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Jed Levy: Faces and Places
by Jack Kenny
This is a beautiful album that is fired up right from the start. The sound of the tenor is faintly reminiscent of Warne Marsh. There is no seeking after angularity. Jed Levy's way with melody is completely natural and integrated into the quintet, though there are surprises all the way through the improvisations. Jed ...
Meet Andy Bey
by Chris M. Slawecki
From the 1995-2003 archive: This article first appeared on All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...
Dave Monsch: Struttin' at the Winedale
by Dean Nardi
Dallas-based saxophonist and flautist Dave Monsch wants his debut album to catch listeners' attention. “I don't feel that it is a predictable album," he stated through an email exchange with AAJ. “There are so many different types of songs and styles, I would hope that something will grab them, if not all of it."
Backgrounder: Sonny Rollins - Alfie (1966)
No album better reflects Sonny Rollins's personality than his Alfie: Original Music From the Score, arranged by Oliver Nelson. Recorded in New York in January 1966, the original music has his energy, passion, tenderness and his melancholy in one fell swoop. It's all very mid-1960s. To learn more about the recording, consult my two-part post on ...
Michael Buckley: Blowing Hot
by Ian Patterson
An early spring vacation to New York saw Michael Buckley and his wife take in what he describes as “the usual sights." But for the Dublin saxophonist that also meant trips to “three or four saxophone shops." Once a tenor saxophonist, always a tenor saxophonist. Buckley, in fact, started out on the flute, playing ...
How Creedence Clearwater Revival Saved Jazz
by Kyle Simpler
By 1970, Creedence Clearwater Revival was arguably the biggest rock and roll group in America--if not the world. Songs like “Proud Mary" (Fantasy 1969), “Green River" (Fantasy 1969) and “Born on the Bayou" (Fantasy 1969) dominated both Top 40 and album-oriented radio, and their music continues to thrive decades later, becoming a staple of classic rock ...
Charles Mingus: In Argentina: The Buenos Aires Concerts
by Dan McClenaghan
So many live jazz dates have been taped over the years. Then the tapes have been shelved. With that in mind, there may be no end to the ongoing supply of uncovered jazz gems begging to be discovered. But Zev Feldman, the Jazz Detective, is doing his best to dig out as many as possible. His ...
Carla Bley, Count Basie, Diane Schuur, Hubert Laws & Sonny Rollins
by Joe Dimino
Welcome to the 900th episode of Neon Jazz! After 14 incredible years, we've hit yet another milestone--one that wouldn't be possible without the legends who have shaped jazz and the fans who've supported us every step of the way. For this special hour, we take a deep dive into the icons who have defined the sound ...
Stefano Galvani: Jazz - Una Storia In Bianco e Nero
by Giuseppe Segala
Jazz -Una storia in bianco e nero Stefano Galvani 372 Pagine ISBN: 9788885750203 Bonomi Editore 2024 Fotografare il jazz: una coniugazione che ha percorso la vicenda di queste due forme espressive, allacciando una forte rete di corrispondenze ed empatie. Soprattutto nel periodo in cui il vinile dominava incontrastato la ...
Robby Ameen: Live at the Poster Museum
by Jack Bowers
Unlike some drummer-led albums, wherein it is hard to determine who is actually piloting the ship, there are no doubts about who is in charge on Live at the Poster Museum--and that would be none other than Robby Ameen whose sharp and forceful timekeeping enlivens the heart and soul of every number, lending them a sizable ...
