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Sara Serpa

As a native of Lisbon, Portugal, and currently living in New York, vocalist and composer Sara Serpa has lived around music all her life. While in her teens she attended the Conservatory of Music in Lisbon, studying piano and singing, setting the basis of her musical vocabulary. When facing the challenge of choosing a career, Serpa entered a Psychology College, graduating in Social Work. Her musical desires remained alive during this period and soon she encountered jazz at Hot Clube Jazz School in Lisbon. Serpa’s aspirations of seeking more knowledge and challenges eventually brought her to Boston where she attended Berklee College of Music and later the New England Conservatory, where she received her Masters in Jazz Performance in 2008. Among her teachers were a very celebrated cast of luminaries such as Danilo Perez, Ran Blake, Dominique Eade, Theo Bleckmann, Hal Crook and Jerry Bergonzi.

From the time Serpa arrived to Boston, she has kept her yearning to learn and for developing her own voice as a composer and improviser. Serpa is a singer of a new generation who seeks out challenges in order to grow. Her ability to navigate through demanding, instrumental music and improvise over complex chord progressions is amazingly natural. As a composer Serpa has a unique approach to sound and emotional depth: she creates melodies that seem to tell everyone a different story and at the same time leave her own signature. The fact that she sings mostly wordless music, going beyond the traditional scat technique, is also part of her creative style. It is no mystery that her compositions and singing have established her prematurely as a pillar among many young jazz musicians.

Very recently Ms. Serpa became a new member of Greg Osby’s band, being the first native Portuguese musician to perform at the famous Village Vanguard in New York. Her recording participations include the latest Greg Osby’s album, “9 Levels”, released by Inner Circle Music, and also the guitarist André Matos “Rosa Shock” to be released by Tone of a Pitch. Serpa’s first album “Praia” has been released by Inner Circle Music as well.

For the past years, Sara Serpa has shared stages with an expanding circle of musicians including Greg Osby, John Lockwood, André Matos, Demian Cabaud, Jesse Chandler, Ferenc Nemeth, Matt Pavolka, Pete Rende, Esperanza Spalding, Nick Falk, Peter Slavov, Aruan Ortiz, Leo Genovese, Albert Sanz, Masa Kamaguchi, RJ Miller, Vardan Ovsepian, Nelson Cascais, Bruno Pedroso, Andre Sousa Machado, and Andreia Pinto Correia.

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Album Review

Tobias Meinhart: Sonic River

Read "Sonic River" reviewed by Vic Albani


Bavarese trapiantato a Brooklyn da quasi un ventennio, Tobias Meinhart è un altro dei tanti nomi pressoché sconosciuti alle nostre latitudini. Mescolando il groove jazz con la narrazione poetica il sassofonista e flautista è da anni una presenza costante della scena newyorkese new mainstream. Come insegnano le note relative a questo suo nuovo lavoro inciso per la propria etichetta, i fiumi hanno sempre avuto un ruolo importante nella sua vita: se ai tempi della scuola il sassofonista, ...

Album Review

Ingrid Laubrock: Purposing the Air

Read "Purposing the Air" reviewed by Vincenzo Roggero


Avventuroso e ambizioso Purposing the Air, nuovo progetto di Ingrid Laubrock, notevole sassofonista di origini tedesche qui nelle vesti di compositrice. Dal poema “Mood Librarian -a poem in koan" di Erica Hunt, ha estratto sessanta frammenti, trenta nel primo CD e trenta nel secondo, affidandoli a quattro duo dove l'elemento fisso è la voce mentre la strumentazione si distribuisce tra violoncello, pianoforte, chitarra elettrica e violino. I sessanta frammenti-miniature-koan, alcuni di due sole parole, riportati nel dettagliato libretto interno, risuonano ...

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Album Review

Ingrid Laubrock: Purposing The Air

Read "Purposing The Air" reviewed by Thierry De Clemensat


Purposing The Air is a recording of extreme quality, though it is undoubtedly aimed at an informed audience, one more inclined toward contemporary classical music. While some pieces carry faint echoes of jazz, listening to this album is akin to stepping into a museum to attend a recital. Each artist is striving for excellence on every level: musicality, interpretation and even theatricality. It is, without a doubt, a powerful creation. To fully grasp the artistic approach behind this ...

1
Album Review

Sara Serpa: Encounters and Collisions

Read "Encounters and Collisions" reviewed by Angelo Leonardi


In questo disco Sara Serpa rilegge i momenti significativi della sua vita sviluppando un progetto personale diviso in nove tappe, costituite da altrettanti brani che seguono brevi narrazioni declamate. Trasferitasi nei primi anni duemila da Lisbona a Boston per studiare al Berklee College e al New England Conservatory (dove incontrò il suo mentore Ran Blake), Sara ricorda lo spaesamento in rapporto alla diversa realtà: la solitudine e lo studio intensivo, le incomprensioni con i primi conoscenti, le difficoltà ...

Album Review

Erik Friedlander: Dirty Boxing / Floating City

Read "Dirty Boxing / Floating City" reviewed by Vic Albani


Ironico come sempre, Erik Friedlander torna sul mercato con un singolare nuovo lavoro intitolato Dirty Boxing dedicato al crudo vocabolario delle arti marziali miste (!!!) con tanto di guantoni da boxe in copertina. Il gioco è quello di esplorare gli imprevisti parallelismi tra la disciplina artistica della musica e il combattimento strategico delle arti marziali. Il violoncellista newyorkese, come al solito molto intelligente ed attento, si circonda della bellezza musicale di Uri Caine al pianoforte, Mark Helias al ...

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Live Review

Radical Community: Sara Serpa at The Stone

Read "Radical Community: Sara Serpa at The Stone" reviewed by Adam Beaudoin


Sara Serpa The Stone New York, NYSeptember 18-21, 2024 The set opened with a half-hour of uninterrupted sound: sections and songs segued organically; the audience sat rapt in intent silence, not applauding even for the most intricate, moving solos. Applause finally came, when the musicians eventually paused, in a spontaneous collective release, as if we had all been unconsciously holding our breath. So began Sara Serpa's September residency at The Stone, John Zorn's ...

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Album Review

The Jamie Baum Septet+: What Times Are These

Read "What Times Are These" reviewed by Angelo Leonardi


Nella sua nuova incisione Jamie Baum coniuga impegno civile e ricercata varietà di soluzioni musicali con voci e suoni di particolare freschezza. A distanza di sei anni dal precedente Bridges la flautista e compositrice firma l'album più riuscito del suo ensemble, in gran parte rinnovato con l'ingresso del trombettista Jonathan Finlayson, del pianista Luis Perdomo, del bassista Ricky Rodriguez e del percussionista Keita Ogawa accanto ai fidi Jeff Hirshfield alla batteria, Brad Shepik alla chitarra, Chris Komer al ...

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Education

New England Conservatory’s Jazz Studies And Contemporary Musical Arts Departments Announce Fall 2023 Concerts Featuring Expansive Programming Across Genres

New England Conservatory’s Jazz Studies And Contemporary Musical Arts Departments Announce Fall 2023 Concerts Featuring Expansive Programming Across Genres

Source: Braithwaite & Katz Communications

New England Conservatory (NEC) announces an expansive fall season of performances, featuring a diverse roster of ensembles and programming. Ensembles large and small perform in NEC’s world-class venues, including Jordan Hall and the Plimpton Shattuck Black Box Theatre. Jazz Studies welcomes award winning vocalist and alum Sara Serpa for a residency focusing on her acclaimed multi-media work Intimate Strangers. Other fall highlights include a residency with NEA Jazz Master bassist Dave Holland and two concerts by the NEC Jazz Orchestra, ...

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Radio

The Jazz Session #212: Sara Serpa

The Jazz Session #212: Sara Serpa

Source: AAJ Staff


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Performance / Tour

Greg Osby and Sara Serpa Perform at the Village Vanguard

Greg Osby and Sara Serpa Perform at the Village Vanguard

Source: Michael Ricci

A Progressive Who Knows How to Be Here Now

The alto saxophonist Greg Osby has routinely been assessed over the last 20 years as a jazz progressive, the sort of musician who constantly pushes forward. In postbop terms that's high praise, and a kind of trap. It respects the intent of innovation but places a premium on the results, devaluing any effort that isn't a bridge to new terrain. On Tuesday, in the first set of what Mr. Osby described ...

"She's unique beyond words" —Boston Globe "A bright young Portuguese singer" —New York Times "She's the freshest vocalist on the scene at the moment" —All About Jazz

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Concerts

Sep 22 Mon

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Dec 4 Thu

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Music

Recordings: As Leader | As Sideperson

Sonic River

Sonic River Records
2025

buy

Purposing the Air

Pyrolastic Records
2025

buy

Night Birds

Robalo Records
2024

buy

What Times Are These

Sunnyside Records
2024

buy

Conundrum Vol. 1 -...

Clean Feed Records
2024

buy

Encounters and...

Biophilia Records
2024

buy

Koan 28

From: Purposing the Air
By Sara Serpa

Language

From: Encounters and Collisions
By Sara Serpa

Carlos

From: Night Birds
By Sara Serpa

Night

From: Intimate Strangers
By Sara Serpa

Lei Do Indigenato, 1914

From: Recognition
By Sara Serpa

Object

From: Close Up
By Sara Serpa

Object

From: Close Up
By Sara Serpa

Rios

From: Primavera
By Sara Serpa

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