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Musician

Peter Brötzmann

Born:

Born Remscheid, Germany on 6 March 1941; soprano, alto, tenor, baritone and bass saxophones, a-clarinet, e-flat clarinet; bass clarinet, tarogato. Peter Brötzmann's early interest was in painting and he attended the art academy in Wuppertal. Being very dissatisfied with the gallery/exhibition situation in art he found greater satisfaction playing with semi-professional musicians, though continued to paint (as well as retaining a level of control over his own records, particularly in record sleeve/CD booklet design). In late 2005 he had a major retrospective exhibition jointly with Han Bennink - two separate buildings separated by an inter-connecting glass corridor - in Brötzmann's home town of Remscheid.

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Article: Album Review

Tatsuya Yoshida / Martín Escalante: The Sound of Raspberry

Read "The Sound of Raspberry" reviewed by Mark Corroto


This LP may be the revelation of 2025--or a sonic ordeal, depending on your tolerance for noise and your grasp of history. Japanese drummer Tatsuya Yoshida and Mexican saxophonist Martín Escalante met at the perfect moment in December 2023 to record 14 tracks at Tokyo's Bar Aja. The result, The Sound of Raspberry, is the love ...

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Article: Album Review

Larry Stabbins & Mark Sanders: Cup & Ring

Read "Cup & Ring" reviewed by John Sharpe


Inspired by the 5000 year old Neolithic rock carvings pictured on the sleeve, Cup & Ring opens and closes with brooding, ritualistic pieces in which Larry Stabbins' breathy flute drifts like mist over Mark Sanders' deliberate, processional percussion. These atmospheric bookends, along with similarly spare interludes throughout, frame a set grounded more deeply in the language ...

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Article: Album Review

Misha Mengelberg / Sabu Toyozumi: The Analects Of Confucius

Read "The Analects Of Confucius" reviewed by Mark Corroto


Come for the music of Dutch pianist Misha Mengelberg, and stay for Sabu Toyozumi. Or perhaps you are here for the Japanese drummer--the first non-American invited into the ranks of Chicago's Association for the Advancement of Creative Musicians (AACM)--and are thrilled to hear him engage in a distinctly Japanese take on the New Dutch Swing. Either ...

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Article: Album Review

Manfred Schoof: European Echoes

Read "European Echoes" reviewed by Fran Kursztejn


Manfred Schoof's European Echoes is popularly characterized as a diamond in the rough, with emphasis on the rough. Boasting a cast filled with near every mainstay of the erupting European free jazz style, amounting to 16 independent players, most awarded their own solo, duet or section improvisation in the record's second half, audio technology of the ...

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Article: Live Review

Brilliant Corners 2025: Days 5-8

Read "Brilliant Corners 2025: Days 5-8" reviewed by Ian Patterson


Brilliant Corners 2025 Black Box/Various Venues Belfast, N. IrelandFebruary 28-March 8, 2025 If the first four days of Brilliant Corners 2025 leaned towards long-form contemporary composition and free improvisation, the music of the last four days had a more spiritual tone, and a more heavily African-accented character. Many would say that ...

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Article: Album Review

Zlatko Kaučič: Zlatko Kaučič@70 - Inklings

Read "Zlatko Kaučič@70 - Inklings" reviewed by Mark Corroto


I am tempted to call Inklings, a tribute to 70-year-old Slovenian drummer, composer, and percussionist Zlatko Kaučič, a celebration of his long and inspirational career. Yet, I hesitate, for much like the indefatigable octogenarians Han Bennink and Louis Hayes, Kaučič shows no signs of slowing down. It would not be surprising if he, like Roy Haynes, ...

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Article: Profile

Moving On Music: Literal Magic

Read "Moving On Music: Literal Magic" reviewed by Ian Patterson


2025 marks the 30th anniversary of Moving On Music (MOM), one of Ireland's finest music promotion companies. There will probably be little hoopla, no big party and probably not even a cake. Instead, it will be business as usual for the small but industrious team of four, and that means bringing the best music of all ...

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Article: Album Review

Keiji Haino / Natsuki Tamura: What Happened There?

Read "What Happened There?" reviewed by Mark Corroto


Unexpected one-off collaborations in creative music have often thrilled and captivated listeners, yielding results as unpredictable as they are unforgettable. Consider Embraced (Pablo Live, 1978) by Cecil Taylor and Mary Lou Williams, the genre-spanning brilliance of Duke Ellington & John Coltrane (Impulse!, 1963), or the boundary-pushing sonic landscapes of My Life in the Bush of Ghosts ...

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Article: Album Review

Dörner-Schwerdt-Sartorius: Jul Fuel

Read "Jul Fuel" reviewed by Mark Corroto


Jul Fuel unfolds more like a tale of three cities than a singular statement--especially when the tracks are experienced in album order. The release transitions from a solo piano performance to a piano-drum duet, a trio performance, and, finally, a slide trumpet solo. At its core, however, Jul Fuel revolves around German improviser Axel Dörner, even ...


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