All About Jazz

Home » Articles » Interviews

13

David Fiuczynski: In the In Between

Daniel Lehner By

Sign in to view read count
The most recent compositional premiere by guitarist David Fiucyznski has a title that almost manages to sum up his entire sphere of influence. "Flam! Pan-Asian Microjam for J Dilla and Olivier Messiaen" premiered at Berklee College of Music in 2012 and was inspired by a geographically and temporally enormous range of styles. Fiuczynski describes the piece as a trinity of inspirations with respect to rhythm, harmony and melody.

"It's kind of a triangle between Pan-Asian music, Messiaen bird calls and having Dilla beats played either outright on drums or with more of an East Asian instrumentation," Fiuczynski explains. "I just thought it'd be kind of curious to see if you could combine Dilla's flam beats with some of the flam beats of East Asian music. There are lots of flams in the percussion in particular, like in Japanese court music [gagaku]. You also hear them in East European, Turkish, Arabic, Indian and all sorts of other musics. There are a lot of flams in the inflections; to use guitar-speak, there are pull-offs, hammer-ons, et cetera."

Fiuczynski's piece exploring commonalities was as much of an exploration as it was a receptacle of ideas. "I had been wondering if there was sort of a Silk Road continuum or if it's more of a trade-route thing or maybe a gypsy thing. There's a movie called Latcho Drom, which is all music, virtually no words, and it just follows the music of the gypsies starting in India, going through Eastern Europe and ending up in Spain. I noticed they all have similar inflections."

The incorporation of Messiaen makes the piece delve even deeper, drawing from several aspects of the French composer's oeuvre. "All of the melodies and motifs, of which there are about six or seven running throughout, are all bird calls," alluding to Messiaen's famous use of bird songs. "I also somewhat used his instrumentation, especially that of 'Sept Haïkaï,' which is somewhat inspired by Japanese percussion, bells and things, based off of seven haiku parts. I also drew from 'Oiseaux Exotiques,' which means 'the exotic birds,' which is another favorite of mine." For Fiuczynski, he mused on whether or not he and Messiaen could have possessed an even closer musical relationship. "I thought it was always interesting that he never used microtonality in his pieces, because birds obviously don't adhere to 12 notes per octave."

The non-adherence to the typical 12-note Western scale has been a defining characteristic for Fiuczynski ever since being exposed to famed microtonal legend Joe Maneri in Boston at New England Conservatory. Fiuczynski, now an educator at Berklee College of Music, has been a proponent of the music as well as an exhibitor. "Microtonality is not new. It's much older than our so-called tempered tuning; it goes back to the beginning of human beings. In regards to its age, you can go back to Delphic hymns, which were something like 128 years before Christ, or you could look at bone flutes, which have carbon dating that go back anywhere from 8,000 to 43,000 years old. And, really, microtonality is a Western construct; it's just a term for anything that's not 12 notes per octave. Considering that about 75-85% of the world's music is based on more notes per octave, to a certain extent, we're microtonal."

David Fiuczynski—Planet MicrojamFiuczynski has been a student of several different schools of microtonality, both in the realms of non-Western music and of the classical microtonality of composers like Alois Hába, Ivan Wyschnegradsky and Harry Partch, the latter of whom created systems using quarter tones, equal temperament and microtonal scales of differing notes per octave (such as 24, 33, 36, etc.). Fiuczynski's niche, however, has been trying to introduce these concepts into the realms of jazz and groove musics. "There's virtually nothing so far. There's Joe Maneri, who's been doing it since the '60s or '70s, and then there's little things here and there, like myself, Rudresh Mahanthappa, Steve Lehman. Steve Coleman had done the Lucidarium project with microtonality. There's some very cool stuff that a musician named Sevish is doing in terms of electronica, but it's still virtually a wide-open field."

He's also interested in exploring what was previously thought to be exhausted. "What I'm finding is that—though I also want to branch out in other directions—is that my approach is sometimes not so much 'microtonal' as much as it's 'micro tonal.' There's a lot you can do with tonality. Remember tonality—that old dinosaur? You can come up with new harmonies in a tonal context, and I think that's exciting"

Tags

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

Just for Now - Live!!

Just for Now - Live!!

David Fiuczynski
Choice Cuts

CD/LP/Track Review
Interviews
CD/LP/Track Review
Read more articles
Mikrojazz!: Neue Expressionistische Musik

Mikrojazz!: Neue...

RareNoiseRecords
2017

buy
Flam! Blam!

Flam! Blam!

RareNoiseRecords
2016

buy
 

Planet Microjam

Til Midnight
2012

buy
 

KiF Express

FuzeLicious Morsels
2009

buy
KiF Express

KiF Express

FuzeLicious Morsels
2008

buy
KiF Express

KiF Express

FuzeLicious Morsels
2008

buy

Related Articles

Read Jay Thomas: We Always Knew Interviews
Jay Thomas: We Always Knew
by Paul Rauch
Published: November 16, 2018
Read Meet Roy Hargrove Interviews
Meet Roy Hargrove
by Mark Felton
Published: November 5, 2018
Read Maria Schneider: On the Road Again Interviews
Maria Schneider: On the Road Again
by Mark Robbins
Published: October 14, 2018
Read Alan Broadbent: Intimate Reflections on a Passion for Jazz Interviews
Alan Broadbent: Intimate Reflections on a Passion for Jazz
by Victor L. Schermer
Published: October 12, 2018
Read Stefon Harris: Pursuing the Tradition Interviews
Stefon Harris: Pursuing the Tradition
by R.J. DeLuke
Published: October 5, 2018
Read Randy Weston: The Spirit of Our Ancestors Interviews
Randy Weston: The Spirit of Our Ancestors
by Ludovico Granvassu
Published: September 7, 2018
Read "Mark Morganelli: Adds Club Owner To His Resume" Interviews Mark Morganelli: Adds Club Owner To His Resume
by R.J. DeLuke
Published: February 12, 2018
Read "Julian Priester: Reflections in Positivity" Interviews Julian Priester: Reflections in Positivity
by Paul Rauch
Published: December 8, 2017
Read "Dan Kinzelman: Stream of Consciousness" Interviews Dan Kinzelman: Stream of Consciousness
by Neri Pollastri
Published: April 30, 2018
Read "Nik Bärtsch: Possibility in Paradox" Interviews Nik Bärtsch: Possibility in Paradox
by Geno Thackara
Published: April 24, 2018
Read "Bob Reynolds: Communication Is Key" Interviews Bob Reynolds: Communication Is Key
by R.J. DeLuke
Published: August 24, 2018