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Musician

Art Tatum

Born:

Art Tatum was born in Toledo, Ohio and despite being blind in one eye and only partially sighted in the other he became arguably the greatest jazz piano player who ever lived. He came from a musical family and when younger had some formal training at the Toledo School of Music, however he was largely self-taught. His teacher their recognized his talents and tried to steer him towards as a career as a classical concert pianist. Tatum was more interested in the music of Fats Waller, which would be a strong influence on his music. At 18 he was playing interludes at a local radio station and within a short period of time he had his own show

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Article: Album Review

Roberto Magris: Lovely Day (s)

Read "Lovely Day (s)" reviewed by Dan McClenaghan


Italian pianist Roberto Magris began his journey to the United States--specifically, Kansas City--in 2007, although his recording career began in 1990, in Europe. He expresses himself, for the most part, in the bebop mode--good old-fashioned bop. His inspirations: Lee Morgan, Elmo Hope, Cannonball Adderley and more. Magris found a home at Kansas City's JMood ...

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Article: Radio & Podcasts

Final Recordings of Swing Era Masters: Mary Lou Williams, Artie Shaw, Django Reinhardt and more

Read "Final Recordings of Swing Era Masters: Mary Lou Williams, Artie Shaw, Django Reinhardt and more" reviewed by Larry Slater


There are many facets to great artists' careers, from their earliest musical adventures to their final recordings. Some lose their remarkable musical facilities as age, illness or drug abuse takes its toll, while others maintain their mastery until their final performance.The swing era was particularly tough on musicians, with the demands of constant travel ...

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Article: Radio & Podcasts

Out from the Vaults

Read "Out from the Vaults" reviewed by Patrick Burnette


The most recent Record Store Day episode is barely in the rear-view, but the boys decide to take on four more vault finds dug up by jazz detective Zev Feldman. Which ones are keepers and which ones get the dreaded label “redundant" and an invite off the island (or, at least, out of the record collection)? ...

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Article: Album Review

Sam Dillon: My Ideal

Read "My Ideal" reviewed by Jack Bowers


Any impartial assessment of My Ideal, Sam Dillon's second album for Cellar Music (following 2018's Out in the Open), should leave no doubt that the New York-born and based tenor saxophonist has definitely hit his stride, punctuating an already strong and persuasive voice on the horn with ample self-confidence and and a bounteous wellspring of innovative ...

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Article: Building a Jazz Library

Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation

Read "Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation" reviewed by Artur Moral


Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...

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Article: Live Review

Brad Mehldau Trio At National Concert Hall

Read "Brad Mehldau Trio At National Concert Hall" reviewed by Ian Patterson


Brad Mehldau Trio National Concert Hall Perspectives Dublin, Ireland June 25, 2025 Brad Mehldau looked like a man at ease as he walked to his piano, turned and bowed graciously to the audience. For sure, Dublin's National Concert Hall is a familiar venue--he had played here at least four times ...

Article: Live Review

Vicenza Jazz - New Conversations 2025

Read "Vicenza Jazz - New Conversations 2025" reviewed by Libero Farnè


Vicenza Jazz 2025 Varie sedi Vicenza 15--25 maggio 2025 Vicenza Jazz--New Conversations ha sempre portato un sottotitolo che mettesse in evidenza il tema su cui di anno in anno si concentrava prevalentemente. Questa ventinovesima edizione ha evitato di celebrare anniversari o di puntare i riflettori su uno strumento principe, ...anche se, ...

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Article: Interview

Jack Chambers: Rethinking Duke Ellington

Read "Jack Chambers: Rethinking Duke Ellington" reviewed by Jack Kenny


Jack Chambers is professor at the University of Toronto and teacher of music and language. His jazz writings include the prize winning biography Milestones: The Music and Times of Miles Davis (Da Capo Press, 1998) and Bouncin' with Bartok: The Incomplete Works of Richard Twardzik (Mercury PR, 2008). Sweet Thunder: Duke Ellington's Music In Nine Themes ...

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Article: Radio & Podcasts

Yazz Ahmed, Jeong Lim Yang, and Neil Ardley

Read "Yazz Ahmed, Jeong Lim Yang, and Neil Ardley" reviewed by Jerome Wilson


This episode features recent releases by Yazz Ahmed, Jeong Lim Yang, and Judy Wexler alongside older music from Neil Ardley, Art Tatum, and Bruno Raberg. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Art Tatum “I Cover ...


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