Results for "Braithwaite & Katz Communications"
Rich Halley: Fire Within
by Mike Jurkovic
The name of free form saxophonist and raconteur Rich Halley may not roll off the tongue or be a secret G7 password, but he sure kicks up a lot of dust. Put him in the same room as piano slaying Matthew Shipp, bassist Michael Bisio, and drummer Newman Taylor Baker and rest assured all hell will ...
Javon Jackson Gives Peter Bradley's Art a Swinging Soundtrack
by Lawrence Peryer
Today, the Spotlight shines On saxophonist and composer Javon Jackson. Javon spoke with us about his film score for the art-world documentary With Peter Bradley (Solid Jackson Records). Peter Bradley has had a 50-year career as an abstract artist, but one that saw him getting little acclaim until the last few years. In addition ...
Jazz Detective Launches Never Before Released Cal Tjader Live Sets Recorded In The 1960s At The Penthouse Jazz Club In Seattle
THIS IS THE FIRST OFFICIAL RELEASE OF PREVIOUSLY UNISSUED LIVE CAL TJADER MUSIC IN NEARLY 20 YEARS! Transferred from the original tape reels and mastered for vinyl by Bernie Grundman, Cal Tjader: Catch The Groove – Live at the Penthouse 1963-1967 is presented as a 180-gram vinyl limited edition 3-LP SET and will also be available ...
Cal Tjader: Catch The Groove: Live at the Penthouse 1963-1967
by Troy Dostert
It would be unusual to hear vibraphonist Cal Tjader mentioned alongside the all-time greats on his instrument. He is not remembered for being a fearless improviser like Bobby Hutcherson, or as deeply soulful as Milt Jackson, or as hard-swinging a presence as Lionel Hampton. Moreover, one will search in vain in his biography for the hard-fought ...
From Ragtime To Early Jazz – Celebrating New England Conservatory’s Ragtime Legacy On Tuesday, November 21 At Jordan Hall
The Gunther Schuller Society and New England Conservatory’s Contemporary Musical Arts and Jazz Studies departments will honor the birthday of the most transformative figure in NEC’s history with From Ragtime to Early Jazz, the Gunther Schuller Legacy Concert on Tuesday, November 21. Directed by CMA co-chair Hankus Netsky, From Ragtime to Early Jazz celebrates the 50th ...
Trio San: Hibiki
by Dan McClenaghan
Put a vibraphone into a small ensemble, listen in and the label “exotica" might come up--that exotic music pioneered by Martin Denny and Juan Garcia Esquivel. The pairing of pianist Satoko Fujii and vibraphonist Taiko Saito--a duo they call Futari--on their two terrific albums, Beyond (2021) and Underground (2022), both on Libra Records, sounded like exotica ...
Ivan Lins: My Heart Speaks
by Edward Blanco
Brazilian singer and composer Ivan Lins has recorded about fifty albums since 1970 but has not recorded one in over ten years. Now, this multiple Latin Grammy-Award winner remerges with the superb and inviting My Heart Speaks, perhaps the most impressive and lush recording of his long, distinguished career. An important feature here is the extraordinary ...
Jennifer Wharton's Bonegasm: Grit & Grace
by Dan Bilawsky
Blessed be the 'bone of invention and intention that is Jennifer Wharton. A mere six years ago, the noted bass trombonist had the idea to form a slide-centric septet and commission new music to bring her oft-neglected and ballasting instrument to the fore. Driven to act on that concept, Wharton thought things through, put a plan ...
New England Conservatory's 1923 Celebrates The First Woman Tango Singer Rosita Quiroga, The Innovations Of Henry Cowell, The First Recording Of 'Nkosi Sikelel'i Afrika,' Mongolian Soundscapes, And More
The year 1923 was pivotal in Music History. In a concert titled simply 1923, NEC’s Contemporary Musical Arts Department looks at how, one hundred years ago, music engaged with world events, technological innovations, and more. Directed by faculty member Anthony Coleman, the 7:30 p.m. performance on Tuesday, November 14 takes place in Jordan Hall, 30 Gainsborough ...
Kevin Sun: The Depth of Memory
by Dan McClenaghan
Saxophonist/composer Kevin Sun's 2 CD set, The Depths Of Memory, is said to be more suited to focused listening than to the “convivial distractions of a jazz club." That rings true. From CD 1's opener, “All This Stillness," subdivided into seven sections, the album finds the saxophonist and his bandmates sounding as if they have slipped ...
