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Reut Regev's R*Time: Exploring the Vibe

by Troy Collins
Exploring the Vibe is the dynamic follow-up to This is R Time (Ropeadope, 2009), the critically acclaimed debut of R*Time, a mutable ensemble led by Israeli-born trombonist Reut Regev. A versatile instrumentalist, Regev has been involved in a number of eclectic projects since moving to New York City in 1998, including musical experiments in Radical Jewish ...
Kahil El'Zabar Quartet: What It Is!

by Troy Collins
Since the early 1980s percussionist Kahil El'Zabar has led numerous dates as a leader, with much of his work issued by Chicago's Delmark Records. Some of his most impressive efforts for the label have featured collaborations with renowned artists, including New Thing-era luminaries such as Kalaparush Maurice McIntyre, Pharoah Sanders and Archie Shepp, as well as ...
Anthony Braxton: Eight (+1) Tristano Compositions 1989 For Warne Marsh
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by Troy Collins
Long valued as an elusive, out of print collector's item, the recently reissued Eight (+1) Tristano Compositions 1989 For Warne Marsh offers listeners another opportunity to reevaluate composer Anthony Braxton's vibrant reinterpretation of the groundbreaking pianist's work. Dedicated to the tenor saxophonist most commonly associated with pianist Lennie Tristano's oeuvre, this 1989 session originally included versions ...
Rob Mazurek Octet: Skull Sessions

by Troy Collins
The shadow of Miles Davis continues to influence the efforts of generations of jazz musicians, especially fellow trumpeters. Davis' myriad innovations span multiple styles and time periods, making it virtually impossible to ignore his achievements. Yet when the We Want Miles exhibition in São Paulo, Brazil asked former resident Rob Mazurek to devise a presentation inspired ...
Two Sides of Ben Goldberg

by Troy Collins
Developments in the evolving recording industry have inspired an increasing number of musicians to form their own labels. San Francisco-based clarinetist Ben Goldberg, a veteran of the 1990s Downtown New York scene, joined many of his peers in 2009 with Go Home, the inaugural release of his BAG Production Records imprint. Goldberg's prior efforts, issued by ...
Barry Altschul: The 3dom Factor

by Troy Collins
Drummer Barry Altschul is widely revered for his innovative work during the 1970s with the all-star quartet Circle and as a member of the influential trios of pianist Paul Bley and multi-instrumentalist Sam Rivers. Despite his avant-garde credentials, Altschul's purview also included sideman work with traditional jazz artists, including saxophonists Sonny Criss, Lee Konitz and Art ...
Joe Lovano Us Five: Kennett Square, PA, January 19, 2013

by Troy Collins
Joe Lovano Us FiveLongwood GardensKennett Square, PAJanuary 19, 2013Renowned saxophonist Joe Lovano brought his esteemed Us Five ensemble to Kennett Square's bucolic Longwood Gardens on a crisp January evening, touring in support of Cross Culture, his 23rd release for Blue Note Records. Performing in the Conservatory's intimate ballroom, the unconventional lineup ...
Mostly Other People Do the Killing: Setting the Record Straight

by Troy Collins
Mostly Other People Do the Killing is frequently typecast as one of today's most humorously irreverent young jazz groups, based in no small part on their provocative name, which was inspired by a quote attributed to inventor Leon Theremin--a survivor of the Soviet gulag who exonerated Stalin because mostly other people did the killing." Bassist and ...
Troy Collins' Best Releases of 2012

by Troy Collins
Considering the quantity of recordings released in a year's time, attempting to compile an end of the year list mentioning every first-rate session would be difficult at best. The ten titles included below are among the most exceptional new jazz albums I've heard in 2012. Jason Robinson Tiresian Symmetry Cuneiform Records
Katherine Young's Pretty Monsters: Pretty Monsters

by Troy Collins
Rarely used in jazz and creative improvised music (except by individualists like Karen Borca), the unwieldy bassoon is commonly relegated to the role of a doubling horn, sparingly employed by eclectic multi-instrumentalists like Joseph Jarman and Yusef Lateef for its unusual tonal color. Brooklyn-based bassoonist Katherine Young transcends the instrument's reputation with a shrewd combination of ...