A definition of righteousness: about 75 people, crammed into the West Village club Smalls, watching a series of pianists play James P. Johnson on a grand piano in a benefit concert to buy a headstone for his grave.
Like all the other stride-piano soloists of the teens and 1920s, Johnson has been lodged in a historical second tier, probably because he’s not known for band music and didn’t tour sufficiently.
But he’s the truest passageway from pre-jazz to jazz-as-we-know-it. He was a pioneering and powerful solo pianist, a composer of short sketches (including “The Charleston,” his era-defining hit, and “Carolina Shout,” his finger-buster tude) and extended orchestral works.
Duke Ellington learned “Carolina Shout” from a piano roll and finally met Johnson at a concert in Washington in 1921. Afterward they stayed out until 10 a.m. “What I absorbed on that occasion,” Ellington wrote later, “might, I think, have constituted a whole semester in a conservatory.” He homed in on Johnson’s strong, grounding swing and sweet, splashing melodies; to link Scott Joplin and Ellington — or even Joplin and Thelonious Monk — you need to put Johnson between them.
Like all the other stride-piano soloists of the teens and 1920s, Johnson has been lodged in a historical second tier, probably because he’s not known for band music and didn’t tour sufficiently.
But he’s the truest passageway from pre-jazz to jazz-as-we-know-it. He was a pioneering and powerful solo pianist, a composer of short sketches (including “The Charleston,” his era-defining hit, and “Carolina Shout,” his finger-buster tude) and extended orchestral works.
Duke Ellington learned “Carolina Shout” from a piano roll and finally met Johnson at a concert in Washington in 1921. Afterward they stayed out until 10 a.m. “What I absorbed on that occasion,” Ellington wrote later, “might, I think, have constituted a whole semester in a conservatory.” He homed in on Johnson’s strong, grounding swing and sweet, splashing melodies; to link Scott Joplin and Ellington — or even Joplin and Thelonious Monk — you need to put Johnson between them.
