Results for "James P. Johnson"
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James P. Johnson

Born:
Back during the heyday of ragtime piano (pre-1920), James P. had become a part of the famed "Harlem music scene," and was contributing to the distinctive Harlem piano style that differed melodically and harmonically from classic ragtime. Conventional ragtime had syncopation but lacked polyrhythm. James P. developed a strong and solid walking bass with his left hand and a rhythmic exciting treble with his right. His music flowed at an even tempo with considerable syncopation between the two hands. He superimposed conflicting rhythms in solos of symmetrical beauty. James Price Johnson was born in New Brunswick, N.J., in 1894
Thelonious Monk: Celebrating 75 Years Of His First Recordings Revisited

by Chris May
Another stone resurrection from the Swiss-based ezz-thetics label, Celebrating 75 Years Of His First Recordings Revisited collects 23 of the tracks Thelonious Monk recorded for Blue Note between 1947 and 1952, remastered by ezzthetics' sonic jedi Michael Brändli at Hardstudios in Winterthur. Situated north of Zurich, Winterthur is Switzerland's equivalent of Silicon Valley and Hardstudios looks ...
Herbie Hancock: An Essential Top Ten Albums

by Chris May
The title of Herbie Hancock's 1973 hit single Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...
Jazzfestival Saalfelden 2022

by Stefano Merighi
Jazzfestival Saalfelden 2022 Saalfelden, Austria 18-21.8.2022 Spesso i lettori si abituano a leggere in diversi report sulla scena jazzistica accenni alla scena scandinava," come se questa fosse un monolite che si aggira nel più ampio panorama afro-euro-americano. In realtà questa scena è policroma, polifonica, può far interagire i suoi elementi come farli ...
Piano Inside And Out: You Have To Be Modernistic

by David Brown
Today, a survey of piano approaches from James P. Johnson to Dorothy Donegan to Satoko Fujii and lots of folks in between. This is piano jazz.Playlist King Fleming Trio Junction City Blues" from Stand By (Argo) 0:00:30 Randy Weston Boram Xam Xam" from Khepera (Verve) 0:04:01 Earl “Fatha" Hines Blues in Thirds" from The ...
Catherine Russell: Send for Me

by Angelo Leonardi
Il valore della tradizione. È l'aspetto che la cantante Catherine Russell ribadisce dal 2006, quando pubblicò il suo primo album da leader, dopo anni di lavoro come corista con Donal Fagen, gli Steely Dan, Wynton Marsalis, Madonna, David Bowie e altri. Quando terminò la collaborazione col cantante britannico dopo l'uscita di Reality (Iso Records 2003), Catherine ...
Umlaut Big band: Mary's Ideas

by Mark Corroto
In the liner notes of Embraced (Pablo Live, 1978), Mary Lou Williams defends the late music of John Coltrane thus ..."the healing power comes from the deep feeling that is in jazz--the feeling of the Blues which is characteristic of all good jazz no matter what form it takes. Even John Coltrane's music was never without ...
Striding Forward

by Patrick Burnette
Time, the bastards decided, for a historical podcastand this time, the focus is on stride. Who started it? Who perfected it? Who blew it up? Who deconstructed it? Keep your left hand limber and the answers will follow. Pop matters includes a brief look at chanteuse of the day, Billie Eilish.Playlist Discussion of James ...
2021 Tri-C JazzFest Cleveland

by John Chacona
Tri-C JazzFest Cleveland Cain Park September 11-12, 2021 Witnessing the moment-by-moment interaction between musicians is one of the sublime pleasures of attending a jazz concert. There were plenty of opportunities to do just that during the Tri-C JazzFest Cleveland, but for me the sweetest such encounter didn't occur onstage. It happened between ...
Happy Birthday, Cole Porter

by Russell Perry
We are celebrating Cole Porter's 130th birthdayborn June 9, 1891, This means that Porter was 27 years old, having already had shows produced on Broadway, when the first jazz recording was made in 1917. Early recordings by James P. Johnson, Jimmie Lunceford, Teddy Wilson and Django Reinhardt showed the adaptability of his compositions to the jazz ...