Results for "Peter Brotzmann"
Peter Brötzmann
Born:
Born Remscheid, Germany on 6 March 1941; soprano, alto, tenor, baritone and bass saxophones, a-clarinet, e-flat clarinet; bass clarinet, tarogato. Peter Brötzmann's early interest was in painting and he attended the art academy in Wuppertal. Being very dissatisfied with the gallery/exhibition situation in art he found greater satisfaction playing with semi-professional musicians, though continued to paint (as well as retaining a level of control over his own records, particularly in record sleeve/CD booklet design). In late 2005 he had a major retrospective exhibition jointly with Han Bennink - two separate buildings separated by an inter-connecting glass corridor - in Brötzmann's home town of Remscheid. Self-taught on clarinets, he soon moved to saxophones and began playing swing/bebop, before meeting Peter Kowald
Rachel Musson: Dreamsing
by John Sharpe
If the solo album is a rite of passage for a woodwind player, then adventurous British saxophonist Rachel Musson passes with flying colors. Musson has found a mentor in 577 Records label boss Federico Ughi, a collaborator during his sojourn in London in the early 2000s. Consequently, the imprint has issued a stream of strong releases ...
Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
Liudas Mockūnas / Arvydas Kazlauskas: Purvs
by Mark Corroto
If you need evidence that the very first musicians, our evolutionary ancestors, made sounds to imitate nature, Purvs may be the proof. The Latvian and Lithuanian saxophonists Arvydas Kazlauskas and Liudas Mockūnas made two recordings, one in an open air Latvian bog marsh which makes up the first LP of this release and the second LP ...
Rodrigo Amado This Is Our Language Quartet: Let The Free Be Men
by Mark Corroto
If you are not hip to Portuguese saxophonist Rodrigo Amado, where, as they say, have you been? He has garnered acclaim for many years now, with his own Motion Trio, Lisbon Improvised Players, The Wire Quartet, Luís Lopes' Humanization 4tet, and in duos with Chris Corsano and trios with Kent Kessler and Paal Nilssen-Love. If, though, ...
Michael Bisio - Kirk Knuffke - Fred Lonberg-Holm: The Art Spirit
by Mark Corroto
If you thought Requiem For A New York Slice (Iluso Records, 2019) from bassist Michael Bisio, cornetist Kirk Knuffke, and cellist Fred Lonberg-Holm was a one-off recording, you were mistaken, and thankfully so. Interestingly enough, The Art Spirit was actually recorded a couple weeks before Requiem and it is the continuation of a beautiful relationship begun ...
Marta Warelis / Frank Rosaly / Aaron Lumley / John Dikeman: Sunday At De Ruimte
by Mark Corroto
Is it a pilgrimage or just magnetism that draws improvising artists to Amsterdam? If you've read Kevin Whitehead's book New Dutch Swing (Billboard Books, 1998), you'll understand the open atmosphere and creative jazz scene which began there in the 1960s. It was a scene sown by America's New Thing in free jazz, but also one that ...
Hans Koch & Paul Lovens: Nephlokokkygia 1992
by Mark Corroto
This live recording from a tour through Bulgaria in 1992 begs the questions: why Bulgaria? and, most importantly, why are there not more recordings from Hans Koch and Paul Lovens? Nephlokokkygia or “CloudCuckooLand" is seeing the light of day for the first time as, during the pandemic year of 2020, Koch edited tape recordings of the ...
New Sounds and Archive Nuggets
by Bob Osborne
A mixture of old and new this time. Featured albums are from Behn Gillece, Devin Gray, Camila Nebbia & Axel Filip, Damon Locks and Ivo Perelman & Matthew Shipp. There's also a couple of albums from 2020 that I have only just gotten around to, plus some archive specials from Hugh Hopper, Marc Ducret and Miles ...
Corrado Beldì il poliedrico: su NovaraJazz e non solo
by Libero Farnè
Dopo aver partecipato a NovaraJazz per un paio di giorni nel 2008 e nel 2011, ho incontrato di nuovo il suo direttore artistico Corrado Beldì al Talos Festival di Ruvo di Puglia nel 2014, quando di scena era l'Instant Composers Pool. Mi trovai di fronte un quarantenne giovanile, estroverso, sempre pronto a una risata contagiosa e ...
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