All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

85

Chick Corea & Gary Burton: Hot House

John Kelman By

Sign in to view read count
With a partnership lasting longer than most marriages, pianist Chick Corea and vibraphonist Gary Burton know what it takes to keep things fresh. Since the release of Crystal Silence (ECM, 1973), they have toured virtually every year, but record far less frequently, with only six albums to their credit, most recently The New Crystal Silence (Concord, 2008). With the pianist especially busy these days—his The Continents: Music for Jazz Quartet & Chamber Orchestra (Deutsche Grammophon, 2012) just out and a live set from his 2011 Return to Forever IV tour, The Mothership Returns (Concord, 2012), on the near horizon—anytime Corea enters the studio with Burton is worthy of celebration.

Traditionally, the duo has focused largely on music from the pianist's pen and from Burton collaborators like bassist Steve Swallow and composer/arranger Michael Gibbs. Shifting gears for Hot House, the pair covers music from the 1940s through the 1960s, by well-known names ranging from pianists Art Tatum, Bill Evans, Dave Brubeck, Tadd Dameron and Thelonious Monk to The Beatles' Paul McCartney and Antonio Carlos Jobim—though the songs chosen by the vibraphonist and pianist are a little further off the beaten path.

While not exactly unfamiliar, "Eleanor Rigby" hasn't received much interpretation in the jazz world. Still, after Tatum's jovial opener, "Can't We Be Friends"—the pianist moving from facile swing to strong-handed stride—it demonstrates Corea and Burton's seemingly effortless ability to draw music from external sources into their own complex yet accessible musical universe. A relentless left-hand pattern gives the song a far brighter pulse than the original, with Corea's right hand mirroring Burton before leading to a solo that demonstrates how, as he approaches 70 in 2013, the vibraphonist has lost none of his impeccable ability to shape flawless long-form narratives with exhilarating spontaneity. Corea, too, solos with the same kind of reckless in-the-moment spirit.

Two Jobim tracks run the gamut from the effervescent "Chega de Saudade" to "Once I Loved," which begins in ethereal atmospherics, but assumes a more propulsive stance in short order. It's no surprise to hear Corea play with quirky tongue in cheek on Monk's "Light Blue," but Burton is equally idiosyncratic, while a relatively brief look at Dameron's fiery title track is the result of Burton and Corea being uncertain as to who is to solo first, with a result that's all the more impressive for their ability to interact in rapid-fire fashion without ever stepping on each other's toes.

Two Corea originals close the set: "My Ship" has been expanded significantly from Expressions: Solo Piano (GRP, 1994), a brief descending pattern redolent of "Falling Alice," from the pianist's The Mad Hatter (Polydor, 1978). Augmented by The Harlem String Quartet, the episodic "One for Mozart" harkens back to the duo's Lyric Suite for Sextet (ECM, 1982), while presaging the duo's next CD, which will return to that expanded format.

Another CD already in the planning stages is terrific news from one of the longest-lasting partnerships in jazz. Familiarity needn't always breed contempt and Hot House proves it needn't spoil the thrill of discovery either—or the ability to just have some flat-out fun.

Track Listing: Can't We Be Friends; Eleanor Rigby; Chaga de Saudade; Time Remembered; Hot House; Strange Meadow Lark; Light Blue; Once I Loved; My Ship; Mozart Goes Dancing.

Personnel: Chick Corea: piano; Gary Burton: vibraphone; Ilmar Gavilán: violin (10); Melissa White: violin (10); Juan Miguel Hernandez: viola (10); Paul Wiancko: cello (10).

Title: Hot House | Year Released: 2012 | Record Label: Concord Records

Tags

Related Video

comments powered by Disqus

Related Articles

Read Decay Of The Angel CD/LP/Track Review
Decay Of The Angel
by Mark Corroto
Published: August 14, 2018
Read Encontros - Orquestra Atlantica CD/LP/Track Review
Encontros - Orquestra Atlantica
by Chris Mosey
Published: August 14, 2018
Read Sorrows & Triumphs CD/LP/Track Review
Sorrows & Triumphs
by Friedrich Kunzmann
Published: August 14, 2018
Read Od Ponedelnik CD/LP/Track Review
Od Ponedelnik
by Nenad Georgievski
Published: August 14, 2018
Read Coast to Crossroads CD/LP/Track Review
Coast to Crossroads
by Mark Sullivan
Published: August 13, 2018
Read Body CD/LP/Track Review
Body
by Mike Jurkovic
Published: August 13, 2018
Read "Detour Ahead" CD/LP/Track Review Detour Ahead
by Roger Farbey
Published: July 7, 2018
Read "Life Anthem" CD/LP/Track Review Life Anthem
by Troy Dostert
Published: May 31, 2018
Read "Cubist" CD/LP/Track Review Cubist
by Paul Rauch
Published: February 11, 2018
Read "Dust Shines" CD/LP/Track Review Dust Shines
by Mark Sullivan
Published: February 13, 2018
Read "To the Bone" CD/LP/Track Review To the Bone
by Geno Thackara
Published: August 22, 2017
Read "Morning Sun" CD/LP/Track Review Morning Sun
by Jack Bowers
Published: August 18, 2017