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Michael Robinson
Michael Robinson is a Los Angeles-based composer, programmer, pianist and musicologist.
About Me
Michael Robinson is a Los Angeles-based composer, programmer, pianist and musicologist.
He voices and colors his compositions with instrumental timbres and scale tunings from diverse
world music cultures including India, Africa, the Near East, Japan, China, Korea, Bali, Java, Cuba,
Brazil, Australia, Europe, North America and Southeast Asia.
Robinson composes using traditional Western notation and programs a computer and electronic
sound module to perform his music in real time without overdubbing.
I'm interested in discovering and liberating the expressive quality - the essence - of computer-
performed music. I want this music to emanate from the computer in the same way other sounds
emanate in nature, like wind and water. (Michael Robinson quoted in Keyboard)
Statement from Michael Robinson:
Asked about my approach to composition and performance, one thought is the reimagining of
musical syntax from jazz and Indian classical music through prisms of personal temperament and
body chemistry guided by raga elements. Ragas are a wondrous musical form from India
believed to be based in divinity, and used as a basis for improvisation and composition with
unlimited developmental potential. European classical, rock, and myriad American popular and
esoteric forms are part of who I am musically, too.
Meruvina is my orchestra and instrument at once, consisting of a sound module with sampled
and synthesized timbres, a computer, and miraculous software programmed to perform my
compositions in real time working from fully notated scores. Meruvina is a name invented by
combining my initials, MER, together with the Sanskrit word for musical instrument, vina. Mer
was extended to Meru when I recalled the mythological mountain where the Hindu gods
reside, Mount Meru. My reason for devising a new musical moniker came with the realization that
beautiful sounding instruments deserve beautiful sounding names as opposed to technical,
scientific designations. For example, we don’t call the flute the metal blowhole, or the piano the
wooden-boxed, metallic-hammered mechanism!
I compose for close, even meditational, listening on both intellectual and spiritual planes,
including elements of adbhuta rasa (wonderment, exhilaration), shanta rasa (tranquility, peace),
and veera rasa (majesty, valor). Rasas are nine transcendental emotional states or sentiments
forming the aesthetic basis of Indian music, drama and dance, reflecting the belief that all of
human experience may be described as expressing one or several combined rasas. In confluence
with the concept of rasa, every composition has a unique personality I endeavor to enhance
through vibrant musical color, melody, rhythm, language and architecture.
Azure Miles Records was formed to present the changing seasons of my music. The name of my
label is after William Butler Yeats, Maybe in some isle of isles, In the South Seas azure miles...
and I now have a catalog of 198 albums from 1991 to the present. Cover art for each album uses
hand silkscreen and hand woodblock printed papers from Japan, India, and Nepal. I choose these
designs to reflect and enhance the music. Azure Miles and the poetic phrase it originates from
brought to mind new musical vistas of previously unimagined beauty and enchantment.
Quality is my only musical consideration, and the amount of music I've composed and recorded
seems entirely natural. Perhaps part of the reason for my prolificacy is how notation only begins
after a composition is completed internally without any changes made after the score is finished.
Pencil is used because occasionally there is a misstroke that needs to be erased and corrected. I
also much prefer the feeling of pencil on paper.
My Jazz Story
I was first exposed to jazz when Barney Bragin had me purchase one of the greatest albums of all time, Jazz Impressions of Eurasia featuring Dave Brubeck, Paul Desmond, Joe Benjamin and Joe Morello, including presaging my fascination with the music of foreign cultures. It still sounds just as good if not better today! Then, Rollan Masciarelli introduced me to Lester Young and Charlie Parker, the latter becoming an obsession. From there my love for jazz kept growing...and keeps growing. My advice to new listeners is to listen to the finest music whatever genre it may be. Go towards what attracts you, keeping in mind that sometimes the best things are developed tastes.
My House Concert Story
Lee Konitz visited my Manhattan apartment on East 65th Street to play along with my meruvina composition and realization titled Pictures On the Wall. He enthused how the arrangement and rhythm reminded him of Count Basie while attempting to emulate some of the more complex phrases. This was truly a form of reverse osmosis being how Lee is one of my main musical inspirations. Afterwards we walked on a gloriously sunny summer day from East 65th Street and First Avenue, across town and through Central Park, all the way to his place on West 86th Street between Columbus and Amsterdam talking about jazz. I carried his ax.