Results for "Peter Brotzmann"

Peter Brötzmann

Born Remscheid, Germany on 6 March 1941; soprano, alto, tenor, baritone and bass saxophones, a-clarinet, e-flat clarinet; bass clarinet, tarogato. Peter Brötzmann's early interest was in painting and he attended the art academy in Wuppertal. Being very dissatisfied with the gallery/exhibition situation in art he found greater satisfaction playing with semi-professional musicians, though continued to paint (as well as retaining a level of control over his own records, particularly in record sleeve/CD booklet design). In late 2005 he had a major retrospective exhibition jointly with Han Bennink - two separate buildings separated by an inter-connecting glass corridor - in Brötzmann's home town of Remscheid. Self-taught on clarinets, he soon moved to saxophones and began playing swing/bebop, before meeting Peter Kowald

Karacho!

By PETER BRöTZMANN

Label: Euphorium Records
Released: 2020
Track listing: Karacho!

Chad Taylor Trio: The Daily Biological

By GIUSEPPE SEGALA

Chad Taylor è conosciuto in particolare per essere cofondatore, insieme a Rob Mazurek, del Chicago Underground Duo, con le sue varianti nei diversi ampliamenti degli organici. La sua attività si è dipanata ad ampio raggio negli ultimi trent'anni, facendo fulcro sulla scena di Chicago prima, e di New York poi, collaborando tra l'altro con protagonisti storici, ...

Agile Experiments: Alive In The Empire

By IAN PATTERSON

The clue is the name. Take a handful of musicians, place them in front of an audience and say “ready, steady go." Since starting Agile Experiments in 2015, multi-instrumentalist Dave De Rose has marshaled dozens of musicians for his sonic experiments, whereby small combos play entirely improvised one-hour gigs. Alive in the Empire, the fifth release ...

Big Bad Brötzmann Quintet: Karacho!

By MARK CORROTO

Good free jazz is like a trip to a carnival with its exotic and unfamiliar sights and sounds. Even for an experienced listener, the surprise of great instant composing never grows old. A prime example is Karacho! by the befittingly named Big Bad Brötzmann Quintet. Like visiting the carnival, there are innumerable sound experiences encased within ...

New music from Wojtek Mazolewski

By BOB OSBORNE

On this show the featured release is the latest album by Wojtek Mazolewski Following the rhapsodic response to his debut Whirlwind release--a deluxe edition of Polka which, internationally, broke through into dance clubs and rock and indie festivals--the double bassist now focuses attention on the music of his compatriot Krzysztof Komeda (1931--1969), a legend ...

Mareike Wiening's Debut Album

By BOB OSBORNE

German drummer and composer Mareike Wiening released her debut album featuring her original compositions performed by an outstanding quintet of New York improvisers on November 1st . Metropolis Paradise is dedicated to Wiening's six year residence in the Big Apple and is the featured album on this show. We also preview the excellent new album from ...

I Surrender Dear

By PETER BRöTZMANN

Label: Trost Records
Released: 2019
Track listing: I Surrender Dear; Lover Come Back To Me; Lady Sings The Blues; Con Alma; Nice Work If You Can Get It; Dark Blues; Improvisation Über Ein Thema Von JS Bach; ChurchSong; Sumpin’; Brozziman; Ballade/Love Poem Nr. 7/Blues; I Surrender Dear.

Mats Aleklint/Per-Ake Holmlander/Paal Nilssen-Love: Fish & Steel

By KARL ACKERMANN

PNL Records was started in 2007 by Norwegian jazz drummer Paal Nilssen-Love to release his recordings as a solo artist, with his big band Large Unit, and in collaborations with other artists. Fish & Steel is the self-titled debut from the trio of trombonist Mats Åleklint, tuba player Per-Äke Holmlander, and Nilssen-Love. All three are part ...

Peter Brötzmann: I Surrender Dear

By MARK CORROTO

You can forgive yourself if you get the feeling that you're a bit of a voyeur while listening to I Surrender Dear, the solo recording by saxophonist Peter Brötzmann. This sense of eavesdropping is due to the intimate sounds and the great man's choice of music. This intimacy is not something you generally associate with Brötzmann's ...