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Lee Konitz
Born:
Konitz is sometimes regarded as the preeminent cool
jazz saxophonist, because he performed and recorded
with Claude Thornhill, Lennie Tristano (both often cited as
important cool jazz proponents of the mid 1940s), and
with Miles Davis on his epochal Birth of the Cool, which
gave the form its name.
Konitz has also been repeatedly noted as one of the few
jazz saxophonists of the late 1940s and 1950s who did
not seem imitative of the massively influential Charlie
Parker.
In the early 1950s, Konitz recorded and toured with Stan
Kenton's orchestra.
In 1961, he recorded Motion with Elvin Jones on drums
and Sonny Dallas on bass
Jimmy Halperin: High And Outside
by Ken Hohman
Pianist Lennie Tristano's music was in many ways more complex than bebop, featuring a different harmonic language and driven by long, freely improvised melodic lines over a carefully modulated rhythm section. Tristano's disciple, saxophonist Lee Konitz, was the most creative interpreter of this approach and demonstrated its limitless possibilities over eight decades before his passing in ...
Theo Bleckmann, Michael Garrick, and Conrad Herwig
by Jerome Wilson
This episode features recent releases by Theo Bleckmann, Tom Ollendorff and Conrad Herwig as well as older music from Michael Garrick. Bill Bruford, and Lee Konitz.Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Bob Lark “Evidence" from ...
Ted Brown Quartet: Just You Just Me
by Jack Kenny
Ted Brown's 2013 album, recorded at various locations in New York and New Jersey, is steeped in the traditions of both Lester Young and Lennie Tristano, but what emerges is distinctly his own. Born in 1927, Brown channels the inspirations of these jazz giants, yet asserts his own individuality in every phrase. The ghostly presences of ...
Monktober Continues, New Music from Charles Lloyd and More, Birthday Music from Roy Hargrove and More
by David W. Daniels
Monktober continues with very early recordings by Coleman Hawkins and Milt Jackson featuring Thelonious Monk on piano. Also, some of Monk's own compositions by himself and others. Classics by other artists including Charles Mingus, Dave Brubeck, and more. New music from Lori Williams, Ruby Rushton, and more. Recognizing this week's jazz musician birthdays with music from ...
The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life
by Katchie Cartwright
The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life John Gennari 264 Pages ISBN: #978-1-68458-285-3 Brandeis University Press 2025 Award-winning author, University of Vermont professor and Berkshire County native John Gennari encapsulates his fascinating history of The Jazz ...
Anat Fort: The Dreamworld of Paul Motian
by Kyle Simpler
Other performers inspire every musician to some extent, but for Anat Fort, the influence of drummer Paul Motian altered her approach to performing and thinking about music. Although Motian passed away in 2011, his presence remains a motivating force in Fort's work. With The Dreamworld of Paul Motian, she pays homage not just to the man ...
Eric McPherson, Adegoke Steve Colson, and Emma Hedrick
by Jerome Wilson
This episode incudes recent music from Eric McPherson, Adegoke Steve Colson and Emma Hedrick as well as older tunes from Steely Dan, Lee Konitz, and Billy Childs. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Weather Report ...
Dave Redmond: The Next In Line
by Ian Patterson
Ireland probably has more good jazz bassists than at any time before but ask who the most in-demand bassist in the country is and the answer is most likely Dave Redmond. The Dubliner has been a key player on the Irish jazz scene since the early 2000s, playing with Irish guitar greats Louis Stewart and Tommy ...
George Coleman: George Coleman with Strings
by Jack Kenny
The allure of recording with strings has captivated many jazz icons, from Stan Getz and Dizzy Gillespie to, most famously, Charlie Parker. For some, it is a pursuit of a different kind of respectability, an envying nod to the classical world. For George Coleman, a revered NEA Jazz Master, it was a chance to expand his ...
