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Miles Davis' 3rd Quintet: Reference: Bitches Brew Live 1969 In Europe
by Mark Corroto
For Miles Davis, timing was everything. His music rarely stood still long enough for audiences to catch up. The Columbia releases of Filles de Kilimanjaro (January 29, 1969) and In a Silent Way (July 30, 1969) marked the decisive bridge between his acoustic past and electric future. Yet Davis was already moving beyond that bridge before ...
Michael Mordecai: The Man Who Keeps Austin Jazz Moving
by Hank Hehmsoth
Michael Mordecai has spent decades inside the machinery of Austin jazz: on the bandstand, behind the phone, at the booking desk, in the contractor's chair and in the community rooms where musicians, venues and advocates try to keep the music visible. His work has never fit neatly into a single category. Mordecai is a trombonist, bandleader, ...
Yazz Ahmed: Bridging Worlds Through Sound
by Marco Iacoboni
Yazz Ahmed is one of the most compelling and innovative voices in contemporary jazz, an Anglo-Bahraini trumpeter and composer acclaimed for her fusion of jazz, avant-garde electronics and Middle Eastern musical traditions. Her music creates soundscapes that feel at once ancient and futuristic, deeply rooted yet constantly searching for new directions. Rather than using ...
Sonic Loops: Eight Miles High on the Psychedelic Trane
by Alan Bryson
In the popular music of the '50s, the landscape revolved around individual vocalists, vocal harmony groups, and instrumental ensembles. In the early '60s, something radical emerged: self-contained groups--a collective of individuals with a group dynamic and identity. They wrote, sang, played instruments, and performed as a unified artistic whole. This represented a structural revolution in how ...
Alison Shearer In Her Own Words
by Walter Atkins
Bandleader Alison Shearer brought her talented Quartet to San Francisco's Black Cat for an expansive four-day residency. Her quartet consisted of keyboardist Kevin Bernstein, bassist Marty Kenny, drummer Diego Joaquin Ramirez and Shearer, saxophone and flute. The set included her compositions “Celestial," “Liberty Market" and “Cycles." After a productive week, she spent an extra day in ...
Band on Fire: The George Adams Don Pullen Quartet
by Larry Slater
The '70s and '80s were a strange time in the jazz world. Jazz-rock or fusion, was the dominant genre with electric bands like Weather Report and Return to Forever in the forefront. There were a few musicians and groups that continued to play acoustic jazz. Charles Mingus, one of the most important composers and ...
Classic jazz from Shirley Scott and more, and birthday shoutouts to Behn Gillece and Maceo Parker among others
by David W. Daniels
Classic music per the headline, plus the Modern Jazz Quartet, Jimmy Smith, and Joe Williams with Ella Fitzgerald and more! Recently released music from Roy Hargrove, Joel Ross, Snarky Puppy and more. Birthday recognition per the headline, plus Sharel Cassity, Rufus Reid, Omar Hakim, and Eugene McDaniels (songwriter of “Compared To What").Playlist Alchemy Sound ...
Ralph Towner: Unconcerned With What Genre His Music Is Labeled
by Jim Trageser
This interview was originally published in San Diego Troubadour magazine in the March, 2017 edition. You'll excuse Ralph Towner if he's not particularly interested in debates over genres and how to define them. The guitarist grew up playing swing jazz on trumpet, then studied classical piano in college, discovered guitar at age ...
Ralph Towner: The Accidental Guitarist
by Mario Calvitti
This article was first published on All About Jazz on May 16, 2017. Ralph Towner is a rather atypical figure in the vast world of jazz guitar. His instruments of choice are the classical guitar, which when he started, in the '60s, was played almost exclusively by guitarists related to Brazilian music like Charlie ...
Ralph Towner, 1940-2026
Ralph Towner, guitarist of unique sensibility, writer of highly original compositions, and an ECM artist for more than fifty years, has died, aged 85. Towner, who once described himself as an improvising “raconteur of the abstract” was born into a musical family in the small town of Chehalis, Washington. He started playing music at the age ...
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