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Antonio Carlos Jobim
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It has been said that Antonio Carlos Brasileiro de Almeida Jobim was the George Gershwin of Brazil—and there is a solid ring of truth in that, for both contributed large bodies of songs to the jazz repertoire, both expanded their reach into the concert hall, and both tend to symbolize their countries in the eyes of the rest of the world. With their gracefully urbane, sensuously aching melodies and harmonies, Jobim's songs gave jazz musicians in the 1960s a quiet, strikingly original alternative to their traditional Tin Pan Alley source.
Jobim's roots were always planted firmly in jazz; the records of {{Gerry Mulligan = 9681}}, {{Chet Baker = 3578}}, {{Barney Kessel = 8339}} and other West Coast jazz musicians made an enormous impact upon him in the 1950s. But he also claimed that the French impressionist composer Claude Debussy had a decisive influence upon his harmonies, and the Brazilian samba gave his music a uniquely exotic rhythmic underpinning. As a pianist, he usually kept things simple and melodically to the point with a touch that reminds some of Claude Thornhill, but some of his records show that he could also stretch out when given room. His guitar was limited mostly to gentle strumming of the syncopated rhythms, and he sang in a modest, slightly hoarse yet often hauntingly emotional manner.
Rob van Bavel: The Ghost, the King and I featuring Scott Hamilton & Strings
by Jack Bowers
As near as can be deduced, The Ghost, the King and I is a Netherlands-based trio comprised of pianist Rob van Bavel, guitarist Vincent Koning and bassist Frans van Geest. After performing in concert with acclaimed American tenor saxophonist Scott Hamilton and Salon de Musique, a three-member string group from South Korea, van Bavel and his ...
Do You CTI What I CTI?
by Patrick Burnette
Back on Episode 247, Pat gave an overview of Creed Taylor's famous (infamous?) CTI label that bestrode the first half of the nineteen seventies like a jazz colossus. Now we've got both members of the 'cast weighing in on four of the label's better productions. So comb your sideburns (and your shag rugs) and settle in ...
Doug MacDonald: Tribute to South Central
by Jack Bowers
Doug MacDonald, who more than likely would rather play the guitar than eat, does not like to repeat himself. With more than 30 albums under his belt, that is becoming more difficult than ever. MacDonald, nevertheless, keeps tweaking the size, makeup and experience of his various groups in an effort to produce something fresh and inviting. ...
Joe Syrian Motor City Jazz Octet: A Blue Time
by Jack Bowers
Drummer Joe Syrian's spit-shined Motor City Jazz Octet keeps driving emphatically forward on its second recording, A Blue Time, using an impressive arsenal to scurry through a generally agreeable lineup of more or less familiar themes that have been given fresh coats of paint by seven astute and talented arrangers. Even with the various ...
Eliane Elias: Lively and Live
by R.J. DeLuke
Eliane Elias is a jazz musician of the highest order. Her skills as a superlative pianist became known not long after she arrived in New York City from her São Paulo, Brazil, home in 1981. She drew notice as a member of Steps Ahead, a groundbreaking fusion group of the early 1980s that included ...
Jamile and Vinicius Gomes: Acoustic Thrills With Brazilian Twist
by R.J. DeLuke
The music of Brazil made its way into the jazz lexicon in the late 1950s and early 1960s when the bossa nova style emerged and caught on in the U.S., its chords and harmonies ripe for combining with the sensuous side of jazz. It's been a popular style ever since, with people in North ...
Take Five with Pianist Jon Gold
by AAJ Staff
Meet Jon Gold Jon's story begins in the San Francisco Bay Area. Jon's brother (Jay Gold) was an avid music fan who introduced Jon, as a child, to Delta blues, then r&b, and later jazz. Jon's brother Jay was a producer for Mushroom Records, the label for the pop group Heart. Jon started playing slide blues ...
Ben Wendel: BaRcoDe
by Angelo Leonardi
Il nuovo progetto di Ben Wendel vede il sassofonista canadese a capo di un quintetto senza la tradizionale sezione ritmica ma comprendente quattro acclamati vibrafonisti: Patricia Brennan, Simon Moullier, Joel Ross e Juan Diego Villalobos che ampliano lo spettro strumentale usando anche marimba, balafon, varie percussioni e dispositivi elettronici. L'organico è davvero inusuale ma ...
Gafieira Rio Miami: Beleza Pura
by Katchie Cartwright
Put on your dancing shoes for Beleza Pura, the sophomore release of Gafieira Rio Miami, the South Florida-based Latin big band. The album presents an exuberant program of Brazilian and Latin jazz standards, updated with spirited arrangements by Ricardo Gilly. The mood is upbeat and the performances are peppered with guest appearances by such Brazilian luminaries ...


