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Steph Richards: Supersense
by Mike Jurkovic
With all the threatening weirdness and desperate surrealism that has become life in the USA, it makes absolute sense that Supersense, daring trumpeter/composer Steph Richards' third full length album, starts out like an encroaching invasion of ants, or microbes, or a disruptive, divisive, myopic political movement. As with such forward seeking rebels as Henry ...
Taylor Ho Bynum 9-tette: The Ambiguity Manifesto
by Giuseppe Segala
All'interno della generazione di musicisti che si sono formati con Anthony Braxton negli anni Novanta, studiando presso di lui alla Wesleyan University e collaborando ai suoi lavori di quel periodo, Taylor Ho Bynum spicca insieme a Mary Halvorson per versatilità dinamica e dovizia progettuale. Bynum, nel periodo in cui ha diretto la Tri-Centric Foundation, dal 2010-2018, ...
Results for pages tagged "Stomu Takeishi"...
Taylor Ho Bynum: The Ambiguity Manifesto
by Mark Corroto
Cornetist, composer, organizer and curator Taylor Ho Bynum marshals his recording The Ambiguity Manifesto into the categories of before and after, as in AM/PM, BC/AD, and maybe more appropriately before AACM (Association for the Advancement of Creative Musicians) and after AACM. With the entire breadth of recorded jazz history available, Bynum chose the concepts of the ...
Taylor Ho Bynum 9-tette: The Ambiguity Manifesto
by Karl Ackermann
Taylor Ho Bynum's The Ambiguity Manifesto, with its oxymoronic title, is the third album in what the cornetist-composer calls an “accidental trilogy." Following his Firehouse 12 Records releases Navigation (Possible Abstracts XII & XIII) (2013) and Enter the Plus Tet (2016), Bynum recognized a form--however unconventional--both in the composition and performing of these large ensemble works. ...
Stephanie Richards: Creative Music
by Kevin Press
Calgary's Stephanie Richards has been rubbing shoulders with some of the world's finest jazz players since putting down roots in New York City. The trumpeter has a passion for testing boundaries and an intuitive approach to her work. Her latest, Take the Neon Lights, is a tribute to her new home. All About Jazz: ...
Saxophonist Jessica Jones is on a Continuum
by UDEiGWE
Jessica Jones Quartet's latest album, Continuum, is the product of an earnest and organic execution of musical creativity. Continuum features Jessica Jones on tenor saxophone, tony Jones on tenor saxophone, Stomu Takeishi on bass, Kenny Wollesen on drums, Devante Dunbar on alto saxophone, Ed Reed on vocals, Ambrose Akinmusire on trumpet, and Mamadou Sidibe on Kamali ...
Troy Dostert's Best Releases of 2018
by Troy Dostert
2018 was a terrific year for imaginative, well-executed recordings that cover the spectrum of instrumental configurations in creative jazz and freely improvised music. From Susana Santos Silva's mesmerizing solo trumpet to Ingrid Laubrock's formidable orchestra (and everything in between), the following choices are a cross-section of some of the best the year had to offer. Something ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
L'eclettismo di Satoko Fujii
by Neri Pollastri
Mentre è uscito Solo, primo dei ben dodici album che Satoko Fujii ha annunciato per il 2018, anno in cui compirà sessant'anni, ci occupiamo qui di tre dei numerosi ed eccellenti lavori da lei pubblicati nel 2017, che ne illustrano particolarmente la poliedricità: nel primo infatti Satoko non è al pianoforte, bensì alla fisarmonica; nel secondo ...
