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Oneness

Label: Gondwana Records
Released: 2019
Track listing: Life; Oneness; Stan's Harp; Loving Kindness; Distant Land; Stories from India; The Traveller.

ARTICLE: ALBUM REVIEW

Matthew Halsall: Oneness

Read "Oneness" reviewed by Don Phipps

On Oneness, trumpeter and composer Matthew Halsall has fashioned a compendium of pieces that are fixed between spiritual meditative repose and poetry in motion. The collection of seven tone poems was recorded over three sessions in 2008 and are only in 2019 being released. In the liner notes, Halsall explains: “I've always treasured these recordings and ...

ARTICLE: RADIO

From Mason Razavi to Eric Scott Linder in 60 Minutes

Read "From Mason Razavi to Eric Scott Linder in 60 Minutes" reviewed by Nick Davies

Take a musical journey that starts with Mason Razavi and ends with Eric Scott Linder. Stops on the way include music from Erroll Garner and the James Carter Organ Trio. This is not any journey but a trip into both new and old jazz. Playlist Mason Razavi “When the Ink Ran Dry" from ...

ARTICLE: LIVE REVIEW

Dwight Trible at Ronnie Scott's Jazz Club

Read "Dwight Trible at Ronnie Scott's Jazz Club" reviewed by Chris May

Dwight Trible Ronnie Scott's Jazz Club London August 17, 2019 Dwight Trible inhabits a song with more than just his voice, he does so with his whole body—he uses every available limb and digit and twists and turns and shoehorns himself into his material. At Ronnie's tonight he ...

ARTICLE: ALBUM REVIEW

Various Artists: Sunny Side Up

Read "Sunny Side Up" reviewed by Chris May

London DJ Gilles Peterson's worldwide touring produces some singular jazz and near-jazz experiences, the best of which he documents on his Brownswood Recordings label. Modern Cuban music figures prominently in the catalogue, and there have been several Japanese jazz albums, most memorably the Toshio Matsuura Group's Loveplaydance: 8 Scenes From The Floor (Brownswood, 2018). The label ...

ARTICLE: ALBUM REVIEW

Dwight Trible: Mothership

Read "Mothership" reviewed by Chris May

The Beatles' Revolver (Parlophone, 1966), recorded while the band were out of their skulls on high-voltage lysergic acid diethylamide, was the first masterpiece of British psychedelic rock. One of the album's highlights, the sitar-drenched closing track, “Tomorrow Never Knows," still sounds potent enough to trigger a flashback. Remarkably, Dwight Trible's version of “Tomorrow Never ...

ARTICLE: ALBUM REVIEW

The Gondwana Orchestra: Colors

Read "Colors" reviewed by Matt Hooke

Saxophonist and composer Pharoah Sanders is often imitated but, never matched. His spiritual free-floating style, marked by his distinctive tenor saxophone tone makes him instantly recognizable. On Colors, the Gondwana Orchestra does not attempt to mimic the master, as the album does not include a single saxophonist. Instead of saxophone, the focus is on pianist Taz ...

ARTICLE: ALBUM REVIEW

Nat Birchall meets Al Breadwinner: Sounds Almighty

Read "Sounds Almighty" reviewed by Chris May

The British tenor saxophonist Nat Birchall has been recording uplifting cosmic-jazz since 1999, when he self-released his debut album, The Sixth Sense, a hard-bop tinged affair which included, in tracks such as the two versions of “Helix Nebula," pointers to his future direction. It took Birchall a decade to come to wider attention, with the release ...

ARTICLE: ALBUM REVIEW

Chip Wickham: Shamal Wind

Read "Shamal Wind" reviewed by Chris May

British flautist and saxophonist Chip Wickham is a graduate of the fertile 1990s modal-jazz scene in the northern city of Manchester. It has produced some stellar talents, amongst whom saxophonist Nat Birchall and trumpeter Matthew Halsall shine most prominently. But while Birchall and Halsall, who guests on one track on Shamal Wind, have each notched up ...


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