over three thousand individual tracks recorded under the auspices of Cologne, Germany radio station WDR over close on twenty years. It is, as the expression goes, a curate's egg. That is to say, parts of it are excellent and parts of it ...

