Home » Jazz Articles » Live Review » Dwight Trible at Ronnie Scott's Jazz Club

7

Dwight Trible at Ronnie Scott's Jazz Club

By

View read count
Dwight Trible
Ronnie Scott's Jazz Club
London
August 17, 2019

Dwight Trible inhabits a song with more than just his voice, he does so with his whole body—he uses every available limb and digit and twists and turns and shoehorns himself into his material. At Ronnie's tonight he resembled a man struggling to get into a raincoat several sizes too small in the face of a howling storm, all the while maintaining perfect pitch and clarity.

Since debuting on disc in 2001 with Horace (Elephant), named as a posthumous tribute to the pianist and community activist Horace Tapscott, who founded The Pan Afrikan Peoples Arkestra (PAPA) in Los Angeles in 1961, Trible has gone on to inherit the mantle of another spiritual-jazz auteur, the singer Leon Thomas, who emerged in the late 1960s as a member of Pharoah Sanders' band. Trible now sings with Sanders himself. He is active in the new L.A. scene centred around Kamasi Washington and is the vocal director for PAPA.

The set list for tonight's performance was built around Trible's most recent album, Mothership (Gearbox, 2019). On the disc he was accompanied by some of L.A.'s finest, including Washington. At Ronnie's, he was accompanied by an empathetic British trio comprising pianist Taz Modi, bassist Dave Whitford and drummer Jon Scott. Modi and Scott were in the band on Trible's previous album, Inspirations, recorded in London in 2017 for trumpeter Matthew Halsall's Gondwana label.

Trible performed without an interval for just over an hour. Highlights included Oscar Brown Jr.'s "Brother Where Are You," Tapscott's "Mothership" and Trible's "It's All About Love" and "Desert Fairy Princess," all from Mothership. Two others came from Inspirations: Cole Porter's "I Love Paris" and Nina Simone's "Black Is The Color Of My True Love's Hair." There were no multi-chorus instrumental solos other than Modi's trippy, impressionistic corker on "Mothership." Whitford and Scott shone on a chorus apiece on the closer, "It's All About Love," at the end of which Trible delivered a valedictory speech inspired by the sentiments on Sanders' "The Creator Has A Master Plan." Every moment tonight was spellbinding.

Tags

Comments


PREVIOUS / NEXT



Dwight Trible Concerts


Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Near

More

Jazz article: Bark Culture At Solar Myth
Jazz article: Hingetown Jazz Festival 2025
Jazz article: Hayley Kavanagh Quartet At Scott's Jazz Club

Popular

Read Take Five with Pianist Irving Flores
Read Jazz em Agosto 2025
Read Bob Schlesinger at Dazzle
Read SFJAZZ Spring Concerts
Read Sunday Best: A Netflix Documentary
Read Vivian Buczek at Ladies' Jazz Festival

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.