Support All About Jazz

All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.


I want to help
88

Gary Smulyan: Smul's Paradise

Dan Bilawsky By

Sign in to view read count Views
Gary Smulyan: Smul's Paradise While the tenor saxophone is no stranger to organ group gatherings, its big brother rarely comes to the party. It's hard to say whether a lack of interest amongst baritone saxophonists, insufficient opportunities for such combinations, or a paucity of players capable of pulling it off is responsible for this issue, but Gary Smulyan won't stand for it any longer.

Smulyan, best known for his work with the legendary Vanguard Jazz Orchestra, has never been one to shy away from an opportunity to explore new surroundings. While he initially put his alto away and took on the mantle of a baritone saxophonist for the opportunity to join Woody Herman's band in the late '70s, it proved to be a career-altering experience and he's been one of the busiest baritones in the business ever since. He has blended his instrumental voice into the fabric of big bands, piano-less trios and various other ensembles both big and small, but Smul's Paradise marks the first time that he fronts an organ group on record.

His capable comrades on this mission are some of his closest friends, who also happen to be the cream of the crop on the New York scene. While this marks the first time that Smulyan, guitarist Peter Bernstein, organist Mike LeDonne and drummer Kenny Washington - Drums have teamed up to form a quartet, shared experiences between some of these musicians on and off the bandstand make this a comfortable fit from the get-go. The entire album may have been recorded in one day, with no rehearsal time and minimal retakes, but the finished product never betrays these facts.

The eight tracks on the album hit on all of the stylistic touchstones to be expected in this setting. Balladry ("Aires"), bop-ish saxophone lines ("Smul's Paradise"), Brazilian-flavored fare ("Pistaccio"), swaggering, hard bop-based music ("Up In Betty's Room") and more come into play, as Smulyan explores the possibilities that live within this format. He also toys with preexisting material, as he re-imagines Bobby Hebb's "Sunny" as a waltz and creates a hybrid of "Seven Steps To Heaven" and "My Shining Hour" on the album-ending "Heavenly Hours." Along the way, Smulyan also pays tribute to a pair of oft-overlooked organists. Don Patterson gets his due with performances of two of his songs ("Up In Betty's Room" and "Aires") and an original written in his honor ("Blues For D.P."), while Rhoda Scott gets a nod with "Pistaccio."

Smul's Paradise features some first-rate music, while showing off another facet of Smulyan's musicianship and filling a musical void left open by many baritone saxophone bearers of the past and present. Smulyan and company succeed on all fronts here, making this a sequel-worthy session.


Track Listing: Sunny; Up In Betty's Room; Pistaccio; Smul's Paradise; Little Miss Half Steps; Aires; Blues For D.P.; Heavenly Hours.

Personnel: Gary Smulyan: baritone saxophone; Mike LeDonne: Hammond B3 organ; Peter Bernstein: guitar; Kenny Washington: drums.

Year Released: 2012 | Record Label: Capri Records | Style: Straight-ahead/Mainstream


CD/LP/Track Review
Live Reviews
CD/LP/Track Review
Extended Analysis
CD/LP/Track Review
Read more articles
Bella Napoli
Bella Napoli
Capri Records
2014
buy
Gary Smulyan / Dominic Chianese: Bella Napoli
Gary Smulyan /...
Capri Records
2013
buy
Bella Napoli
Bella Napoli
Capri Records
2013
buy
Smul's Paradise
Smul's Paradise
Capri Records
2012
buy
High Noon: The Jazz Soul of Frankie Laine
High Noon: The Jazz...
Reservoir Music
2009
buy
More Treasures
More Treasures
Reservoir Music
2008
buy
Miles Davis Miles Davis
trumpet
Charlie Parker Charlie Parker
sax, alto
McCoy Tyner McCoy Tyner
piano
Sean Jones Sean Jones
trumpet
Hank Mobley Hank Mobley
sax, tenor
Shelly Manne Shelly Manne
drums
Phil Woods Phil Woods
sax, alto
Alan Pasqua Alan Pasqua
piano

More Articles

Post a comment

comments powered by Disqus

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.