Results for "Antonio Carlos Jobim"
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Antonio Carlos Jobim
Born:
It has been said that Antonio Carlos Brasileiro de Almeida Jobim was the George Gershwin of Brazil—and there is a solid ring of truth in that, for both contributed large bodies of songs to the jazz repertoire, both expanded their reach into the concert hall, and both tend to symbolize their countries in the eyes of the rest of the world. With their gracefully urbane, sensuously aching melodies and harmonies, Jobim's songs gave jazz musicians in the 1960s a quiet, strikingly original alternative to their traditional Tin Pan Alley source.
Jobim's roots were always planted firmly in jazz; the records of {{Gerry Mulligan = 9681}}, {{Chet Baker = 3578}}, {{Barney Kessel = 8339}} and other West Coast jazz musicians made an enormous impact upon him in the 1950s. But he also claimed that the French impressionist composer Claude Debussy had a decisive influence upon his harmonies, and the Brazilian samba gave his music a uniquely exotic rhythmic underpinning. As a pianist, he usually kept things simple and melodically to the point with a touch that reminds some of Claude Thornhill, but some of his records show that he could also stretch out when given room. His guitar was limited mostly to gentle strumming of the syncopated rhythms, and he sang in a modest, slightly hoarse yet often hauntingly emotional manner.
Ahmad Jamal: Emerald City Nights: Live at The Penthouse, 1966-1968
by Mike Jurkovic
It was a time of warring nations, either within themselves or without. John Coltrane had fallen as Miles Davis was firing up the jazz/funk. It was a time of young men screaming, their bodies on fire. Black and white images of villages savaged and children starving. Into these unrivaled moments--they had just taken down ...
SFJAZZ Collective at SFJAZZ Center
by Harry S. Pariser
The SFJAZZ Collective The SFJAZZ Center San Francisco, California November 4, 2023 Taking the stage at the commencement of a four-night run at San Francisco's SFJAZZ Center The SFJAZZ Collective launched into vibraphonist Warren Wolf's arrangement of three amalgamated Miles Davis compositions: “In a Silent Way," “Directions," and “Nardis." Then, trumpeter ...
Gerald Clayton at Trinity University
by Katchie Cartwright
Gerald Clayton Trinity University / Ruth Taylor Hall San Antonio, TX November 7, 2023 Trinity University's Ruth Taylor Hall, with its intimate seating and warm wood-paneled acoustics, is a welcoming spot for a solo piano concert. Addressing the audience as he entered the stage, Gerald Clayton remarked on the geniality of ...
Doug Richards Orchestra: Through a Sonic Prism
by Jack Bowers
If the title of the Doug Richards Orchestra's new album, Through a Sonic Prism, seems a bit esoteric, its subtitle--"The Music of Antonio Carlos Jobim"--should help set the mind at ease. This is undeniably beautiful music, handsomely arranged by Richards and flawlessly performed by his eighteen-member Virginia-based ensemble and vocalist Laura Ann Singh, whose seductive voice ...
Allison Au's Migration Project: Transition, Trauma, and Transcendence
by Dave Kaufman
"Human beings are both fixed and wandering, settlers and nomads. Our history is the story of the nomad giving way to the settler but when people are unsettled, they have to migrate." (Ruth Padel, On Migration, 2013) Human migration has exerted a profound and far-reaching influence on the evolution of our civilization and the ...
Jim Rattigan: Duos
by Neil Duggan
The name Jim Rattigan may be unfamiliar but probably more familiar are his contributions to the music in Batman, Lord Of The Rings, The Bourne Ultimatum or Moulin Rouge... or maybe his work with Tom Jones, Burt Bacharach, George Michael, Adele or Tony Bennett. Globally, he is certainly one of the foremost exponents of the French ...
