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Musician

Antonio Carlos Jobim

Born:

It has been said that Antonio Carlos Brasileiro de Almeida Jobim was the George Gershwin of Brazil—and there is a solid ring of truth in that, for both contributed large bodies of songs to the jazz repertoire, both expanded their reach into the concert hall, and both tend to symbolize their countries in the eyes of the rest of the world. With their gracefully urbane, sensuously aching melodies and harmonies, Jobim's songs gave jazz musicians in the 1960s a quiet, strikingly original alternative to their traditional Tin Pan Alley source.

Jobim's roots were always planted firmly in jazz; the records of {{Gerry Mulligan = 9681}}, {{Chet Baker = 3578}}, {{Barney Kessel = 8339}} and other West Coast jazz musicians made an enormous impact upon him in the 1950s. But he also claimed that the French impressionist composer Claude Debussy had a decisive influence upon his harmonies, and the Brazilian samba gave his music a uniquely exotic rhythmic underpinning. As a pianist, he usually kept things simple and melodically to the point with a touch that reminds some of Claude Thornhill, but some of his records show that he could also stretch out when given room. His guitar was limited mostly to gentle strumming of the syncopated rhythms, and he sang in a modest, slightly hoarse yet often hauntingly emotional manner.

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Article: Radio & Podcasts

Hermeto Pascoal: the Sound of Everything

Read "Hermeto Pascoal: the Sound of Everything" reviewed by Ludovico Granvassu


From his early accordion days and forró roots to his global influence, Hermeto Pascoal lived in total communion with sound, inspiring generations worldwide. More than a multi-instrumentalist, he was a true “multi-thing-ist," turning pianos, flutes, and drums into magic--but also rubber ducks, teapots, rivers, and stalactites. Perhaps shaped by his vision impairment, he treated every style ...

Results for pages tagged "Antonio Carlos Jobim"...

Musician

Greg Little & Renderglow

RENDERGLOW is a dynamic, interactive musical group based out of Orlando, Florida that combines elements of funk, pop, reggae, latin, jazz and dance into an intoxicating brew that is funky and fresh. Founder Greg Little plays trumpet, sings and incorporates the rare EVI. (Electric Valve Instrument) Renderglow has built a compelling new sound. Since 2012, they have played to enthusiastic crowds at clubs, festivals and corporate gigs.

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Article: Radio & Podcasts

Catina De Luna, Otmaro Ruíz, Roswell Rudd, Sheila Jordan

Read "Catina De Luna, Otmaro Ruíz, Roswell Rudd, Sheila Jordan" reviewed by Katchie Cartwright


A two-fer on this week's edition of Caminhos do Jazz... First up is Lado B Brazilian Project 2 (Sunnyside, 2025), from Brazilian singer-pianist Catina De Luna and Venezuelan guitarist and arranger-producer Otmaro Ruíz, the second installment of the illustrious duo's B-side project. Read our review here. The idea of the project is to interpret what we ...

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Article: Album Review

Catina DeLuna & Otmaro Ruíz: Lado B Brazilian Project 2

Read "Lado B Brazilian Project 2" reviewed by Pierre Giroux


Catina DeLuna and Otmaro Ruíz have once again teamed up to explore the rich tapestry of Brazilian music in Lado B Brazilian Project 2. As a follow-up to their earlier exploration of this repertoire, this album sees the duo delve even deeper into Brazil's lyrical and melodic treasures, producing results that are both innovative and rooted ...

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Article: Album Review

Catina DeLuna & Otmaro Ruíz: Lado B Brazilian Project 2

Read "Lado B Brazilian Project 2" reviewed by Katchie Cartwright


In a time of disembodied digital-only releases, luxuriously well-crafted albums like Catina DeLuna and Otmaro Ruiz's Lado B Brazilian Project 2, with physical disk, album notes, lyric translations and evocative graphics, can really be the balm. The project was born in 2015 with the release of Lado B Brazilian Project (Self Produced), which received ...

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Article: Album Review

Steve Millhouse: Looking Back to Today

Read "Looking Back to Today" reviewed by David A. Orthmann


In an era when athleticism, blatant egotism, and cacophony are all too common elements of jazz performance, it is refreshing to hear a record populated by players who exhibit give-and-take, musicality, and a willingness to listen and share sonic space. Six-string electric bassist Steve Millhouse's Looking Back to Today is a sterling example of a bass, ...

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Article: Live Review

Festival International de Jazz de Montréal 2025

Read "Festival International de Jazz de Montréal 2025" reviewed by Mark Sullivan


Various Venues Festival International de Jazz de Montréal Montréal, Canada June 28-July 2, 2025 The headliners of the 45th edition of the festival included names like Gospel legend Mavis Staples, Canadian rockers Blue Rodeo, Canadian Inuk musician Elisapie, New Orleans musician Trombone Shorty & Orleans Avenue, Nigerian singer/songwriter Ayra Starr, Canadian ...

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Article: Rising Stars

Introducing Pianist Ben Collins-Siegel

Read "Introducing Pianist Ben Collins-Siegel" reviewed by Sanford Josephson


I first saw Ben Collins-Siegel play piano in July 2019 at the Roselle Park Jazz Festival. Then a 12-year-old seventh grader at Maplewood Middle School, he led off a performance by the JTole Jazz Orchestra of Thad Jones' “Counter Block," written for the Count Basie Orchestra. It was stunning. JTole stands for Julius Tolentino, ...

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Article: Live Review

Ensemble Novo At Mount Laurel Library

Read "Ensemble Novo At Mount Laurel Library" reviewed by Carl Medsker


Ensemble Novo Mount Laurel Library Mount Laurel, NJ June 8, 2025 In a spacious, windowed corner of the Mount Laurel, NJ public library (yes, library), amidst the Silent Zone signs, Ensemble Novo was anything but. The beautiful, sultry and sometimes melancholy sounds of Brazilian Samba and Bossa Nova filled ...


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