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Lee Konitz
Born:
Konitz is sometimes regarded as the preeminent cool
jazz saxophonist, because he performed and recorded
with Claude Thornhill, Lennie Tristano (both often cited as
important cool jazz proponents of the mid 1940s), and
with Miles Davis on his epochal Birth of the Cool, which
gave the form its name.
Konitz has also been repeatedly noted as one of the few
jazz saxophonists of the late 1940s and 1950s who did
not seem imitative of the massively influential Charlie
Parker.
In the early 1950s, Konitz recorded and toured with Stan
Kenton's orchestra.
In 1961, he recorded Motion with Elvin Jones on drums
and Sonny Dallas on bass
Todd DelGiudice: Mas Alto
by Dan McClenaghan
It seems that every saxophonist at some point in their career decides to pare the music down to its essentials. It is hard to pare down beyond the sax, bass, and drums trio. The history of this musical setup is long. Sonny Rollins, Joe Henderson, Sam Rivers, Lee Konitz and Joe Lovano (and so many more) ...
Ronnie Cuber: Baritone Boss
by Mark McKergow
Ronnie Cuber (1941-2022) made his mark on the jazz world as a versatile and muscular baritone saxophonist. Born in New York on Christmas Day 1941, he started on tenor saxophone but switched to baritone at 17, attracted by the vacant chair in Marshall Brown's Newport Jazz Youth Band (which also featured lifelong colleagues Eddie Gomez and Michael ...
Shawn Lovato, Vijay Iyer, and Charles Chen
by Jerome Wilson
This program features recent music by Shawn Lovato, Jun Iida and Charles Chen along with older work by Lee Konitz, Vijay Iyer and Lena Seikaly.Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Simon Belelty “Lady Luck" from ...
Mal Waldron, Bria Skonberg, and James Blood Ulmer (RIP)
by Jerome Wilson
This episode features a tribute to the late guitarist James Blood Ulmer. It also contains music from Mal Waldron, Bria Skonberg, Leigh Pilzer and others. Due to technical difficulties, the recording begins in the middle of the first selection.Playlist Andrew Hill “Cantarnos" from Black Fire (Blue Note) 00:00 Paul Hecht “Wayne" from Pyrography II ...
Sam Norris: Wood/Gold - Solo Saxophone Volume 1
by Jack Kenny
This is music where you need to embrace the journey, not the destination: The music might not have a clear beginning, middle, and end in the traditional sense; enjoying the moment-to-moment unfolding of sounds and ideas is the purpose. Sometimes the act of listening to a saxophone is rewarded because the musician wants to ...
The Top 25 Songs Featuring Clarinet
by Dean Nardi
As Ian Dury might have sung had he played the clarinet, “Hit me with your licorice stick." (That is “rhythm stick" for those not fluent in punk rock.) From the intricacies of classical music to the smooth swing of jazz to Klezmer--the folk music of the Eastern European Jewish population--the instrument resonates throughout a good portion ...
Fred Hersch: The Touch of Genius
by Ken Dryden
The sound of Fred Hersch at the piano is so distinctive, a couple of bars is usually enough to identify him. The mainly self-taught Cincinnati native excelled early, playing jazz in his home town before leaving to study with pianist Jaki Byard at the New England Conservatory of Music. From there, Fred moved to New York ...
Listening to Prestige: Chronicling Its Classic Jazz Recordings, 1949–1972
by Mike Jurkovic
Listening To Prestige Tad Richards 278 Pages ISBN: # 9798855804959 Excelsior Editions/State University of New York 2026 Hubris and romanticism are the clashing hallmarks of history and jazz, like all human endeavors, is no exception. A sinuous, serpentine, and often torturous road through the American landscape: Slavery, poverty, migration, ...
Dexter Gordon: More Than You Know
by Alberto Bazzurro
Intitolato come un 33 giri orchestrale del lontano 1975 dello stesso Dexter Gordon, questo doppio album, uscito prima in CD e da poco più di un mese anche in vinile (poco meno di ottanta minuti totali, parlati compresi), documenta il passaggio del grande tenorsassofonista al festival genovese di Villa Imperiale del 1981, in un'edizione che ospitò ...
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