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About Gary Burton

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Musician

Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone and, at the age of 17, made his recording debut in Nashville, Tennessee, with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and subsequently Stan Getz, with whom he worked from 1964-1966. As a member of Getz's quartet, Burton won Down Beat magazine's Talent Deserving of Wider Recognition award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had also recorded three albums under his name for RCA

Article: Profile

L'avventuroso mondo di Patricia Brennan

by Angelo Leonardi
November 9, 2026

La presenza di Patricia Brennan ai vertici del jazz più innovativo è il risultato di un percorso artistico in costante evoluzione. Vibrafonista e compositrice di origine messicana, Brennan si è affermata negli ultimi anni come una delle personalità più originali della scena contemporanea. La sua musica mette in relazione una ricerca strumentale audace, una scrittura articolata ...

Article: Multiple Reviews

Patricia Brennan e Sylvie Courvoisier: una partnership ai vertici dell'innovazione

by Angelo Leonardi
November 9, 2026

A distanza di alcuni mesi uno dall'altro vedono la luce due significative collaborazioni tra la vibrafonista Patricia Brennan e la pianista Sylvie Courvoisier: il primo, Talamanti, è un disco in duo mentre il secondo, Amalthea, documenta la musica di un quartetto completato da Thomas Morgan al contrabbasso e Dan Weiss alla batteria. Il ...

Article: Reanimating Conversations Past

John Scofield: Meant To Be

by John Ephland
October 5, 2026

When John Scofield and I met, in his Vancouver hotel room in June, 1990 on the occasion of the fifth annual du Maurier Ltd., International Jazz Festival, the conversation started with talk of his then-current band and his Blue Note debut, Time On My Hands (Blue Note Records, 1990). By this point, Sco, who ...

Article: Album Review

Patricia Brennan and Sylvie Courvoisier: Talamanti

Read "Talamanti" reviewed by Mike Jurkovic

by Mike Jurkovic
September 7, 2026

It is more than fair to say--right from the start of their kinship in early 2023, in the Sylvie Courvoisier 4 with bassist Thomas Morgan and drummer Dan Weiss--that there was something innate, and perhaps more importantly, intimate, between road-clearing pianist Sylvie Courvoisier and rascally vibraphonist Patricia Brennan. Talamanti proves that big time.

Article: Live Review

Moldejazz Jam Sessions: What Makes Them Tick?

by Daniel Mège
August 26, 2026

Jam sessions are greatest fun for jazz musicians and the audience. Yet behind their apparent spontaneity lies one of the most demanding traditions in jazz. Learning the repertoire, the language and the unwritten codes can take years, and it is in this sometimes intimidating setting that musicians can make or break their reputation. The Moldejazz jam ...

Article: Interview

Steve Swallow: Music Is Elemental

by Dean Nardi
August 5, 2026

For esteemed composer and bassist Steve Swallow, writing music is a long, sometimes arduous process that typically begins with only a cup of coffee in the morning before putting in hours, days, weeks--five months in fact, to complete the music for Winter Songs (ECM Records, 2026). For him, that is lightning fast. His idea of composition ...

Article: Live Review

Moldejazz 2026

by Daniel Mège
August 4, 2026

Located at 62°7 North, Moldejazz (the Molde International Jazz Festival) is the ideal place for a festival in week 29, in early summer. A floral scent drifts through The Town of Roses, a ribbon less than a kilometer wide wedged into a peninsula between fjord and mountains. Even once it has set, the sun is never far ...

Article: Multiple Reviews

Patricia Brennan And Sylvie Courvoisier, Ambrose Akinmusire And Mary Halvorson, Mick Goodrick And Fred Hersch: Playing Doubles

by Doug Collette
July 25, 2026

Watching a musician perform solo vividly illustrates how difficult it is to play music well. And observing a pair of instrumentalists in action together graphically depicts how hard it is for musicians to play well together. In the case of these three teams of doubles, no one individual leads, except occasionally in transitions. Rather, the two ...

Article: Multiple Reviews

The Warm Glow of ECM Vinyl: Tomasz Stańko, Bill Connors, and Mick Goodrick

by C. Andrew Hovan
July 20, 2026

In an oft-quoted phrase from a 1971 magazine article, ECM founder and producer Manfred Eicher described the label's ethos as “the most beautiful sound next to silence." From the start, the label's eloquent sound--captured expertly by house engineers Martin Wieland and Jan Erik Kongshaug--transferred beautifully to vinyl, and original pressings remain highly prized among collectors. So ...