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Article: Radio & Podcasts

Ned Rothenberg: Solo Improvisation In Bizarre Times

Read "Ned Rothenberg: Solo Improvisation In Bizarre Times" reviewed by Lawrence Peryer


Today, The Tonearm's needle lands on composer and improviser Ned Rothenberg. Ned's first solo album in thirteen years, Looms & Legends (Pyroclastic Records), shows why he's been called America's most intimate composer and improviser. Ned's improvisations and compositions showcase his use of extended techniques such as circular breathing and multiphonics, while others tell stories ...

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Article: Radio & Podcasts

Miguel Zenón: Vanguardia Subterránea And The Sound Of Sanctuary

Read "Miguel Zenón: Vanguardia Subterránea And The Sound Of Sanctuary" reviewed by Lawrence Peryer


Today, we're putting The Tonearm's needle on saxophonist and composer Miguel Zenón.A MacArthur Fellow, Guggenheim recipient, and Grammy winner, Miguel has spent over two decades creating music that connects jazz tradition with Puerto Rican rhythms and modern composition.He's here to talk about his latest release, Vanguardia Subterránea: Live at The Village Vanguard ...

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Article: Radio & Podcasts

Mark Turner: Jazz and Race-He Tells It Like It Is

Read "Mark Turner: Jazz and Race-He Tells It Like It Is" reviewed by Stephen Braunginn


World-renowned tenor saxophonist Mark Turner turns his attention to a provocative subject, directly related to a dynamic novel by civil rights activist, poet and novelist, James Weldon Johnson. Turner's latest project, Reflections On: An Autobiography of an Ex-Colored Man is the main subject of this conversation on Strictly Jazz Sounds. Turner goes into detail explaining how ...

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Article: Album Review

Rahsaan Roland Kirk: Seek & Listen: Live At The Penthouse

Read "Seek & Listen: Live At The Penthouse" reviewed by Jack Kenny


Few figures in jazz history have embodied the word original quite like Rahsaan Roland Kirk. Sightless from infancy, yet bursting with boundless vision, he turned live performance into theatre, ritual and revelation. On stage, he appeared as a commanding silhouette festooned with flutes, whistles, tenor saxophone, clarinet, bells, harmonica and his self-fashioned instruments--the manzello and stritch. ...

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Article: Album Review

Rahsaan Roland Kirk: Vibrations In The Village: Live At The Village Gate

Read "Vibrations In The Village: Live At The Village Gate" reviewed by Joshua Weiner


Thankfully, fans of classic jazz rarely have long to wait before another wonderful, previously unreleased treasure drops from the indefatigable producer Zev Feldman and the folks at Resonance Records. A pair of live releases by multi-instrumentalist, showman, and musical conjuror Rahsaan Roland Kirk join the limited-edition vinyl lineup for Record Store Day's Black Friday ...

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Article: Album Review

Spinifex: Maxximus

Read "Maxximus" reviewed by Glenn Astarita


Spinifex, the Amsterdam sextet formed in 2005 by saxophonist Tobias Klein, has spent two decades rattling jazz conventions with math-metal precision and global rhythmic flair. With trumpeter Bart Maris, tenor saxophonist John Dikeman, guitarist Jasper Stadhouders, bassist Gonçalo Almeida, and drummer Philipp Moser, their live shows ignite like sonic wildfires. Maxximus marks their twentieth anniversary and ...

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Article: Album Review

Satoko Fujii Quartet: Burning Wick

Read "Burning Wick" reviewed by Dan McClenaghan


Japanese pianist Satoko Fujii is prolific. She has released well over 100 albums in a 30-year career, including a notable stretch in 2018 when she released an album a month. Solo piano outings, duo sets--including several with her husband, trumpeter Natsuki Tamura--trios, quartets, and larger ensembles of every size and shape. A general rule with Fujii: ...

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Article: Album Review

Rahsaan Roland Kirk: Seek & Listen: Live At The Penthouse

Read "Seek & Listen: Live At The Penthouse" reviewed by Dan McClenaghan


Most jazz fans are likely familiar with the visual images that are usually tagged onto the music of Rahsaan Roland Kirk (1935 -1977)--photos of a man in black sunglasses with three (or more) reed instruments around his neck and/or in his mouth. That these optics often precede the experience of the music is ironic, since Kirk ...

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Article: Album Review

Jussi Reijonen: Sayr: Salt | Thirst

Read "Sayr: Salt | Thirst" reviewed by Dan McClenaghan


Listening to Finish guitarist/oudist Jussi Reijonen's Sayr: Salt | Thirst without delving into his rich backstory is a journey into two extended solo guitar pieces that play out as ruminative dream states. Concentrating on just the sound, images of Lightnin' Hopkins might come to mind: the bluesman huddled down in a small, dim hotel room after ...

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Article: Multiple Reviews

A Muse Renaissance: Reissues from Roy Brooks, Kenny Barron, and Carlos Garnett

Read "A Muse Renaissance: Reissues from Roy Brooks, Kenny Barron, and Carlos Garnett" reviewed by C. Andrew Hovan


The independent jazz label has long served as a bellwether for the music's highest artistry, ever since the advent of the long-playing record. Labels such as Verve Records, Blue Note Records, Prestige Records, Contemporary Records, and Riverside--each a modest operation led by passionate entrepreneurs--were devoted to documenting the sound of their era with fidelity and purpose. ...


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