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Article: Catching Up With

Dave Stryker: The Positive Force Of Blue Soul

by Kyle Simpler
June 19, 2020

Dave Stryker is passionate about music and its positive energy. From his time working with Jack McDuff and Stanley Turrentine to his years as a solo artist, Stryker has established himself as one of the foremost jazz guitarists around. He also teaches at Indiana University, Montclair State University, Rutgers University, and has an online instructional workshop ...

Article: Radio & Podcasts

Sir Stevie: Jammin' on Stevie Wonder - Part 3

by Ludovico Granvassu
June 2, 2020

There's so much amazing material penned by Stevie Wonder, so here we go again with the third part of our birthday special. After a dive in renditions from the '70s during part one and two, here we mix things up with a combination of contemporary stunners, like the unique take of Alicia Hall Moran on “Signed, ...

Article: Album Review

Dave Stryker with Bob Mintzer and the WDR Big Band: Blue Soul

Read "Blue Soul" reviewed by Jack Bowers

by Jack Bowers
May 17, 2020

Bob Mintzer had an idea. The renowned tenor saxophonist, who serves as principal conductor of Cologne, Germany's world-class WDR Big Band, had made several appearances as guest artist with guitarist Dave Stryker's New York-based organ trio and was so impressed that he thought it would be a good idea to re-orchestrate some of Stryker's music for ...

Article: Interview

Warren Wolf: Reincarnated

by Aaron Paschal
May 6, 2020

Warren Wolf is a Baltimore-born vibraphonist and a member of the SFJAZZ Collective. Reincarnation (2020), his fourth album as leader on Mack Avenue Records, sees Wolf dive into an entirely different side of his musical personality. We got together via ZOOM to talk about his musical influences, how he's staying creative during the COVID pandemic and ...

Article: Radio & Podcasts

Blue Note 50th Anniversaries: April 1970

by Marc Cohn
April 17, 2020

Time for 50th anniversary Blue Notes from April, 1970 from Duke Pearson (It Could Only Happen With You), Horace Silver (That Healin' Feelin'), Chick Corea (The Song Of Singing), and Wayne Shorter (Moto Grosso Feio). We've also got BN-21 from January 6, 1939 with Albert Ammons on the 88s. Along the way, Stanley Turrentine, Erik Jekabson, ...

Article: Interview

Lisa Marie Simmons: New NoteSpeak in Ya Ear

by Chris M. Slawecki
April 8, 2020

From their homebase in Lombardia, on the coast of Lake Garda in Italy, Lisa Marie Simmons and Marco Cremaschini share complementary creative skills as the lyrical and musical souls behind NoteSpeak: Poet, singer and songwriter Simmons crafts and delivers the lyrics while Cremaschini directs the sounds swirling around her as co-composer, pianist, and musical director.

Article: Radio & Podcasts

The Soul Jazz Organ of Jimmy Smith, Baby Face Willette, Shirley Scott (1957 - 1965)

by Russell Perry
April 7, 2020

Rarely has a jazz instrument been so completely redefined as the organ was at the hands of Jimmy Smith. In his wake, the Hammond B3 organ gained wide-spread popularity and attracted a suite of talented adherents. B3 players Jimmy Smith, Baby Face Willette and Shirley Scott in this hour of Jazz at 100 as we continue ...

News: Birthday

Jazz Musician of the Day: Stanley Turrentine

April 5, 2020

All About Jazz is celebrating Stanley Turrentine's birthday today! Stanley William Turrentine was one of the most distinctive tenor saxophonists in jazz. Known for his big, warm, sound, “The Sugar Man" or the original “Mr. T" found inspiration in the blues and turned it into a hugely successful career with a #1 hit and four Grammy ...

News: Video / DVD

8 Clips: Boss Tenors

March 1, 2020

Boss tenors take charge. I don't know how else to put it. When a boss tenor plays a ballad, a mid-tempo tune or a barn-burner, the saxophone's sound is assertive and commanding, with a deep, forceful push in the lower register and a bluesy wail up top. Let me illustrate with eight clips: Here's Ben Webster ...

News: Recording

Stanley Turrentine: Look Out!

February 13, 2020

Stanley Turrentine was a more sizable force on the tenor saxophone than many jazz fans realize. His tone on the instrument was big and broad, his attack was powerful and his soulful feel was largely unmatched. There was a bluesy brashness and satiny swagger to Turrentine's sound, and his “peel out" just before launching into a ...