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Two Sides of Ben Goldberg
Ben GoldbergSubatomic Particle Homesick Blues
BAG Production
2013
Originally recorded in 2008, Subatomic Particle Homesick Blues features an all-star acoustic line-up inspired by Goldberg's fortuitous meeting with saxophonist Joshua Redman. After sharing a double bill and deciding to make an album together, Goldberg invited fellow Denver, Colorado native Ron Miles to add his expressive trumpet alongside Redman's muscular tenor and the leader's supple clarinet. The longstanding duo of bassist Devin Hoff and drummer Ches Smith (aka, Good For Cows) was subsequently recruited to provide the three horn frontline rhythmic support.
Evoking stately Bachian chorales, the malleable horn section infuses Goldberg's sophisticated compositions with an evocative array of textures, their vibrant polyphony further intensified by the group's jubilant collective improvisations. They impart passionate lyricism to the old fashioned ballad "How To Do Things With Tears," celebratory verve to the ebullient travelogue "Who Died and Where I Moved To," and fervent conviction to the dramatic funeral dirge "Possible." Bolstered by the rhythm section's nimble rapport, the horn players collaboratively update cordial Dixieland-styled exchanges with freewheeling Ornettish dynamics, imbuing timeless traditions with bold, modernist vitality.
Ben GoldbergUnfold Ordinary Mind
BAG Production
2013
The genesis of Unfold Ordinary Mind originated from Goldberg's doubling on the rare contra-alto clarinet, primarily as an ensemble member of the critically acclaimed collective Tin Hat. Generally limiting his role to that of bassist in an unusual electro-acoustic quintet, Goldberg's subterranean perambulations underpin the virtuosic guitar wizardry of Nels Cline and the robust intertwining tenors of Ellery Eskelin and Rob Sudduth, aided by Smith's propulsive drumming.
Cline's quicksilver fretworka scintillating mosaic of distorted refrains, quavering tremolos and phantasmagoric feedbacklargely dominates the proceedings, emboldening the date with a theatrical rock intensity accentuated by Smith's forceful downbeats. Eskelin and Sudduth hold their own, emphasizing the soulful blues and R&B foundations of Goldberg's sinuous countermelodies and lush harmonies. The song-like quality of the leader's writing can be heard immediately in the regal opener, "Elliptical," which rises to a fevered pitch comparable to the ecstatic climax of the funky blues excursion "Stemwinder," while introspective numbers like "Lone" and "Breathing Room" reveal a gift for lyrical restraint and melodic development.
Goldberg's tuneful, emotionally direct melodies and engaging arrangements transcend the differences between acoustic and electric sonorities, harmoniously underscoring the accessible nature of both sessions. The New Orleans-infused horn section interplay of Subatomic Particle Homesick Blues capitalizes on Goldberg's contrapuntal sensibility, while Cline's psychedelic efx palette instills the memorable themes of Unfold Ordinary Mind with a bracing, contemporary luster. Whether divining inspiration from past antecedents or modern innovations, Goldberg's compositional purview is consistently imaginative, as demonstrated by the stylistic diversity heard on these two releases.
Tracks and Personnel
Subatomic Particle Homesick Blues
Tracks: Evolution; Ethan's Song; Study of the Blues; Doom; The Because Of; Possible; Asterisk; Satisfied Mind; Who Died and Where I Moved To; Lopse; How To Do Things With Tears.
Personnel: Ben Goldberg: Bb clarinet, contra-alto clarinet; Joshua Redman: tenor saxophone; Ron Miles: trumpet; Devin Hoff: bass; Ches Smith: drums; Scott Amendola: drums (5, 6).
Unfold Ordinary Mind
Tracks: Elliptical; Parallelogram; xcpf; Lone; I Miss the SLA; Stemwinder; Breathing Room.
Personnel: Ben Goldberg: contra-alto clarinet, Bb clarinet; Nels Cline: guitar; Ellery Eskelin: tenor saxophone; Rob Sudduth: tenor saxophone; Ches Smith: drums.
About Ben Goldberg
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