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Gary Burton
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Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone and, at the age of 17, made his recording debut in Nashville, Tennessee, with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and subsequently Stan Getz, with whom he worked from 1964-1966. As a member of Getz's quartet, Burton won Down Beat magazine's Talent Deserving of Wider Recognition award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had also recorded three albums under his name for RCA
John Scofield: Meant To Be
by John Ephland
When John Scofield and I met, in his Vancouver hotel room in June, 1990 on the occasion of the fifth annual du Maurier Ltd., International Jazz Festival, the conversation started with talk of his then-current band and his Blue Note debut, Time On My Hands (Blue Note Records, 1990). By this point, Sco, who ...
Patricia Brennan and Sylvie Courvoisier: Talamanti
by Mike Jurkovic
It is more than fair to say--right from the start of their kinship in early 2023, in the Sylvie Courvoisier 4 with bassist Thomas Morgan and drummer Dan Weiss--that there was something innate, and perhaps more importantly, intimate, between road-clearing pianist Sylvie Courvoisier and rascally vibraphonist Patricia Brennan. Talamanti proves that big time.
Moldejazz Jam Sessions: What Makes Them Tick?
by Daniel Mège
Jam sessions are greatest fun for jazz musicians and the audience. Yet behind their apparent spontaneity lies one of the most demanding traditions in jazz. Learning the repertoire, the language and the unwritten codes can take years, and it is in this sometimes intimidating setting that musicians can make or break their reputation. The Moldejazz jam ...
Steve Swallow: Music Is Elemental
by Dean Nardi
For esteemed composer and bassist Steve Swallow, writing music is a long, sometimes arduous process that typically begins with only a cup of coffee in the morning before putting in hours, days, weeks--five months in fact, to complete the music for Winter Songs (ECM Records, 2026). For him, that is lightning fast. His idea of composition ...
Moldejazz 2026
by Daniel Mège
Located at 62°7 North, Moldejazz (the Molde International Jazz Festival) is the ideal place for a festival in week 29, in early summer. A floral scent drifts through The Town of Roses, a ribbon less than a kilometer wide wedged into a peninsula between fjord and mountains. Even once it has set, the sun is never far ...
Patricia Brennan And Sylvie Courvoisier, Ambrose Akinmusire And Mary Halvorson, Mick Goodrick And Fred Hersch: Playing Doubles
by Doug Collette
Watching a musician perform solo vividly illustrates how difficult it is to play music well. And observing a pair of instrumentalists in action together graphically depicts how hard it is for musicians to play well together. In the case of these three teams of doubles, no one individual leads, except occasionally in transitions. Rather, the two ...
The Warm Glow of ECM Vinyl: Tomasz Stańko, Bill Connors, and Mick Goodrick
by C. Andrew Hovan
In an oft-quoted phrase from a 1971 magazine article, ECM founder and producer Manfred Eicher described the label's ethos as “the most beautiful sound next to silence." From the start, the label's eloquent sound--captured expertly by house engineers Martin Wieland and Jan Erik Kongshaug--transferred beautifully to vinyl, and original pressings remain highly prized among collectors. So ...
Mick Goodrick: In Pas(s)ing
by Jack Kenny
Let us start with the recording itself. For this album the quality of the recording is as important as the playing. It was made at Talent Studio in Oslo by Jan Erik Kongshaug--and is typically in the style of ECM Records: spacious, detailed, each instrument given room to breathe without being isolated from its neighbor. But ...
Mick Goodrick & Fred Hersch: Feebles, Fables And Ferns
by Neil Duggan
Feebles, Fables and Ferns captures a rare duo session between guitarist Mick Goodrick and pianist Fred Hersch. Recorded in August 1988 at Hersch's studio in New York, the album provides an intimate display of the superbly matched improvisational skills of two musicians in full flight. During his career, Goodrick perfected the art of avoiding ...
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