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About Lee Konitz
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Lee Konitz
Born:
Konitz is sometimes regarded as the preeminent cool
jazz saxophonist, because he performed and recorded
with Claude Thornhill, Lennie Tristano (both often cited as
important cool jazz proponents of the mid 1940s), and
with Miles Davis on his epochal Birth of the Cool, which
gave the form its name.
Konitz has also been repeatedly noted as one of the few
jazz saxophonists of the late 1940s and 1950s who did
not seem imitative of the massively influential Charlie
Parker.
In the early 1950s, Konitz recorded and toured with Stan
Kenton's orchestra.
In 1961, he recorded Motion with Elvin Jones on drums
and Sonny Dallas on bass
Enrico Rava: The Secret Corners of a Master
by Marco Iacoboni
Meeting Enrico Rava means stepping into a world of stories, musicians and memories spanning decades of jazz history. We met on the occasion of the release of Corners, the ECM album he recorded with his band, Fearless Five, and a very special guest, Joe Lovano. With so many anecdotes, encounters and digressions to draw ...
Enrico Rava - Gli angoli segreti di un trombettista
by Marco Iacoboni
Incontrare Enrico Rava significa entrare in un mondo di storie, musicisti e ricordi che attraversano decenni di Storia del Jazz. Lo abbiamo incontrato in occasione dell'uscita di Corners, il disco realizzato con i Fearless Five e la partecipazione di un ospite d'eccezione: Joe Lovano. Tra aneddoti, incontri e digressioni, il difficile non è stato trovare gli ...
Monktober continues with covers from Abbey Lincoln, Art Blakey, Chick Corea, and Billy Higgins. Also new music from Janis Siegel, Bobby Watson, and Others
by David W. Daniels
In addition to the musicians mentioned in the title, this edition of Exploration includes newly released music from Tommy Flanagan, Amber Weekes, Ray Russell, and more. Birthdays for Freddy Cole, Roy Hargrove, Kazumi Watanabe, and others are recognized.Playlist Chick Corea and Eddie Gomez and Paul Motian Little Rootie Tootie" from Further Explorations (Concord Jazz) ...
Christian Finger: Zeit Zirkel
by Mike Jurkovic
Whether German-born, New York based drummer/composer Christian Finger (Lee Konitz, Ron Carter, Donny McCaslin) is well known within this circle or that circle holds no bearing on the shape of things and the highs heard on Zeit Zirkel. Making peace with grief and rooted in resilience, space, and spirit, the music makes its way through our ...
Todd DelGiudice: Mas Alto
by Dan McClenaghan
It seems that every saxophonist at some point in their career decides to pare the music down to its essentials. It is hard to pare down beyond the sax, bass, and drums trio. The history of this musical setup is long. Sonny Rollins, Joe Henderson, Sam Rivers, Lee Konitz and Joe Lovano (and so many more) ...
Ronnie Cuber: Baritone Boss
by Mark McKergow
Ronnie Cuber (1941-2022) made his mark on the jazz world as a versatile and muscular baritone saxophonist. Born in New York on Christmas Day 1941, he started on tenor saxophone but switched to baritone at 17, attracted by the vacant chair in Marshall Brown's Newport Jazz Youth Band (which also featured lifelong colleagues Eddie Gomez and Michael ...
Shawn Lovato, Vijay Iyer, and Charles Chen
by Jerome Wilson
This program features recent music by Shawn Lovato, Jun Iida and Charles Chen along with older work by Lee Konitz, Vijay Iyer and Lena Seikaly.Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Simon Belelty Lady Luck" from ...
Mal Waldron, Bria Skonberg, and James Blood Ulmer (RIP)
by Jerome Wilson
This episode features a tribute to the late guitarist James Blood Ulmer. It also contains music from Mal Waldron, Bria Skonberg, Leigh Pilzer and others. Due to technical difficulties, the recording begins in the middle of the first selection.Playlist Andrew Hill Cantarnos" from Black Fire (Blue Note) 00:00 Paul Hecht Wayne" from Pyrography II ...
Sam Norris: Wood/Gold - Solo Saxophone Volume 1
by Jack Kenny
This is music where you need to embrace the journey, not the destination: The music might not have a clear beginning, middle, and end in the traditional sense; enjoying the moment-to-moment unfolding of sounds and ideas is the purpose. Sometimes the act of listening to a saxophone is rewarded because the musician wants to ...

