That's because their friendship began in 1998 and has been forged over multiple tours and a dozen recordings, including two excellent duos, Kathmandu (FMR, 2007) and Nada (Creative Sources, 2009). The music here is taken from two Montreal concerts recorded in 2012 and 2013.
The disc opens with the lengthiest and title piece at nearly 18 minutes. Lambert's drum rolls and cymbal work erect a skeleton framework for Carrier's alto saxophone endeavor. You can almost hear him listening (if that's possible), as he modulates his sound to the saxophonist's changes in volume. The remaining pieces are much shorter in duration and consumption (meaning deliberation) less demanding. "Blueshift" opens with Lambert's lean sinewy drum progression before Carrier works some upper register magic. "Big Bounce" opens with a whistle (Lambert?) and Carrier's Chinese oboe, then switches to saxophone playing hints of Love Supreme over Lambert's mallet work. "Superstring" displays some powerful extended saxophone technique and "Ida" advances lightly with with barking notes and a scouting party's pulse. The ending track "Nutation" strains at the edges, first with oboe then saxophone in upper registers. Even while Carrier exhausts his breath, Lambert is ever present. Beautiful.
Track Listing: iO; Blueshift; Mock Sun; Big Bounce; Superstring; Albedo; Ida; Open Cluster; Nutation.
Personnel: François Carrier: alto saxophone, Chinese oboe; Michel Lambert: drums.
Rhythm Abstraction: Azure is the first volume of new compositions created as a follow up to 2018’s
release Rhythm Kaleidoscope. As with that release, Brock Avery improvised drum and percussion
solos. Frank Macchia then composed music for woodwinds and orchestra to Brock’s creations. Azure
is the first of three extended play albums of 6-7 compositions which will be released starting in
January and followed up in April and July. In Azure we have a created a group of pieces that continue
our quest for honoring the art of improvisation with a “stream-of-consciousness” sense of
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