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Mike Kennedy: Insulation
by Victor L. Schermer
This unpretentious but edifying album consists of a series of guitar originals which flow into one another to form a unified whole. The music is relaxing, with a light swing that calls to mind guitarists like Wes Montgomery and Jim Hall, and might be called, to coin a phrase, “soft bop." Mike Kennedy, guitarist and leader, ...
Billy Harper: A Life of Persistence and Improvisation
by R.J. DeLuke
On stage, Billy Harper puts his lips to the tenor saxophone, stands relatively erect and sings through his horn; a strong, angular, muscular sound. There little physical gesticulation, belying the effort it takes to express feelings and emotions through the instrument. But Harper's creative statements demand attention. Over the last few years, a lot ...
Dave's Eight Track Mind
by John Ephland
Dave Stryker Crystal Run and Luna Stage Middletown, NY and West Orange, NJ November 2, 2014 It was a tale of two cities. Or two bands, to be more specific. Or two variations on a theme, to come that much closer to describing what went down on this first Sunday in ...
Take Five With Rik Wright
by AAJ Staff
Meet Rik Wright: A graph of Rik Wright's influences would read like a wave, running a gamut from jazz to rock and back again. As a guitarist he has taken on influences, often subconsciously, as varied as Andy Summers of The Police and John Abercrombie. Compositionally speaking, Wright hangs with a different crowd altogether, mingling ...
JP Soars: Full Moon Night In Memphis
by C. Michael Bailey
The blues have proven to be a most durable musical genre. They are also quite fertile and productive, providing the basis for infinite interpretation. This is good and bad. It is good for all of the exceptional music that has been made atop the rugged 12-bar harmonic structure. It is bad for all of the bad ...
Michael Anthony Natural Instincts Trio: Nostalgia
by Jack Bowers
Guitarist Michael Anthony, whose warm salute to mentor and friend Howard Roberts, Recollections, was reviewed here in June, recorded another tribute album seven years earlier (2007), this one dedicated to another longtime friend and colleague, the late Al Viola, who passed away in February of that year. Anthony says he was fortunate to have met Roberts ...
Kelley Suttenfield: Among The Stars
by Dan Bilawsky
Voice and nylon-string guitar. That's it. Nothing else to hear on this one, but nothing else is really needed. Vocalist Kelley Suttenfield's first album--Where Is Love (Rhombus Records, 2009)--was a well-crafted, full band affair that reimagined the works of everybody from Wes Montgomery ("West Coast Blues") to Caetano Veloso ("Coraçao Vagabundo") to The ...
Take Five With Mike Brannon
by AAJ Staff
Meet Mike Brannon: Having been born in Atlanta and then lived in North Carolina growing up, those Southern roots were likely to blame when I started playing blues/rock guitar. But I soon discovered Wes Montgomery, Hank Garland, Joe Pass, Tal Farlow and finally Pat Martino. After attending Jackie King's Guitar Conservatory of the Southwest, where ...
Gil Melle – Patterns in Jazz – Blue Note 1517
by Marc Davis
Sometimes, Blue Note surprises you. Often, the Blue Note catalogue is predictable, especially in the '50s and '60s. Some say it is too predictable. But if you dive deep, there are hidden gems slightly off the beaten hard-bop path. Case in point: Gil Melle's Patterns in Jazz. West Coast jazz ...
Oz Noy: The Twisted Wizardry Of Oz
by Ian Patterson
Any blues played by Oz Noy would have to be a little twisted. Drawing on influences ranging from the classic jazz guitarists of yesteryear to the trailblazers of more recent vintage, Noy's instantly recognizable voice is also heavily influenced by blues and heavy metal guitarists. Two and a half years have passed since Twisted ...
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