Home » Jazz Articles » Stomu Takeishi
Jazz Articles about Stomu Takeishi
Henry Threadgill: Listen Ship
by Giuseppe Segala
As in other recent works, on Listen Ship Henry Threadgill appears solely as composer and conductor. No surprise there: his works vividly showcase a quest for a personal compositional dimension, one that reflects his drive for authenticity while engaging in dialogue, proposing a possible intersection between Black American musical traditions and other musical realms. This is eloquently detailed in his 2023 autobiography, Easily Slip into Another World. A Life in Music, a gem in the realm of autobiographies, where he ...
Continue ReadingHenry Threadgill: Listen Ship
by Giuseppe Segala
Come in altri suoi lavori recenti, anche su Listen Ship Henry Threadgill compare unicamente in qualità di compositore e conduttore. Nessuna meraviglia: sappiamo che il musicista di Chicago è tra i grandi compositori della contemporaneità. È evidente e ricchissima, nelle sue opere, la ricerca di una dimensione compositiva personale, che ne rispecchi l'impulso di autenticità e nel contempo si metta in dialogo, proponga un incrocio possibile tra musiche di matrice neroamericana e altre aree musicali. Come è dettagliatamente narrato nella ...
Continue ReadingKirk Knuffke: Window
by Jerome Wilson
Cornet player Kirk Knuffke seems to work with a different combination of musicians on every recording he makes. This time out, he is joined by Stomu Takeishi on bass and Bill Goodwin on drums in a bare bones trio session that covers a lot of musical ground. The album consists of thirteen short tracks that hopscotch between various styles, with the three musicians thoroughly engaged with each other. “Choose" is a bit of sly funk with Knuffke pushing ...
Continue ReadingJessica Jones Quartet: Edible Flowers
by Dan McClenaghan
The Jessica Jones Quartet's Edible Flowers can be described as a pair of hot tenor saxophonists cranking things up and shouting out one freewheeling romp (or rant) after another. There is a structure to her tunes, but the improvisation slice of the pie is a big one. Saxophonist Jones is joined by her sax mate, Tony Jones, bassist Stomu Takeishi and drummer Deszon Claiborne in this “no chording instrument quartet." The group is reminiscent of Ornette Coleman's band of New ...
Continue ReadingSteph Richards: Power Vibe
by Mike Jurkovic
Fire music. Free jazz. Third stream. Fourth stream. Avant improv, noise chamber blues, and whatever the meta and hashtags say it is, this sextet of loose cannons knows better and holds all the cards. Imagine for a moment what the reaction might be if your facial muscles suddenly, involuntarily, started to freeze, leaving you without expression and, without your art. Trumpeter Steph Richards, a halcyon force on the expanding concepts of free music, responded by making Power Vibe ...
Continue ReadingSatoko Fujii Orchestra New York: Entity
by Neri Pollastri
Undicesimo album per l'Orchestra New York di Satoko Fujii, qui composta di tredici elementi, dei quali ben nove già presenti nel primo lavoro, South Wind, risalente al lontano 1997. Il disco è registrato nel maggio del 2019 ed è uscito già lo scorso anno, ma merita egualmente grande attenzione, in quanto si tratta di un lavoro di primissimo livello. Né poteva essere diversamente, considerando non solo la qualità media, altissima, delle produzioni della musicista giapponese, ma anche l'organico straordinario della ...
Continue ReadingSteph Richards: Supersense
by Mike Jurkovic
With all the threatening weirdness and desperate surrealism that has become life in the USA, it makes absolute sense that Supersense, daring trumpeter/composer Steph Richards' third full length album, starts out like an encroaching invasion of ants, or microbes, or a disruptive, divisive, myopic political movement. As with such forward seeking rebels as Henry Threadgill, Anthony Braxton, David Byrne, Laurie Anderson and Yoko Ono, Richards' modus operandi is chiseled in the very foundations of the music itself. Never ...
Continue Reading
