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James P. Johnson

Born:

Back during the heyday of ragtime piano (pre-1920), James P. had become a part of the famed "Harlem music scene," and was contributing to the distinctive Harlem piano style that differed melodically and harmonically from classic ragtime. Conventional ragtime had syncopation but lacked polyrhythm. James P. developed a strong and solid walking bass with his left hand and a rhythmic exciting treble with his right. His music flowed at an even tempo with considerable syncopation between the two hands. He superimposed conflicting rhythms in solos of symmetrical beauty. James Price Johnson was born in New Brunswick, N.J., in 1894

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Article: Rising Stars

Introducing Pianist Esteban Castro

Read "Introducing Pianist Esteban Castro" reviewed by Sanford Josephson


This article first appeared in Jersey Jazz Magazine. Esteban Castro's parents gave him a toy piano when he was three years old. “I would just kind of gravitate toward it a lot," he recalled. “When I was four, they rented a piano and started getting me lessons. I got into jazz because I would ...

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Article: Album Review

Ethan Iverson: Technically Acceptable

Read "Technically Acceptable" reviewed by Mike Jurkovic


The funhouse genius of pianist Ethan Iverson hits full nor'easter with Technically Accepted, an album so loaded with invention and cool it rises instantly to the pack of hands-down favorites for the still unformed year of 2024. Unbounded, Iverson's many quirks and instigations hurl madly around the house, the studio, the bodega down the ...

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Article: Album Review

Thelonious Monk: Celebrating 75 Years Of His First Recordings Revisited

Read "Celebrating 75 Years Of His First Recordings Revisited" reviewed by Chris May


Another stone resurrection from the Swiss-based ezz-thetics label, Celebrating 75 Years Of His First Recordings Revisited collects 23 of the tracks Thelonious Monk recorded for Blue Note between 1947 and 1952, remastered by ezzthetics' sonic jedi Michael Brändli at Hardstudios in Winterthur. Situated north of Zurich, Winterthur is Switzerland's equivalent of Silicon Valley and Hardstudios looks ...

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Article: Building a Jazz Library

Herbie Hancock: An Essential Top Ten Albums

Read "Herbie Hancock: An Essential Top Ten Albums" reviewed by Chris May


The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...

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Article: Live Review

Jazzfestival Saalfelden 2022

Read "Jazzfestival Saalfelden 2022" reviewed by Stefano Merighi


Jazzfestival Saalfelden 2022 Saalfelden, Austria 18-21.8.2022 Spesso i lettori si abituano a leggere in diversi report sulla scena jazzistica accenni alla “scena scandinava," come se questa fosse un monolite che si aggira nel più ampio panorama afro-euro-americano. In realtà questa scena è policroma, polifonica, può far interagire i suoi elementi come farli ...

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Article: Radio & Podcasts

Piano Inside And Out: You Have To Be Modernistic

Read "Piano Inside And Out: You Have To Be Modernistic" reviewed by David Brown


Today, a survey of piano approaches from James P. Johnson to Dorothy Donegan to Satoko Fujii and lots of folks in between. This is piano jazz.Playlist King Fleming Trio “Junction City Blues" from Stand By (Argo) 0:00:30 Randy Weston “Boram Xam Xam" from Khepera (Verve) 0:04:01 Earl “Fatha" Hines “Blues in Thirds" from The ...

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Article: Album Review

Catherine Russell: Send for Me

Read "Send for Me" reviewed by Angelo Leonardi


Il valore della tradizione. È l'aspetto che la cantante Catherine Russell ribadisce dal 2006, quando pubblicò il suo primo album da leader, dopo anni di lavoro come corista con Donal Fagen, gli Steely Dan, Wynton Marsalis, Madonna, David Bowie e altri. Quando terminò la collaborazione col cantante britannico dopo l'uscita di Reality (Iso Records 2003), Catherine ...

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Article: Album Review

Umlaut Big band: Mary's Ideas

Read "Mary's Ideas" reviewed by Mark Corroto


In the liner notes of Embraced (Pablo Live, 1978), Mary Lou Williams defends the late music of John Coltrane thus ..."the healing power comes from the deep feeling that is in jazz--the feeling of the Blues which is characteristic of all good jazz no matter what form it takes. Even John Coltrane's music was never without ...

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Article: Radio & Podcasts

Striding Forward

Read "Striding Forward" reviewed by Patrick Burnette


Time, the bastards decided, for a historical podcast—and this time, the focus is on stride. Who started it? Who perfected it? Who blew it up? Who deconstructed it? Keep your left hand limber and the answers will follow. Pop matters includes a brief look at chanteuse of the day, Billie Eilish.Playlist Discussion of James ...


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