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Art Taylor

One of the premier hard bop drummers of his era, by 1948 while still a teenager in Harlem, Art Taylor had played drums in church with Jackie McLean and Sonny Rollins. He also played with Howard McGhee and other young bop musicians in New York. In the early 50s he was also to be heard in mainstream groups, playing with Buddy De Franco and Coleman Hawkins. He continued to play with leading beboppers, including Bud Powell, and Art Farmer. Later in the decade was with Miles Davis and John Coltrane.

From time to time he led his own bands, notably Taylor’s Wailers, and toured the States and Europe with Donald Byrd, and did a short stint with Thelonious Monk in 1959. Also in ’59 he was the drummer on John Coltrane’s “Giant Steps” album, which speaks for itself.

He became resident in Europe in the early 60s, playing with visiting fellow Americans including Dexter Gordon and Johnny Griffin. During this period, Taylor began recording interviews with musicians, the results of which, often acutely angled towards the racial and political circumstances surrounding jazz, were first published in 1977 under the title Notes And Tones. In the mid-80s Taylor returned to the USA and hosted a radio show. His last studio session was with Jimmy Smith in 1995 for the excellent record “Damn!,” and the album was dedicated to his memory.

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11

Album Review

Miles Davis: Miles '56: The Prestige Recordings

Read "Miles '56: The Prestige Recordings" reviewed by Mark Corroto


The ancient Greek philosopher Heraclitus never met Miles Davis, but his famous observation, “No man ever steps in the same river twice, for it's not the same river and he's not the same man," seems tailor-made for the trumpeter. Few artists transformed themselves as completely or as often as Davis. Listeners encountering his music today can struggle to reconcile the cool, lyrical trumpeter of the bebop era with the architect of jazz-rock fusion, the creator of On the Corner (Columbia, ...

13

Album Review

Miles Davis: Miles '56: The Prestige Recordings

Read "Miles '56: The Prestige Recordings" reviewed by Mike Jurkovic


Let us imagine for the moment that it is a day or two after the Big Spirit Beyond Wonder has separated the wheat from the chafe. The terrible, unwanted wars have ceased. Global climate change is no longer a threat. Autocracy is in the dustbin of history where it rightfully belongs. Illness has passed. The world, as it was in the beginning, is free of the subterfuge and manipulations of humankind. Now the Big Spirit turns their attention ...

4

Reassessing

Red Garland Revisited!

Read "Red Garland Revisited!" reviewed by C. Michael Bailey


Prestige Records released Red Garland Revisited in 1969. However, Rudy Van Gelder recorded the eight selections comprising the album 12 years earlier at his Hackensack, New Jersey studio. Using bassist Paul Chambers and drummer Art Taylor as his rhythm section, adding guitarist Kenny Burrell on two pieces--Miles Davis's “Four" and “Walkin.'" Recorded May 24, 1957, this session took place during a busy period for Garland, between a date for trombonist Curtis Fuller on May 14 resulting in Curtis Fuller with ...

16

Album Review

Miles Davis: Miles '55: The Prestige Recordings

Read "Miles '55: The Prestige Recordings" reviewed by Richard J Salvucci


It is hard to imagine any casual jazz fan failing a blindfold test on the vinyls on offer here. It is a game people play: how quickly can you identify the performer. A lot of horn players make it into the competition, because horns are boisterous and mimic the human voice and persona. Clark Terry, some say, requires one note. And for much of his career, starting in the mid-1950s, a compatriot and mentee of Terry's: Miles Davis was equally ...

10

Album Review

Dorothy Ashby: With Strings Attached, 1957-1965

Read "With Strings Attached, 1957-1965" reviewed by John Chacona


Imagine if Sidney Bechet, Charlie Christian and Jimmy Smith were barely remembered and recordings of their music were long unavailable and known only on the geekiest corners of Discogs. That is essentially the status of harpist Dorothy Ashby. Like the three figures cited above, Ashby essentially created a language for her chosen instrument, the harp, where virtually none has existed before and established it as a legitimate and expressive vehicle for jazz improvisation at the highest level. Just how brilliantly ...

14

Album Review

Archie Shepp: Blase And Yasmina Revisited

Read "Blase And Yasmina Revisited" reviewed by Chris May


The three albums tenor saxophonist Archie Shepp recorded in Paris for BYG Records during one week in August 1969 tend to get overlooked in the slipstream of the dozen or so he made in the US for Impulse earlier in the decade. More is the pity, for as Blasé And Yasmina Revisited so resoundingly attests, the BYGs contain some of the most audacious, many splendored and deep roots music that Shepp has recorded in his still-kicking career (at the time ...

10

Album Review

John Coltrane: Giant Steps: Remastered & Super Deluxe Editions

Read "Giant Steps: Remastered & Super Deluxe Editions" reviewed by Chris May


A date for your diary... 18 September 2020. That is when Atlantic / Rhino releases two cracking new editions of John Coltrane's first landmark album, Giant Steps (Atlantic, 1960). The main event is enhanced audio quality, which has noticeably more presence than any previous reissue. The double CD and vinyl Remastered Edition and digital-only Super Deluxe Edition consist of material which has been newly remastered by John Webber at Air Studios in London. The Remastered Edition includes ...

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Video / DVD

Art Taylor: Two Hours at the Village Vanguard

Art Taylor: Two Hours at the Village Vanguard

Source: JazzWax by Marc Myers

Art Taylor was a jazz drummer whose name, sadly, rarely comes up these days. But starting in 1951, Art was in huge demand as a sideman and recording artist. Over the course of his career, according to the Jazz Discography, he recorded on 323 sessions, a sizable number. Nicknamed A.T., or, to those in the know, Mr. Cool, Art established a new, straight-ahead drumming style that was less scattered and more consistently intense, like a pot of water coming to ...

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Music

Recordings: As Leader | As Sideperson

Soul Junction

Craft Recordings
2026

buy

Miles '56: The...

Craft Recordings
2026

buy

Miles '55: The...

Craft Recordings
2025

buy

Looking Ahead

Craft Recordings
2025

buy

With Strings...

New Land Records
2023

buy

Videos

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